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Ebony and Ivory by Paul McCartney and Stevie Wonder

Piano chords, voicings & structure breakdown · 50 steps · 21 unique chords · 1980s

Community chart. These chords come from a chart a musician wrote and shared on the iReal Pro forums, not from a transcription checked against the recording. Charts are sometimes written in a different key or simplified, and no second chart of this song agreed closely enough to mark this page verified. Trust your ears.
Intro 1Step 1 of 50

B5

LeftB1, F♯2RightB3, F♯4
C4B1B3F♯2F♯4
Left hand Right hand Middle C (C4)

No source cited for this step

Harmonic Analysis & Structure

Overview

Key: E major · Chords used: 21 · Sections: 21

Form: Intro → A Section → Intro → B Section → A Section → A Section → A Section → C Section → C Section → C Section → B Section → A Section → Interlude → C Section → Vamp → C Section → Vamp → C Section → Vamp → C Section → Vamp

Where these chords come from: a chord chart of this song written by a musician and shared on the iReal Pro forums, archived in the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). It's one musician's reading of the song, not a transcription checked against the recording. This page shows that chart as-is: the analysis below is generated directly from it by code, not written by AI. Consecutive repeats of a chord are shown once, and the piano voicings are our playable arrangement of each chord symbol, not a note-for-note transcription.

Section by section

Intro 1

  • B5 – C♯m/B – B – G♯m/B – A/B – B9sus4
    V5 – vi (bass B) – V – iii⁶ – IV (bass B) – V9sus4

A Section 1

  • E – B9sus4/F♯ – B9sus4/B (×3)
    I – V9sus4 (bass F♯) – V9sus4
  • E
    I

Intro 2

Same chords as Intro 1.

B Section 1

  • E – C♯m – B – A – E – B – D6 – Ddim7 – C♯7 – C♯7/F – F♯m – F♯m7 – B9sus4
    I – vi – V – IV – I – V – bVII6 – bvii°7 – VI7 – VI⁶₅ – ii – ii7 – V9sus4

A Section 2

  • E – B9sus4/F♯ – B9sus4/B
    I – V9sus4 (bass F♯) – V9sus4

A Section 3

Same chords as A Section 2.

A Section 4

  • E – B9sus4/F♯ – B9sus4/B – E – C♯9sus4 – C♯7
    I – V9sus4 (bass F♯) – V9sus4 – I – VI9sus4 – VI7

C Section 1

  • F♯ – G♯m7 – G♯m7/C♯
    II – iii7 – iii7 (bass C♯)

C Section 2

Same chords as C Section 1.

C Section 3

  • F♯ – G♯m7 – G♯m7/C♯ – F♯
    II – iii7 – iii7 (bass C♯) – II

B Section 2

Same chords as B Section 1.

A Section 5

Same chords as A Section 4.

Interlude

  • F♯m7 – B9sus4
    ii7 – V9sus4
  • E – B9sus4/F♯ – B9sus4/B (×2)
    I – V9sus4 (bass F♯) – V9sus4

C Section 4

  • E – B9sus4/F♯ – B9sus4/B – E
    I – V9sus4 (bass F♯) – V9sus4 – I

Vamp 1

  • B9sus4/F♯ – B9sus4/B
    V9sus4 (bass F♯) – V9sus4

C Section 5

Same chords as C Section 4.

Vamp 2

Same chords as Vamp 1.

C Section 6

Same chords as C Section 4.

Vamp 3

Same chords as Vamp 1.

C Section 7

Same chords as C Section 4.

Vamp 4

Same chords as Vamp 1.

Chord vocabulary

ChordRoman numeralRoleHeard in
B5V5In the keyIntro
C♯m/Bvi (bass B)In the keyIntro
BVIn the keyIntro, B Section
G♯m/Biii⁶In the keyIntro
A/BIV (bass B)In the keyIntro
B9sus4V9sus4In the keyIntro, B Section, Interlude
EIHome chord (tonic)A Section, B Section, Interlude, C Section
B9sus4/F♯V9sus4 (bass F♯)In the keyA Section, Interlude, C Section, Vamp
B9sus4/BV9sus4In the keyA Section, Interlude, C Section, Vamp
C♯mviIn the keyB Section
AIVIn the keyB Section
D6bVII6Borrowed from E minorB Section
Ddim7bvii°7Outside the key (chromatic)B Section
C♯7VI7Outside the key (chromatic)B Section, A Section
C♯7/FVI⁶₅Secondary dominant (V/ii)B Section
F♯miiIn the keyB Section
F♯m7ii7In the keyB Section, Interlude
C♯9sus4VI9sus4In the keyA Section
F♯IIOutside the key (chromatic)C Section
G♯m7iii7In the keyC Section
G♯m7/C♯iii7 (bass C♯)In the keyC Section

Harmonic highlights

  • D6 (bVII6) is borrowed from the parallel key, E minor.
  • C♯7/F acts as V/ii: it resolves to F♯m.

Sources & accuracy

  • Chords: the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). Community chord chart “Ebony And Ivory” (credited “Paul McCartney-Stevie Wonder”, style Pop) from the forum file linked here, CC BY 4.0 via ChoCo. Performer confirmed from the Billboard year-end charts.
  • Section names: from the chart's own markings: section names written on the chart (Intro, Verse, Chorus…) are kept, and rehearsal letters are shown as “A Section”, “B Section” and so on (the B of an AABA song is called the Bridge).
  • Chord charts are often written in a key that suits a particular singer or band, so this may not be the key of the original recording.
  • The chart's D.S./D.C./coda jumps have been written out in playing order.
  • About the song: Wikipedia.
  • Not verified: only one chart of this song is available, so it hasn't been cross-checked.
  • Rhythm and chord durations aren't shown; each step is one chord change.

Sources & Accuracy

Every chord on this page comes from the community chart listed first below. Piano voicings are our arrangement of the reported chord symbols, not a note-for-note transcription.

  • Chords from a chart a musician wrote and shared on the iReal Pro forums (archived in the ChoCo research dataset); may be in a different key from the recording, and not checked against it.

    Community chord chart “Ebony And Ivory” (credited “Paul McCartney-Stevie Wonder”, style Pop) from the forum file linked here, CC BY 4.0 via ChoCo. Performer confirmed from the Billboard year-end charts.

All Piano Voicings

#SectionChordLeft handRight handSources
1Intro 1B5B1, F♯2B3, F♯4—
2Intro 1C♯m/BB1C♯4, E4, G♯4—
3Intro 1BB1, F♯2B3, D♯4, F♯4—
4Intro 1G♯m/BB1B3, D♯4, G♯4—
5Intro 1A/BB1C♯4, E4, A4—
6Intro 1B9sus4B1, F♯2C♯4, E4, F♯4, A4—
7A Section 1, part 1 (×3)EE2, B2B3, E4, G♯4—
8A Section 1, part 1 (×3)B9sus4/F♯F♯2B3, C♯4, E4, A4—
9A Section 1, part 1 (×3)B9sus4/BB1B3, C♯4, E4, A4—
10A Section 1, part 2EE2, B2B3, E4, G♯4—
11B Section 1EE2, B2B3, E4, G♯4—
12B Section 1C♯mC♯2, G♯2C♯4, E4, G♯4—
13B Section 1BB1, F♯2B3, D♯4, F♯4—
14B Section 1AA2, E3C♯4, E4, A4—
15B Section 1EE2, B2B3, E4, G♯4—
16B Section 1BB1, F♯2B3, D♯4, F♯4—
17B Section 1D6D2, A2B3, F♯4, A4—
18B Section 1Ddim7D2, D3C♭4, F4, A♭4—
19B Section 1C♯7C♯2, G♯2B3, E♯4, G♯4—
20B Section 1C♯7/FF2B3, C♯4, F4, G♯4—
21B Section 1F♯mF♯2, C♯3A3, C♯4, F♯4—
22B Section 1F♯m7F♯2, C♯3A3, C♯4, E4—
23B Section 1B9sus4B1, F♯2A3, C♯4, E4, F♯4—
24A Section 2EE2, B2B3, E4, G♯4—
25A Section 2B9sus4/F♯F♯2B3, C♯4, E4, A4—
26A Section 2B9sus4/BB1B3, C♯4, E4, A4—
27A Section 4EE2, B2B3, E4, G♯4—
28A Section 4B9sus4/F♯F♯2B3, C♯4, E4, A4—
29A Section 4B9sus4/BB1B3, C♯4, E4, A4—
30A Section 4EE2, B2B3, E4, G♯4—
31A Section 4C♯9sus4C♯2, G♯2B3, D♯4, F♯4, G♯4—
32A Section 4C♯7C♯2, G♯2B3, E♯4, G♯4—
33C Section 1F♯F♯2, C♯3C♯4, F♯4, A♯4—
34C Section 1G♯m7G♯2, D♯3D♯4, F♯4, B4—
35C Section 1G♯m7/C♯C♯2D♯4, F♯4, G♯4, B4—
36C Section 3F♯F♯2, C♯3C♯4, F♯4, A♯4—
37C Section 3G♯m7G♯2, D♯3D♯4, F♯4, B4—
38C Section 3G♯m7/C♯C♯2D♯4, F♯4, G♯4, B4—
39C Section 3F♯F♯2, C♯3C♯4, F♯4, A♯4—
40Interlude, part 1F♯m7F♯2, C♯3C♯4, E4, A4—
41Interlude, part 1B9sus4B1, F♯2C♯4, E4, F♯4, A4—
42Interlude, part 2 (×2)EE2, B2B3, E4, G♯4—
43Interlude, part 2 (×2)B9sus4/F♯F♯2B3, C♯4, E4, A4—
44Interlude, part 2 (×2)B9sus4/BB1B3, C♯4, E4, A4—
45C Section 4EE2, B2B3, E4, G♯4—
46C Section 4B9sus4/F♯F♯2B3, C♯4, E4, A4—
47C Section 4B9sus4/BB1B3, C♯4, E4, A4—
48C Section 4EE2, B2B3, E4, G♯4—
49Vamp 1B9sus4/F♯F♯2B3, C♯4, E4, A4—
50Vamp 1B9sus4/BB1B3, C♯4, E4, A4—