PianoChords.studio

Bella María De Mi Alma by Los Lobos

Piano chords, voicings & structure breakdown · 123 steps · 17 unique chords

IntroStep 1 of 123

Gm7

LeftG2, D3RightB♭3, D4, F4
C4G2D3D4F4B♭3
Left hand Right hand Middle C (C4)

No source cited for this step

Harmonic Analysis & Structure

Overview

Key: G minor · Chords used: 17 · Sections: 10

Form: Intro → A Section → A Section → B Section → A Section → Interlude → A Section → B Section → B Section → B Section

Where these chords come from: a chord chart of this song written by a musician and shared on the iReal Pro forums, archived in the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). It's one musician's reading of the song, not a transcription checked against the recording. This page shows that chart as-is: the analysis below is generated directly from it by code, not written by AI. Consecutive repeats of a chord are shown once, and the piano voicings are our playable arrangement of each chord symbol, not a note-for-note transcription.

Section by section

Intro

  • Gm7 – C7 – E♭ – D7 – E♭maj7 – D7
    i7 – IV7 – bVI – V7 – bVImaj7 – V7

A Section 1

  • Cm7 – F7 – Gm7 – E♭maj7 – Cm7 – E♭maj7 – D7 – E♭7 – D7 – Cm7 – F7 – B♭maj7 – E♭maj7 – Cm7 – Gm7 – E♭maj7 – Cm/E♭
    iv7 – bVII7 – i7 – bVImaj7 – iv7 – bVImaj7 – V7 – bVI7 – V7 – iv7 – bVII7 – bIIImaj7 – bVImaj7 – iv7 – i7 – bVImaj7 – iv⁶

A Section 2

  • Cm7 – F7 – Gm7 – E♭maj7 – Cm7 – E♭maj7 – D7 – E♭7 – D7 – Cm7 – F7 – B♭maj7 – E♭maj7 – Cm7 – Gm7 – Cm7 – B♭ – Am7♭5 – D7♯9
    iv7 – bVII7 – i7 – bVImaj7 – iv7 – bVImaj7 – V7 – bVI7 – V7 – iv7 – bVII7 – bIIImaj7 – bVImaj7 – iv7 – i7 – iv7 – bIII – iiø7 – V7#9

B Section 1

  • Gm7 – F – E♭m6 – E♭m6/B♭ – E♭m6/A♭ (×2)
    i7 – bVII – bvi6 – bvi6 (bass B♭) – bvi6 (bass A♭)
  • Gm7 – E♭maj7 – Cm7 – D7 – Gm7 – E♭maj7 – D7
    i7 – bVImaj7 – iv7 – V7 – i7 – bVImaj7 – V7

A Section 3

  • Cm7 – F7 – Gm7 – E♭maj7 – Cm7 – E♭maj7 – D7 – E♭7 – D7
    iv7 – bVII7 – i7 – bVImaj7 – iv7 – bVImaj7 – V7 – bVI7 – V7

Interlude

  • Gm7 – C7 – E♭ – D7 – E♭maj7 – D7
    i7 – IV7 – bVI – V7 – bVImaj7 – V7

A Section 4

  • Cm7 – F7 – Gm7 – E♭maj7 – Cm7 – E♭maj7 – D7 – E♭7 – D7 – Cm7 – F7 – B♭maj7 – E♭maj7 – Cm7 – Gm7 – Cm7 – B♭ – Am7♭5 – D7
    iv7 – bVII7 – i7 – bVImaj7 – iv7 – bVImaj7 – V7 – bVI7 – V7 – iv7 – bVII7 – bIIImaj7 – bVImaj7 – iv7 – i7 – iv7 – bIII – iiø7 – V7

B Section 2

  • Gm7 – F – E♭m6 – E♭m6/B♭ – E♭m6/A♭ (×2)
    i7 – bVII – bvi6 – bvi6 (bass B♭) – bvi6 (bass A♭)
  • Gm7 – E♭maj7 – Cm7 – D7 – Gm7 – F – E♭m6 – E♭m6/B♭ – E♭m6/A♭
    i7 – bVImaj7 – iv7 – V7 – i7 – bVII – bvi6 – bvi6 (bass B♭) – bvi6 (bass A♭)

B Section 3

  • Gm7 – F – E♭m6 – E♭m6/B♭ – E♭m6/A♭ (×2)
    i7 – bVII – bvi6 – bvi6 (bass B♭) – bvi6 (bass A♭)
  • Gm7 – E♭maj7 – Cm7 – D7 – Gm7 – E♭ – D7
    i7 – bVImaj7 – iv7 – V7 – i7 – bVI – V7

B Section 4

  • Gm7 – F – E♭m6 – E♭m6/B♭ – E♭m6/A♭ (×2)
    i7 – bVII – bvi6 – bvi6 (bass B♭) – bvi6 (bass A♭)
  • Gm7 – E♭maj7 – Cm7 – D7
    i7 – bVImaj7 – iv7 – V7

Chord vocabulary

ChordRoman numeralRoleHeard in
Gm7i7Home chord (tonic)Intro, A Section, B Section, Interlude
C7IV7Outside the key (chromatic)Intro, Interlude
E♭bVIIn the keyIntro, Interlude, B Section
D7V7In the keyIntro, A Section, B Section, Interlude
E♭maj7bVImaj7In the keyIntro, A Section, B Section, Interlude
Cm7iv7In the keyA Section, B Section
F7bVII7In the keyA Section
E♭7bVI7Outside the key (chromatic)A Section
B♭maj7bIIImaj7In the keyA Section
Cm/E♭iv⁶In the keyA Section
B♭bIIIIn the keyA Section
Am7♭5iiø7In the keyA Section
D7♯9V7#9In the keyA Section
FbVIIIn the keyB Section
E♭m6bvi6Outside the key (chromatic)B Section
E♭m6/B♭bvi6 (bass B♭)Outside the key (chromatic)B Section
E♭m6/A♭bvi6 (bass A♭)Outside the key (chromatic)B Section

Sources & accuracy

  • Chords: the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). Community chord chart “Bella María De Mi Alma” (credited “Lobos Los”, style Bolero-Cha) from the forum file linked here, CC BY 4.0 via ChoCo. Artist as credited on the chart.
  • Section names: from the chart's own markings: section names written on the chart (Intro, Verse, Chorus…) are kept, and rehearsal letters are shown as “A Section”, “B Section” and so on (the B of an AABA song is called the Bridge).
  • Cross-check: the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). Community chord chart “Bella María De Mi Alma” (credited “Lobos Los”, style Bolero-Cha) from the forum file linked here, CC BY 4.0 via ChoCo. Artist as credited on the chart. A separately posted chart of the same song; its chords match this page's closely when both are read in the same key (similarity 100%).
  • Chord charts are often written in a key that suits a particular singer or band, so this may not be the key of the original recording.
  • The chart's D.S./D.C./coda jumps have been written out in playing order.
  • Verified: two community charts of this song, posted in different forum threads, agree on its harmony. They're still charts, not transcriptions checked against the recording.
  • Rhythm and chord durations aren't shown; each step is one chord change.

Sources & Accuracy

Every chord on this page comes from the community chart listed first below. Piano voicings are our arrangement of the reported chord symbols, not a note-for-note transcription.

  • Chords from a chart a musician wrote and shared on the iReal Pro forums (archived in the ChoCo research dataset); may be in a different key from the recording, and not checked against it.

    Community chord chart “Bella María De Mi Alma” (credited “Lobos Los”, style Bolero-Cha) from the forum file linked here, CC BY 4.0 via ChoCo. Artist as credited on the chart.

  • Chords from a chart a musician wrote and shared on the iReal Pro forums (archived in the ChoCo research dataset); may be in a different key from the recording, and not checked against it.

    Community chord chart “Bella María De Mi Alma” (credited “Lobos Los”, style Bolero-Cha) from the forum file linked here, CC BY 4.0 via ChoCo. Artist as credited on the chart. A separately posted chart of the same song; its chords match this page's closely when both are read in the same key (similarity 100%).

All Piano Voicings

#SectionChordLeft handRight handSources
1IntroGm7G2, D3B♭3, D4, F4—
2IntroC7C2, G2B♭3, E4, G4—
3IntroE♭E♭2, B♭2B♭3, E♭4, G4—
4IntroD7D2, A2A3, C4, F♯4—
5IntroE♭maj7E♭2, B♭2B♭3, D4, G4—
6IntroD7D2, A2A3, C4, F♯4—
7A Section 1Cm7C2, G2B♭3, E♭4, G4—
8A Section 1F7F2, C3C4, E♭4, A4—
9A Section 1Gm7G2, D3D4, F4, B♭4—
10A Section 1E♭maj7E♭2, B♭2D4, G4, B♭4—
11A Section 1Cm7C2, G2E♭4, G4, B♭4—
12A Section 1E♭maj7E♭2, B♭2D4, G4, B♭4—
13A Section 1D7D2, A2C4, F♯4, A4—
14A Section 1E♭7E♭2, B♭2D♭4, G4, B♭4—
15A Section 1D7D2, A2C4, F♯4, A4—
16A Section 1Cm7C2, G2E♭4, G4, B♭4—
17A Section 1F7F2, C3E♭4, A4, C5—
18A Section 1B♭maj7B♭2, F3F4, A4, D5—
19A Section 1E♭maj7E♭2, B♭2G4, B♭4, D5—
20A Section 1Cm7C2, G2G4, B♭4, E♭5—
21A Section 1Gm7G2, D3F4, B♭4, D5—
22A Section 1E♭maj7E♭2, B♭2G4, B♭4, D5—
23A Section 1Cm/E♭E♭2G4, C5, E♭5—
24A Section 2Cm7C2, G2G4, B♭4, E♭5—
25A Section 2F7F2, C3A4, C5, E♭5—
26A Section 2Gm7G2, D3F4, B♭4, D5—
27A Section 2E♭maj7E♭2, B♭2G4, B♭4, D5—
28A Section 2Cm7C2, G2G4, B♭4, E♭5—
29A Section 2E♭maj7E♭2, B♭2G4, B♭4, D5—
30A Section 2D7D2, A2F♯4, A4, C5—
31A Section 2E♭7E♭2, B♭2G4, B♭4, D♭5—
32A Section 2D7D2, A2F♯4, A4, C5—
33A Section 2Cm7C2, G2G4, B♭4, E♭5—
34A Section 2F7F2, C3A4, C5, E♭5—
35A Section 2B♭maj7B♭2, F3F4, A4, D5—
36A Section 2E♭maj7E♭2, B♭2G4, B♭4, D5—
37A Section 2Cm7C2, G2G4, B♭4, E♭5—
38A Section 2Gm7G2, D3F4, B♭4, D5—
39A Section 2Cm7C2, G2G4, B♭4, E♭5—
40A Section 2B♭B♭2, F3F4, B♭4, D5—
41A Section 2Am7♭5A2, A3G4, C5, E♭5—
42A Section 2D7♯9D2, A2E♯4, F♯4, A4, C5—
43B Section 1, part 1 (×2)Gm7G2, D3F4, B♭4, D5—
44B Section 1, part 1 (×2)FF2, C3F4, A4, C5—
45B Section 1, part 1 (×2)E♭m6E♭2, B♭2G♭4, B♭4, C5—
46B Section 1, part 1 (×2)E♭m6/B♭B♭2E♭4, G♭4, B♭4, C5—
47B Section 1, part 1 (×2)E♭m6/A♭A♭2E♭4, G♭4, B♭4, C5—
48B Section 1, part 2Gm7G2, D3D4, F4, B♭4—
49B Section 1, part 2E♭maj7E♭2, B♭2D4, G4, B♭4—
50B Section 1, part 2Cm7C2, G2E♭4, G4, B♭4—
51B Section 1, part 2D7D2, A2C4, F♯4, A4—
52B Section 1, part 2Gm7G2, D3D4, F4, B♭4—
53B Section 1, part 2E♭maj7E♭2, B♭2D4, G4, B♭4—
54B Section 1, part 2D7D2, A2C4, F♯4, A4—
55A Section 3Cm7C2, G2E♭4, G4, B♭4—
56A Section 3F7F2, C3E♭4, A4, C5—
57A Section 3Gm7G2, D3F4, B♭4, D5—
58A Section 3E♭maj7E♭2, B♭2G4, B♭4, D5—
59A Section 3Cm7C2, G2G4, B♭4, E♭5—
60A Section 3E♭maj7E♭2, B♭2G4, B♭4, D5—
61A Section 3D7D2, A2F♯4, A4, C5—
62A Section 3E♭7E♭2, B♭2G4, B♭4, D♭5—
63A Section 3D7D2, A2F♯4, A4, C5—
64InterludeGm7G2, D3F4, B♭4, D5—
65InterludeC7C2, G2G4, B♭4, E5—
66InterludeE♭E♭2, B♭2G4, B♭4, E♭5—
67InterludeD7D2, A2F♯4, A4, C5—
68InterludeE♭maj7E♭2, B♭2G4, B♭4, D5—
69InterludeD7D2, A2F♯4, A4, C5—
70A Section 4Cm7C2, G2G4, B♭4, E♭5—
71A Section 4F7F2, C3A4, C5, E♭5—
72A Section 4Gm7G2, D3F4, B♭4, D5—
73A Section 4E♭maj7E♭2, B♭2G4, B♭4, D5—
74A Section 4Cm7C2, G2G4, B♭4, E♭5—
75A Section 4E♭maj7E♭2, B♭2G4, B♭4, D5—
76A Section 4D7D2, A2F♯4, A4, C5—
77A Section 4E♭7E♭2, B♭2G4, B♭4, D♭5—
78A Section 4D7D2, A2F♯4, A4, C5—
79A Section 4Cm7C2, G2G4, B♭4, E♭5—
80A Section 4F7F2, C3A4, C5, E♭5—
81A Section 4B♭maj7B♭2, F3F4, A4, D5—
82A Section 4E♭maj7E♭2, B♭2G4, B♭4, D5—
83A Section 4Cm7C2, G2G4, B♭4, E♭5—
84A Section 4Gm7G2, D3F4, B♭4, D5—
85A Section 4Cm7C2, G2G4, B♭4, E♭5—
86A Section 4B♭B♭2, F3F4, B♭4, D5—
87A Section 4Am7♭5A2, A3G4, C5, E♭5—
88A Section 4D7D2, A2F♯4, A4, C5—
89B Section 2, part 1 (×2)Gm7G2, D3F4, B♭4, D5—
90B Section 2, part 1 (×2)FF2, C3F4, A4, C5—
91B Section 2, part 1 (×2)E♭m6E♭2, B♭2G♭4, B♭4, C5—
92B Section 2, part 1 (×2)E♭m6/B♭B♭2E♭4, G♭4, B♭4, C5—
93B Section 2, part 1 (×2)E♭m6/A♭A♭2E♭4, G♭4, B♭4, C5—
94B Section 2, part 2Gm7G2, D3D4, F4, B♭4—
95B Section 2, part 2E♭maj7E♭2, B♭2D4, G4, B♭4—
96B Section 2, part 2Cm7C2, G2E♭4, G4, B♭4—
97B Section 2, part 2D7D2, A2C4, F♯4, A4—
98B Section 2, part 2Gm7G2, D3D4, F4, B♭4—
99B Section 2, part 2FF2, C3C4, F4, A4—
100B Section 2, part 2E♭m6E♭2, B♭2C4, G♭4, B♭4—
101B Section 2, part 2E♭m6/B♭B♭2C4, E♭4, G♭4, B♭4—
102B Section 2, part 2E♭m6/A♭A♭2C4, E♭4, G♭4, B♭4—
103B Section 3, part 1 (×2)Gm7G2, D3D4, F4, B♭4—
104B Section 3, part 1 (×2)FF2, C3C4, F4, A4—
105B Section 3, part 1 (×2)E♭m6E♭2, B♭2C4, G♭4, B♭4—
106B Section 3, part 1 (×2)E♭m6/B♭B♭2C4, E♭4, G♭4, B♭4—
107B Section 3, part 1 (×2)E♭m6/A♭A♭2C4, E♭4, G♭4, B♭4—
108B Section 3, part 2Gm7G2, D3D4, F4, B♭4—
109B Section 3, part 2E♭maj7E♭2, B♭2D4, G4, B♭4—
110B Section 3, part 2Cm7C2, G2E♭4, G4, B♭4—
111B Section 3, part 2D7D2, A2C4, F♯4, A4—
112B Section 3, part 2Gm7G2, D3D4, F4, B♭4—
113B Section 3, part 2E♭E♭2, B♭2E♭4, G4, B♭4—
114B Section 3, part 2D7D2, A2C4, F♯4, A4—
115B Section 4, part 1 (×2)Gm7G2, D3D4, F4, B♭4—
116B Section 4, part 1 (×2)FF2, C3C4, F4, A4—
117B Section 4, part 1 (×2)E♭m6E♭2, B♭2C4, G♭4, B♭4—
118B Section 4, part 1 (×2)E♭m6/B♭B♭2C4, E♭4, G♭4, B♭4—
119B Section 4, part 1 (×2)E♭m6/A♭A♭2C4, E♭4, G♭4, B♭4—
120B Section 4, part 2Gm7G2, D3D4, F4, B♭4—
121B Section 4, part 2E♭maj7E♭2, B♭2D4, G4, B♭4—
122B Section 4, part 2Cm7C2, G2E♭4, G4, B♭4—
123B Section 4, part 2D7D2, A2C4, F♯4, A4—