PianoChords.studio

Got to Be Real by Cheryl Lynn

Piano chords, voicings & structure breakdown · 22 steps · 16 unique chords · 1970s

Community chart. These chords come from a chart a musician wrote and shared on the iReal Pro forums, not from a transcription checked against the recording. Charts are sometimes written in a different key or simplified, and no second chart of this song agreed closely enough to mark this page verified. Trust your ears.
Lead-inStep 1 of 22

A

LeftA2, E3RightC♯4, E4, A4
C4A2E3E4A4C♯4
Left hand Right hand Middle C (C4)

No source cited for this step

Harmonic Analysis & Structure

Overview

Key: B♭ major · Chords used: 16 · Sections: 4

Form: Lead-in → A Section → A Section → B Section

Where these chords come from: a chord chart of this song written by a musician and shared on the iReal Pro forums, archived in the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). It's one musician's reading of the song, not a transcription checked against the recording. This page shows that chart as-is: the analysis below is generated directly from it by code, not written by AI. Consecutive repeats of a chord are shown once, and the piano voicings are our playable arrangement of each chord symbol, not a note-for-note transcription.

Section by section

Lead-in

  • A – C – D – F – D7♯9
    VII – II – III – V – III7#9

A Section 1

  • E♭maj7 – D7♯9 – Gm7
    IVmaj7 – III7#9 – vi7

A Section 2

Same chords as A Section 1.

B Section

  • Cm7 – Cm7♭5 – Dm7 – E♭maj7 – Cm7 – D7♯9
    ii7 – iiø7 – iii7 – IVmaj7 – ii7 – III7#9
  • Fmaj7 – E7♯9 – Am7 (×2)
    Vmaj7 – #IV7#9 – vii7
  • E – G – A – C – A7♯9
    #IV – VI – VII – II – VII7#9

Chord vocabulary

ChordRoman numeralRoleHeard in
AVIIOutside the key (chromatic)Lead-in, B Section
CIIOutside the key (chromatic)Lead-in, B Section
DIIIOutside the key (chromatic)Lead-in
FVIn the keyLead-in
D7♯9III7#9Secondary dominant (V/vi)A Section, B Section
E♭maj7IVmaj7In the keyA Section, B Section
Gm7vi7In the keyA Section
Cm7ii7In the keyB Section
Cm7♭5iiø7Borrowed from B♭ minorB Section
Dm7iii7In the keyB Section
Fmaj7Vmaj7Outside the key (chromatic)B Section
E7♯9#IV7#9Outside the key (chromatic)B Section
Am7vii7Outside the key (chromatic)B Section
E#IVOutside the key (chromatic)B Section
GVIOutside the key (chromatic)B Section
A7♯9VII7#9Outside the key (chromatic)B Section

Harmonic highlights

  • Cm7♭5 (iiø7) is borrowed from the parallel key, B♭ minor.
  • D7♯9 acts as V/vi: it resolves to Gm7.

Sources & accuracy

  • Chords: the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). Community chord chart “Got To Be Real” (credited “Lynn Cheryl”, style Medium Swing) from the forum file linked here, CC BY 4.0 via ChoCo. Performer confirmed from the Billboard year-end charts.
  • Section names: from the chart's own markings: section names written on the chart (Intro, Verse, Chorus…) are kept, and rehearsal letters are shown as “A Section”, “B Section” and so on (the B of an AABA song is called the Bridge).
  • Chord charts are often written in a key that suits a particular singer or band, so this may not be the key of the original recording.
  • About the song: Wikipedia.
  • Not verified: only one chart of this song is available, so it hasn't been cross-checked.
  • 5 chords were simplified to the closest symbol our player supports (for example, an unusual added tone dropped).
  • Rhythm and chord durations aren't shown; each step is one chord change.

Sources & Accuracy

Every chord on this page comes from the community chart listed first below. Piano voicings are our arrangement of the reported chord symbols, not a note-for-note transcription.

  • Chords from a chart a musician wrote and shared on the iReal Pro forums (archived in the ChoCo research dataset); may be in a different key from the recording, and not checked against it.

    Community chord chart “Got To Be Real” (credited “Lynn Cheryl”, style Medium Swing) from the forum file linked here, CC BY 4.0 via ChoCo. Performer confirmed from the Billboard year-end charts.

All Piano Voicings

#SectionChordLeft handRight handSources
1Lead-inAA2, E3C♯4, E4, A4—
2Lead-inCC2, G2C4, E4, G4—
3Lead-inDD2, A2A3, D4, F♯4—
4Lead-inFF2, C3A3, C4, F4—
5Lead-inD7♯9D2, A2A3, C4, E♯4, F♯4—
6A Section 1E♭maj7E♭2, B♭2B♭3, D4, G4—
7A Section 1D7♯9D2, A2A3, C4, E♯4, F♯4—
8A Section 1Gm7G2, D3B♭3, D4, F4—
9B Section, part 1Cm7C2, G2B♭3, E♭4, G4—
10B Section, part 1Cm7♭5C2, C3B♭3, E♭4, G♭4—
11B Section, part 1Dm7D2, A2A3, C4, F4—
12B Section, part 1E♭maj7E♭2, B♭2B♭3, D4, G4—
13B Section, part 1Cm7C2, G2B♭3, E♭4, G4—
14B Section, part 1D7♯9D2, A2A3, C4, E♯4, F♯4—
15B Section, part 2 (×2)Fmaj7F2, C3A3, C4, E4—
16B Section, part 2 (×2)E7♯9E2, B2G♯3, B3, D4, F♯♯4—
17B Section, part 2 (×2)Am7A2, E3G3, C4, E4—
18B Section, part 3EE2, B2G♯3, B3, E4—
19B Section, part 3GG2, D3G3, B3, D4—
20B Section, part 3AA2, E3A3, C♯4, E4—
21B Section, part 3CC2, G2G3, C4, E4—
22B Section, part 3A7♯9A2, E3G3, B♯3, C♯4, E4—