Good Golly Miss Molly by Little Richard
Piano chords, voicings & structure breakdown · 6 steps · 3 unique chords · 1950s
G
Whole song transcribed by
Harmonic Analysis & Structure
Overview
Key: G major · Chords used: 3 · Sections: 1
Form: Intro
Where these chords come from: an expert transcription of the original recording made for the Rock Corpus RS 200 (de Clercq & Temperley, 2011), analysis by Trevor de Clercq. This page shows that transcription as-is: the analysis below is generated directly from it by code, not written by AI. Consecutive repeats of a chord are shown once, and the piano voicings are our playable arrangement of each chord symbol, not a note-for-note transcription.
Section by section
Intro
- G – C – G – D – C (×7)
I – IV – I – V – IV - G
I
Chord vocabulary
| Chord | Roman numeral | Role | Heard in |
|---|---|---|---|
| G | I | Home chord (tonic) | Intro |
| C | IV | In the key | Intro |
| D | V | In the key | Intro |
Sources & accuracy
- Chords and sections: the Rock Corpus RS 200 (de Clercq & Temperley, 2011), analysis by Trevor de Clercq. Expert by-ear harmonic analysis of the original recording, shown on this page.
- Cross-check: the Rock Corpus RS 200 (de Clercq & Temperley, 2011), analysis by David Temperley. Independent by-ear analysis of the same recording. The two analysts agree on the chord (root and major/minor) for 100% of the song.
- Verified: two independent expert transcriptions agree on this song's harmony.
- Rhythm and chord durations aren't shown; each step is one chord change.
Sources & Accuracy
Every chord on this page comes from the expert transcription listed first below. Piano voicings are our arrangement of the reported chord symbols, not a note-for-note transcription.
- the Rock Corpus RS 200 (de Clercq & Temperley, 2011), analysis by Trevor de ClercqExpert transcription
Annotated from the original recording by trained musicians for a published research dataset.
Expert by-ear harmonic analysis of the original recording, shown on this page.
- the Rock Corpus RS 200 (de Clercq & Temperley, 2011), analysis by David TemperleyExpert transcription
Annotated from the original recording by trained musicians for a published research dataset.
Independent by-ear analysis of the same recording. The two analysts agree on the chord (root and major/minor) for 100% of the song.
All Piano Voicings
| # | Section | Chord | Left hand | Right hand | Sources |
|---|---|---|---|---|---|
| 1 | Intro, part 1 (×7) | G | G2, D3 | B3, D4, G4 | — |
| 2 | Intro, part 1 (×7) | C | C2, G2 | C4, E4, G4 | — |
| 3 | Intro, part 1 (×7) | G | G2, D3 | B3, D4, G4 | — |
| 4 | Intro, part 1 (×7) | D | D2, A2 | A3, D4, F♯4 | — |
| 5 | Intro, part 1 (×7) | C | C2, G2 | C4, E4, G4 | — |
| 6 | Intro, part 2 | G | G2, D3 | B3, D4, G4 | — |