For What It's Worth by Buffalo Springfield
Piano chords, voicings & structure breakdown · 10 steps · 4 unique chords · 1960s
E
Whole song transcribed by
Harmonic Analysis & Structure
Overview
Key: E major · Chords used: 4 · Sections: 15
Form: Transition → Verse → Chorus → Transition → Verse → Chorus → Transition → Verse → Chorus → Transition → Verse → Chorus ×4
Where these chords come from: an expert transcription of the original recording made for the Rock Corpus RS 200 (de Clercq & Temperley, 2011), analysis by Trevor de Clercq. This page shows that transcription as-is: the analysis below is generated directly from it by code, not written by AI. Consecutive repeats of a chord are shown once, and the piano voicings are our playable arrangement of each chord symbol, not a note-for-note transcription.
Section by section
Transition 1
- E – A (×2)
I – IV
Verse 1
- E – A (×4)
I – IV
Chorus 1
- E – D – A
I – bVII – IV
Transition 2
Same chords as Transition 1.
Verse 2
Same chords as Verse 1.
Chorus 2
Same chords as Chorus 1.
Transition 3
Same chords as Transition 1.
Verse 3
- E – A – G (×4)
I – IV – bIII
Chorus 3
Same chords as Chorus 1.
Transition 4
Same chords as Transition 1.
Verse 4
Same chords as Verse 1.
Chorus 4
Same chords as Chorus 1.
Chorus 5
Same chords as Chorus 1.
Chorus 6
Same chords as Chorus 1.
Chorus 7
Same chords as Chorus 1.
Chord vocabulary
| Chord | Roman numeral | Role | Heard in |
|---|---|---|---|
| E | I | Home chord (tonic) | Transition, Verse, Chorus |
| A | IV | In the key | Transition, Verse, Chorus |
| D | bVII | Borrowed from E minor | Chorus |
| G | bIII | Borrowed from E minor | Verse |
Harmonic highlights
- D (bVII) is borrowed from the parallel key, E minor.
- G (bIII) is borrowed from the parallel key, E minor.
Sources & accuracy
- Chords and sections: the Rock Corpus RS 200 (de Clercq & Temperley, 2011), analysis by Trevor de Clercq. Expert by-ear harmonic analysis of the original recording, shown on this page.
- Cross-check: the Rock Corpus RS 200 (de Clercq & Temperley, 2011), analysis by David Temperley. Independent by-ear analysis of the same recording. The two analysts agree on the chord (root and major/minor) for 91% of the song.
- Verified: two independent expert transcriptions agree on this song's harmony.
- Rhythm and chord durations aren't shown; each step is one chord change.
Sources & Accuracy
Every chord on this page comes from the expert transcription listed first below. Piano voicings are our arrangement of the reported chord symbols, not a note-for-note transcription.
- the Rock Corpus RS 200 (de Clercq & Temperley, 2011), analysis by Trevor de ClercqExpert transcription
Annotated from the original recording by trained musicians for a published research dataset.
Expert by-ear harmonic analysis of the original recording, shown on this page.
- the Rock Corpus RS 200 (de Clercq & Temperley, 2011), analysis by David TemperleyExpert transcription
Annotated from the original recording by trained musicians for a published research dataset.
Independent by-ear analysis of the same recording. The two analysts agree on the chord (root and major/minor) for 91% of the song.
All Piano Voicings
| # | Section | Chord | Left hand | Right hand | Sources |
|---|---|---|---|---|---|
| 1 | Transition 1 (×2) | E | E2, B2 | B3, E4, G♯4 | — |
| 2 | Transition 1 (×2) | A | A2, E3 | C♯4, E4, A4 | — |
| 3 | Verse 1 (×4) | E | E2, B2 | B3, E4, G♯4 | — |
| 4 | Verse 1 (×4) | A | A2, E3 | C♯4, E4, A4 | — |
| 5 | Chorus 1 | E | E2, B2 | B3, E4, G♯4 | — |
| 6 | Chorus 1 | D | D2, A2 | A3, D4, F♯4 | — |
| 7 | Chorus 1 | A | A2, E3 | A3, C♯4, E4 | — |
| 8 | Verse 3 (×4) | E | E2, B2 | G♯3, B3, E4 | — |
| 9 | Verse 3 (×4) | A | A2, E3 | A3, C♯4, E4 | — |
| 10 | Verse 3 (×4) | G | G2, D3 | B3, D4, G4 | — |