PianoChords.studio

Hopelessly Devoted to You by John Farrar

Piano chords, voicings & structure breakdown · 71 steps · 21 unique chords

Community chart. These chords come from a chart a musician wrote and shared on the iReal Pro forums, not from a transcription checked against the recording. Charts are sometimes written in a different key or simplified, and no second chart of this song agreed closely enough to mark this page verified. Trust your ears.
Intro (×3)Step 1 of 71

D

LeftD2, A2RightA3, D4, F♯4
C4D2A2A3D4F♯4
Left hand Right hand Middle C (C4)

No source cited for this step

Harmonic Analysis & Structure

Overview

Key: A major · Chords used: 21 · Sections: 9

Form: Intro → A Section → A Section → B Section → C Section → A Section → B Section → C Section → Outro

Where these chords come from: a chord chart of this song written by a musician and shared on the iReal Pro forums, archived in the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). It's one musician's reading of the song, not a transcription checked against the recording. This page shows that chart as-is: the analysis below is generated directly from it by code, not written by AI. Consecutive repeats of a chord are shown once, and the piano voicings are our playable arrangement of each chord symbol, not a note-for-note transcription.

Section by section

Intro

  • D – A (×3)
    IV – I

A Section 1

  • A – C♯ – D – B – E7 – Amaj7 – A6 – A – F♯7 – C♯m7♭5/G – F♯7 – B – C♯ – C – B – E7
    I – III – IV – II – V7 – Imaj7 – I6 – I – VI7 – iiiø⁴₃ – VI7 – II – III – bIII – II – V7

A Section 2

Same chords as A Section 1.

B Section 1

  • D – E – D – F – D – G – A
    IV – V – IV – bVI – IV – bVII – I

C Section 1

  • G – C7 – F – Fmaj7 – Adim7 – D7♭9 – G – C7 – D – C♯ – D – C – D – B – G – C7♭9 – D – E – D – F – D
    bVII – bIII7 – bVI – bVImaj7 – i°7 – IV7b9 – bVII – bIII7 – IV – III – IV – bIII – IV – II – bVII – bIII7b9 – IV – V – IV – bVI – IV
  • G – A (×2)
    bVII – I

A Section 3

Same chords as A Section 1.

B Section 2

Same chords as B Section 1.

C Section 2

  • G – C7 – F – Fmaj7 – Adim7 – D7♭9 – G – C7 – D – C♯ – D – C – D – B – G – C7♭9
    bVII – bIII7 – bVI – bVImaj7 – i°7 – IV7b9 – bVII – bIII7 – IV – III – IV – bIII – IV – II – bVII – bIII7b9

Outro

  • B♭ – C – B♭ – D♭ – B♭ – E♭ – F
    bII – bIII – bII – bIV – bII – bV – bVI

Chord vocabulary

ChordRoman numeralRoleHeard in
DIVIn the keyIntro, A Section, B Section, C Section
AIHome chord (tonic)Intro, A Section, B Section, C Section
C♯IIIOutside the key (chromatic)A Section, C Section
BIISecondary dominant (V/V)A Section, C Section
E7V7In the keyA Section
Amaj7Imaj7Home chord (tonic)A Section
A6I6Home chord (tonic)A Section
F♯7VI7Outside the key (chromatic)A Section
C♯m7♭5/Giiiø⁴₃Outside the key (chromatic)A Section
CbIIIBorrowed from A minorA Section, C Section, Outro
EVIn the keyB Section, C Section
FbVIBorrowed from A minorB Section, C Section, Outro
GbVIIBorrowed from A minorB Section, C Section
C7bIII7Outside the key (chromatic)C Section
Fmaj7bVImaj7Borrowed from A minorC Section
Adim7i°7Outside the key (chromatic)C Section
D7♭9IV7b9Outside the key (chromatic)C Section
C7♭9bIII7b9Outside the key (chromatic)C Section
B♭bIIOutside the key (chromatic)Outro
D♭bIVOutside the key (chromatic)Outro
E♭bVOutside the key (chromatic)Outro

Harmonic highlights

  • C (bIII) is borrowed from the parallel key, A minor.
  • F (bVI) is borrowed from the parallel key, A minor.
  • G (bVII) is borrowed from the parallel key, A minor.
  • Fmaj7 (bVImaj7) is borrowed from the parallel key, A minor.
  • B acts as V/V: it resolves to E7.

Sources & accuracy

  • Chords: the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). Community chord chart “Hopelessly Devoted To You” (credited “Farrar John”, style Shuffle) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata.
  • Section names: from the chart's own markings: section names written on the chart (Intro, Verse, Chorus…) are kept, and rehearsal letters are shown as “A Section”, “B Section” and so on (the B of an AABA song is called the Bridge).
  • Chord charts are often written in a key that suits a particular singer or band, so this may not be the key of the original recording.
  • The chart's D.S./D.C./coda jumps have been written out in playing order.
  • About the song: Wikipedia.
  • Not verified: only one chart of this song is available, so it hasn't been cross-checked.
  • Rhythm and chord durations aren't shown; each step is one chord change.

Sources & Accuracy

Every chord on this page comes from the community chart listed first below. Piano voicings are our arrangement of the reported chord symbols, not a note-for-note transcription.

  • Chords from a chart a musician wrote and shared on the iReal Pro forums (archived in the ChoCo research dataset); may be in a different key from the recording, and not checked against it.

    Community chord chart “Hopelessly Devoted To You” (credited “Farrar John”, style Shuffle) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata.

All Piano Voicings

#SectionChordLeft handRight handSources
1Intro (×3)DD2, A2A3, D4, F♯4—
2Intro (×3)AA2, E3A3, C♯4, E4—
3A Section 1AA2, E3A3, C♯4, E4—
4A Section 1C♯C♯2, G♯2G♯3, C♯4, E♯4—
5A Section 1DD2, A2A3, D4, F♯4—
6A Section 1BB1, F♯2B3, D♯4, F♯4—
7A Section 1E7E2, B2B3, D4, G♯4—
8A Section 1Amaj7A2, E3C♯4, E4, G♯4—
9A Section 1A6A2, E3C♯4, E4, F♯4—
10A Section 1AA2, E3C♯4, E4, A4—
11A Section 1F♯7F♯2, C♯3C♯4, E4, A♯4—
12A Section 1C♯m7♭5/GG2C♯4, E4, G4, B4—
13A Section 1F♯7F♯2, C♯3C♯4, E4, A♯4—
14A Section 1BB1, F♯2D♯4, F♯4, B4—
15A Section 1C♯C♯2, G♯2C♯4, E♯4, G♯4—
16A Section 1CC2, G2C4, E4, G4—
17A Section 1BB1, F♯2B3, D♯4, F♯4—
18A Section 1E7E2, B2B3, D4, G♯4—
19B Section 1DD2, A2A3, D4, F♯4—
20B Section 1EE2, B2B3, E4, G♯4—
21B Section 1DD2, A2A3, D4, F♯4—
22B Section 1FF2, C3A3, C4, F4—
23B Section 1DD2, A2A3, D4, F♯4—
24B Section 1GG2, D3B3, D4, G4—
25B Section 1AA2, E3C♯4, E4, A4—
26C Section 1, part 1GG2, D3B3, D4, G4—
27C Section 1, part 1C7C2, G2B♭3, E4, G4—
28C Section 1, part 1FF2, C3C4, F4, A4—
29C Section 1, part 1Fmaj7F2, C3C4, E4, A4—
30C Section 1, part 1Adim7A2, A3C4, E♭4, G♭4—
31C Section 1, part 1D7♭9D2, A2C4, E♭4, F♯4, A4—
32C Section 1, part 1GG2, D3B3, D4, G4—
33C Section 1, part 1C7C2, G2B♭3, E4, G4—
34C Section 1, part 1DD2, A2A3, D4, F♯4—
35C Section 1, part 1C♯C♯2, G♯2G♯3, C♯4, E♯4—
36C Section 1, part 1DD2, A2A3, D4, F♯4—
37C Section 1, part 1CC2, G2C4, E4, G4—
38C Section 1, part 1DD2, A2A3, D4, F♯4—
39C Section 1, part 1BB1, F♯2B3, D♯4, F♯4—
40C Section 1, part 1GG2, D3B3, D4, G4—
41C Section 1, part 1C7♭9C2, G2B♭3, D♭4, E4, G4—
42C Section 1, part 1DD2, A2A3, D4, F♯4—
43C Section 1, part 1EE2, B2B3, E4, G♯4—
44C Section 1, part 1DD2, A2A3, D4, F♯4—
45C Section 1, part 1FF2, C3A3, C4, F4—
46C Section 1, part 1DD2, A2A3, D4, F♯4—
47C Section 1, part 2 (×2)GG2, D3B3, D4, G4—
48C Section 1, part 2 (×2)AA2, E3C♯4, E4, A4—
49C Section 2GG2, D3B3, D4, G4—
50C Section 2C7C2, G2B♭3, E4, G4—
51C Section 2FF2, C3C4, F4, A4—
52C Section 2Fmaj7F2, C3C4, E4, A4—
53C Section 2Adim7A2, A3C4, E♭4, G♭4—
54C Section 2D7♭9D2, A2C4, E♭4, F♯4, A4—
55C Section 2GG2, D3B3, D4, G4—
56C Section 2C7C2, G2B♭3, E4, G4—
57C Section 2DD2, A2A3, D4, F♯4—
58C Section 2C♯C♯2, G♯2G♯3, C♯4, E♯4—
59C Section 2DD2, A2A3, D4, F♯4—
60C Section 2CC2, G2C4, E4, G4—
61C Section 2DD2, A2A3, D4, F♯4—
62C Section 2BB1, F♯2B3, D♯4, F♯4—
63C Section 2GG2, D3B3, D4, G4—
64C Section 2C7♭9C2, G2B♭3, D♭4, E4, G4—
65OutroB♭B♭2, F3B♭3, D4, F4—
66OutroCC2, G2C4, E4, G4—
67OutroB♭B♭2, F3B♭3, D4, F4—
68OutroD♭D♭2, A♭2A♭3, D♭4, F4—
69OutroB♭B♭2, F3B♭3, D4, F4—
70OutroE♭E♭2, B♭2B♭3, E♭4, G4—
71OutroFF2, C3C4, F4, A4—