PianoChords.studio

Arrivederci by Umberto Bindi

Piano chords, voicings & structure breakdown · 67 steps · 31 unique chords

Community chart. These chords come from a chart a musician wrote and shared on the iReal Pro forums, not from a transcription checked against the recording. Charts are sometimes written in a different key or simplified, and no second chart of this song agreed closely enough to mark this page verified. Trust your ears.
IntroStep 1 of 67

B♭6

LeftB♭2, F3RightD4, F4, G4
C4F3D4F4G4B♭2
Left hand Right hand Middle C (C4)

No source cited for this step

Harmonic Analysis & Structure

Overview

Key: F major · Chords used: 31 · Sections: 5

Form: Intro → A Section → B Section → A Section → C Section

Where these chords come from: a chord chart of this song written by a musician and shared on the iReal Pro forums, archived in the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). It's one musician's reading of the song, not a transcription checked against the recording. This page shows that chart as-is: the analysis below is generated directly from it by code, not written by AI. Consecutive repeats of a chord are shown once, and the piano voicings are our playable arrangement of each chord symbol, not a note-for-note transcription.

Section by section

Intro

  • B♭6 – B♭mmaj7 – B♭m7 – Am7 – G♯dim – Gm7 – C9sus4
    IV6 – ivmaj7 – iv7 – iii7 – #ii° – ii7 – V9sus4

A Section 1

  • Fmaj7 – Dm7 – Gm7 – C7sus4 – C7 – E/F – Fmaj7 – Am7 – A♭7♯11 – Gm – Gm/F♯ – Gm7/F – C7/E – Fmaj7 – Cm7 – F7 – F7♭9
    Imaj7 – vi7 – ii7 – V7sus4 – V7 – VII (bass F) – Imaj7 – iii7 – bIII7#11 – ii – ii (bass F♯) – ii⁴₂ – V⁶₅ – Imaj7 – v7 – I7 – I7b9

B Section

  • B♭m7 – E♭7 – B♭m7 – E♭7sus4 – E♭7 – Dm7 – Gm7 – G7 – Gm7 – C7sus4 – C7
    iv7 – bVII7 – iv7 – bVII7sus4 – bVII7 – vi7 – ii7 – II7 – ii7 – V7sus4 – V7

A Section 2

  • Fmaj7 – Dm7 – Gm7 – C7sus4 – C7 – E/F – Fmaj7 – Am7 – A♭7♯11 – Gm – Gm/F♯ – Gm7/F – C7/E – C7 – C7/B♭ – Am7 – D7
    Imaj7 – vi7 – ii7 – V7sus4 – V7 – VII (bass F) – Imaj7 – iii7 – bIII7#11 – ii – ii (bass F♯) – ii⁴₂ – V⁶₅ – V7 – V⁴₂ – iii7 – VI7

C Section

  • Gm7 – B♭m7 – E♭9 – Fmaj7 – A7♭9 – Dm7 – G9 – Gm7 – C7sus4 – D♭7♯11 – C13 – F6 – Dm7 – Gm7 – C7sus4
    ii7 – iv7 – bVII9 – Imaj7 – III7b9 – vi7 – II9 – ii7 – V7sus4 – bVI7#11 – V13 – I6 – vi7 – ii7 – V7sus4

Chord vocabulary

ChordRoman numeralRoleHeard in
B♭6IV6In the keyIntro
B♭mmaj7ivmaj7Outside the key (chromatic)Intro
B♭m7iv7Borrowed from F minorIntro, B Section, C Section
Am7iii7In the keyIntro, A Section
G♯dim#ii°Outside the key (chromatic)Intro
Gm7ii7In the keyIntro, A Section, B Section, C Section
C9sus4V9sus4In the keyIntro
Fmaj7Imaj7Home chord (tonic)A Section, C Section
Dm7vi7In the keyA Section, B Section, C Section
C7sus4V7sus4In the keyA Section, B Section, C Section
C7V7In the keyA Section, B Section
E/FVII (bass F)Outside the key (chromatic)A Section
A♭7♯11bIII7#11Outside the key (chromatic)A Section
GmiiIn the keyA Section
Gm/F♯ii (bass F♯)Outside the key (chromatic)A Section
Gm7/Fii⁴₂In the keyA Section
C7/EV⁶₅In the keyA Section
Cm7v7Borrowed from F minorA Section
F7I7Outside the key (chromatic)A Section
F7♭9I7b9Outside the key (chromatic)A Section
E♭7bVII7Borrowed from F minorB Section
E♭7sus4bVII7sus4Borrowed from F minorB Section
G7II7Outside the key (chromatic)B Section
C7/B♭V⁴₂In the keyA Section
D7VI7Outside the key (chromatic)A Section
E♭9bVII9Borrowed from F minorC Section
A7♭9III7b9Secondary dominant (V/vi)C Section
G9II9Outside the key (chromatic)C Section
D♭7♯11bVI7#11Outside the key (chromatic)C Section
C13V13In the keyC Section
F6I6Home chord (tonic)C Section

Harmonic highlights

  • B♭m7 (iv7) is borrowed from the parallel key, F minor.
  • Cm7 (v7) is borrowed from the parallel key, F minor.
  • E♭7 (bVII7) is borrowed from the parallel key, F minor.
  • E♭7sus4 (bVII7sus4) is borrowed from the parallel key, F minor.
  • E♭9 (bVII9) is borrowed from the parallel key, F minor.
  • A7♭9 acts as V/vi: it resolves to Dm7.

Sources & accuracy

  • Chords: the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). Community chord chart “Arrivederci” (credited “Bindi Umberto”, style Ballad) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata.
  • Section names: from the chart's own markings: section names written on the chart (Intro, Verse, Chorus…) are kept, and rehearsal letters are shown as “A Section”, “B Section” and so on (the B of an AABA song is called the Bridge).
  • Chord charts are often written in a key that suits a particular singer or band, so this may not be the key of the original recording.
  • About the song: Wikipedia.
  • Not verified: only one chart of this song is available, so it hasn't been cross-checked.
  • 1 chord was simplified to the closest symbol our player supports (for example, an unusual added tone dropped).
  • Rhythm and chord durations aren't shown; each step is one chord change.

Sources & Accuracy

Every chord on this page comes from the community chart listed first below. Piano voicings are our arrangement of the reported chord symbols, not a note-for-note transcription.

  • Chords from a chart a musician wrote and shared on the iReal Pro forums (archived in the ChoCo research dataset); may be in a different key from the recording, and not checked against it.

    Community chord chart “Arrivederci” (credited “Bindi Umberto”, style Ballad) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata.

All Piano Voicings

#SectionChordLeft handRight handSources
1IntroB♭6B♭2, F3D4, F4, G4—
2IntroB♭mmaj7B♭2, F3D♭4, F4, A4—
3IntroB♭m7B♭2, F3D♭4, F4, A♭4—
4IntroAm7A2, E3C4, E4, G4—
5IntroG♯dimG♯2, G♯3B3, D4, G♯4—
6IntroGm7G2, D3B♭3, D4, F4—
7IntroC9sus4C2, G2B♭3, D4, F4, G4—
8A Section 1Fmaj7F2, C3C4, E4, A4—
9A Section 1Dm7D2, A2C4, F4, A4—
10A Section 1Gm7G2, D3D4, F4, B♭4—
11A Section 1C7sus4C2, G2F4, G4, B♭4—
12A Section 1C7C2, G2E4, G4, B♭4—
13A Section 1E/FF2E4, G♯4, B4—
14A Section 1Fmaj7F2, C3E4, A4, C5—
15A Section 1Am7A2, E3E4, G4, C5—
16A Section 1A♭7♯11A♭2, E♭3E♭4, G♭4, C5, D5—
17A Section 1GmG2, D3G4, B♭4, D5—
18A Section 1Gm/F♯F♯2G4, B♭4, D5—
19A Section 1Gm7/FF2F4, G4, B♭4, D5—
20A Section 1C7/EE2E4, G4, B♭4, C5—
21A Section 1Fmaj7F2, C3E4, A4, C5—
22A Section 1Cm7C2, G2E♭4, G4, B♭4—
23A Section 1F7F2, C3E♭4, A4, C5—
24A Section 1F7♭9F2, C3E♭4, G♭4, A4, C5—
25B SectionB♭m7B♭2, F3F4, A♭4, D♭5—
26B SectionE♭7E♭2, B♭2G4, B♭4, D♭5—
27B SectionB♭m7B♭2, F3F4, A♭4, D♭5—
28B SectionE♭7sus4E♭2, B♭2A♭4, B♭4, D♭5—
29B SectionE♭7E♭2, B♭2G4, B♭4, D♭5—
30B SectionDm7D2, A2F4, A4, C5—
31B SectionGm7G2, D3F4, B♭4, D5—
32B SectionG7G2, D3F4, B4, D5—
33B SectionGm7G2, D3F4, B♭4, D5—
34B SectionC7sus4C2, G2F4, G4, B♭4—
35B SectionC7C2, G2E4, G4, B♭4—
36A Section 2Fmaj7F2, C3E4, A4, C5—
37A Section 2Dm7D2, A2F4, A4, C5—
38A Section 2Gm7G2, D3F4, B♭4, D5—
39A Section 2C7sus4C2, G2F4, G4, B♭4—
40A Section 2C7C2, G2E4, G4, B♭4—
41A Section 2E/FF2E4, G♯4, B4—
42A Section 2Fmaj7F2, C3E4, A4, C5—
43A Section 2Am7A2, E3E4, G4, C5—
44A Section 2A♭7♯11A♭2, E♭3E♭4, G♭4, C5, D5—
45A Section 2GmG2, D3G4, B♭4, D5—
46A Section 2Gm/F♯F♯2G4, B♭4, D5—
47A Section 2Gm7/FF2F4, G4, B♭4, D5—
48A Section 2C7/EE2E4, G4, B♭4, C5—
49A Section 2C7C2, G2E4, G4, B♭4—
50A Section 2C7/B♭B♭2E4, G4, B♭4, C5—
51A Section 2Am7A2, E3E4, G4, C5—
52A Section 2D7D2, A2F♯4, A4, C5—
53C SectionGm7G2, D3F4, B♭4, D5—
54C SectionB♭m7B♭2, F3F4, A♭4, D♭5—
55C SectionE♭9E♭2, B♭2F4, G4, B♭4, D♭5—
56C SectionFmaj7F2, C3E4, A4, C5—
57C SectionA7♭9A2, E3E4, G4, B♭4, C♯5—
58C SectionDm7D2, A2F4, A4, C5—
59C SectionG9G2, D3F4, A4, B4, D5—
60C SectionGm7G2, D3F4, B♭4, D5—
61C SectionC7sus4C2, G2F4, G4, B♭4—
62C SectionD♭7♯11D♭2, A♭2F4, G4, A♭4, C♭5—
63C SectionC13C2, G2D4, E4, A4, B♭4—
64C SectionF6F2, C3D4, A4, C5—
65C SectionDm7D2, A2F4, A4, C5—
66C SectionGm7G2, D3F4, B♭4, D5—
67C SectionC7sus4C2, G2F4, G4, B♭4—