Hunger Strike by Temple of the Dog
Piano chords, voicings & structure breakdown · 48 steps · 8 unique chords
G
Whole song transcribed by
Harmonic Analysis & Structure
Overview
Key: E minor · Chords used: 8 · Sections: 18
Where these chords come from: an expert transcription of the original recording made for the Uspop2002 chord annotations (Music and Audio Research Lab, New York University). This page shows that transcription as-is: the analysis below is generated directly from it by code, not written by AI. Consecutive repeats of a chord are shown once, and the piano voicings are our playable arrangement of each chord symbol, not a note-for-note transcription.
Section by section
Part 1 (0:00)
- G – Cadd9 – G/B – Gadd11/B
bIII – bVIadd9 – bIII⁶ – bIIIadd11 (bass B)
Part 2 (0:07)
- G – Cadd9 – G/B – Gadd11/B (×2)
bIII – bVIadd9 – bIII⁶ – bIIIadd11 (bass B)
Part 3 (0:21)
Same chords as Part 2 (0:07).
Part 4 (0:34)
Same chords as Part 2 (0:07).
Part 5 (0:48)
Same chords as Part 2 (0:07).
Part 6 (1:02)
- G – Cadd9 – G/B – Gadd11/B – G – Cadd9 – G/B – Gadd11/C
bIII – bVIadd9 – bIII⁶ – bIIIadd11 (bass B) – bIII – bVIadd9 – bIII⁶ – bIIIadd11 (bass C)
Part 7 (1:16)
- G – Cadd9 – G/B – Gadd11/C – G/D – G – Cadd9 – G/B – Gadd11/C
bIII – bVIadd9 – bIII⁶ – bIIIadd11 (bass C) – bIII⁶₄ – bIII – bVIadd9 – bIII⁶ – bIIIadd11 (bass C)
Part 8 (1:30)
Same chords as Part 7 (1:16).
Part 9 (1:44)
- G – Cadd9 – G/B – Gadd11/C – G/D – G – Gadd9/A – G/B – Gadd11/C
bIII – bVIadd9 – bIII⁶ – bIIIadd11 (bass C) – bIII⁶₄ – bIII – bIIIadd9 (bass A) – bIII⁶ – bIIIadd11 (bass C)
Part 10 (1:58)
- G – Gadd9/A – G/B – Gadd11/C (×2)
bIII – bIIIadd9 (bass A) – bIII⁶ – bIIIadd11 (bass C)
Part 11 (2:12)
Same chords as Part 10 (1:58).
Part 12 (2:26)
- E5
I5
Part 13 (2:40)
- G – Gadd9/A – G/D (×2)
bIII – bIIIadd9 (bass A) – bIII⁶₄
Part 14 (2:53)
- G – Gadd9/A – G/B – G – Gadd9/A – G/D
bIII – bIIIadd9 (bass A) – bIII⁶ – bIII – bIIIadd9 (bass A) – bIII⁶₄
Part 15 (3:08)
Same chords as Part 12 (2:26).
Part 16 (3:21)
Same chords as Part 14 (2:53).
Part 17 (3:35)
Same chords as Part 14 (2:53).
Part 18 (3:49)
Same chords as Part 12 (2:26).
Chord vocabulary
| Chord | Roman numeral | Role | Heard in |
|---|---|---|---|
| G | bIII | In the key | Part 1, Part 2, Part 3, Part 4, Part 5, Part 6, Part 7, Part 8, Part 9, Part 10, Part 11, Part 13, Part 14, Part 16, Part 17 |
| Cadd9 | bVIadd9 | In the key | Part 1, Part 2, Part 3, Part 4, Part 5, Part 6, Part 7, Part 8, Part 9 |
| G/B | bIII⁶ | In the key | Part 1, Part 2, Part 3, Part 4, Part 5, Part 6, Part 7, Part 8, Part 9, Part 10, Part 11, Part 14, Part 16, Part 17 |
| Gadd11/B | bIIIadd11 (bass B) | In the key | Part 1, Part 2, Part 3, Part 4, Part 5, Part 6 |
| Gadd11/C | bIIIadd11 (bass C) | In the key | Part 6, Part 7, Part 8, Part 9, Part 10, Part 11 |
| G/D | bIII⁶₄ | In the key | Part 7, Part 8, Part 9, Part 13, Part 14, Part 16, Part 17 |
| Gadd9/A | bIIIadd9 (bass A) | In the key | Part 9, Part 10, Part 11, Part 13, Part 14, Part 16, Part 17 |
| E5 | I5 | In the key | Part 12, Part 15, Part 18 |
Sources & accuracy
- Chords: the Uspop2002 chord annotations (Music and Audio Research Lab, New York University). Chord annotation of the original recording (Temple Of The Dog), time-stamped by researchers; CC BY 4.0 via ChoCo.
- Section names: this annotation doesn't name verses or choruses, so they aren't guessed. Instead, code used the chord timings to find the bars and cut the song into 8-bar parts. Each part is labelled with the time it starts in the annotated recording (Temple Of The Dog), and a part with exactly the same chords as an earlier one says so.
- The key was estimated by code from the chords; this annotation doesn't state it.
- Not verified: only one expert transcription of this song is available so far.
- Rhythm and chord durations aren't shown; each step is one chord change.
Sources & Accuracy
Every chord on this page comes from the expert transcription listed first below. Piano voicings are our arrangement of the reported chord symbols, not a note-for-note transcription.
- the Uspop2002 chord annotations (Music and Audio Research Lab, New York University)Expert transcription
Annotated from the original recording by trained musicians for a published research dataset.
Chord annotation of the original recording (Temple Of The Dog), time-stamped by researchers; CC BY 4.0 via ChoCo.
All Piano Voicings
| # | Section | Chord | Left hand | Right hand | Sources |
|---|---|---|---|---|---|
| 1 | Part 1 (0:00) | G | G2, D3 | B3, D4, G4 | — |
| 2 | Part 1 (0:00) | Cadd9 | C2, G2 | D4, E4, G4 | — |
| 3 | Part 1 (0:00) | G/B | B1 | B3, D4, G4 | — |
| 4 | Part 1 (0:00) | Gadd11/B | B1 | B3, C4, D4, G4 | — |
| 5 | Part 2 (0:07) (×2) | G | G2, D3 | B3, D4, G4 | — |
| 6 | Part 2 (0:07) (×2) | Cadd9 | C2, G2 | D4, E4, G4 | — |
| 7 | Part 2 (0:07) (×2) | G/B | B1 | B3, D4, G4 | — |
| 8 | Part 2 (0:07) (×2) | Gadd11/B | B1 | B3, C4, D4, G4 | — |
| 9 | Part 6 (1:02) | G | G2, D3 | B3, D4, G4 | — |
| 10 | Part 6 (1:02) | Cadd9 | C2, G2 | D4, E4, G4 | — |
| 11 | Part 6 (1:02) | G/B | B1 | B3, D4, G4 | — |
| 12 | Part 6 (1:02) | Gadd11/B | B1 | B3, C4, D4, G4 | — |
| 13 | Part 6 (1:02) | G | G2, D3 | B3, D4, G4 | — |
| 14 | Part 6 (1:02) | Cadd9 | C2, G2 | D4, E4, G4 | — |
| 15 | Part 6 (1:02) | G/B | B1 | B3, D4, G4 | — |
| 16 | Part 6 (1:02) | Gadd11/C | C2 | B3, C4, D4, G4 | — |
| 17 | Part 7 (1:16) | G | G2, D3 | B3, D4, G4 | — |
| 18 | Part 7 (1:16) | Cadd9 | C2, G2 | D4, E4, G4 | — |
| 19 | Part 7 (1:16) | G/B | B1 | B3, D4, G4 | — |
| 20 | Part 7 (1:16) | Gadd11/C | C2 | B3, C4, D4, G4 | — |
| 21 | Part 7 (1:16) | G/D | D2 | B3, D4, G4 | — |
| 22 | Part 7 (1:16) | G | G2, D3 | B3, D4, G4 | — |
| 23 | Part 7 (1:16) | Cadd9 | C2, G2 | D4, E4, G4 | — |
| 24 | Part 7 (1:16) | G/B | B1 | B3, D4, G4 | — |
| 25 | Part 7 (1:16) | Gadd11/C | C2 | B3, C4, D4, G4 | — |
| 26 | Part 9 (1:44) | G | G2, D3 | B3, D4, G4 | — |
| 27 | Part 9 (1:44) | Cadd9 | C2, G2 | D4, E4, G4 | — |
| 28 | Part 9 (1:44) | G/B | B1 | B3, D4, G4 | — |
| 29 | Part 9 (1:44) | Gadd11/C | C2 | B3, C4, D4, G4 | — |
| 30 | Part 9 (1:44) | G/D | D2 | B3, D4, G4 | — |
| 31 | Part 9 (1:44) | G | G2, D3 | B3, D4, G4 | — |
| 32 | Part 9 (1:44) | Gadd9/A | A2 | A3, B3, D4, G4 | — |
| 33 | Part 9 (1:44) | G/B | B1 | B3, D4, G4 | — |
| 34 | Part 9 (1:44) | Gadd11/C | C2 | B3, C4, D4, G4 | — |
| 35 | Part 10 (1:58) (×2) | G | G2, D3 | B3, D4, G4 | — |
| 36 | Part 10 (1:58) (×2) | Gadd9/A | A2 | A3, B3, D4, G4 | — |
| 37 | Part 10 (1:58) (×2) | G/B | B1 | B3, D4, G4 | — |
| 38 | Part 10 (1:58) (×2) | Gadd11/C | C2 | B3, C4, D4, G4 | — |
| 39 | Part 12 (2:26) | E5 | E2, B2 | B3, E4 | — |
| 40 | Part 13 (2:40) (×2) | G | G2, D3 | B3, D4, G4 | — |
| 41 | Part 13 (2:40) (×2) | Gadd9/A | A2 | A3, B3, D4, G4 | — |
| 42 | Part 13 (2:40) (×2) | G/D | D2 | B3, D4, G4 | — |
| 43 | Part 14 (2:53) | G | G2, D3 | B3, D4, G4 | — |
| 44 | Part 14 (2:53) | Gadd9/A | A2 | A3, B3, D4, G4 | — |
| 45 | Part 14 (2:53) | G/B | B1 | B3, D4, G4 | — |
| 46 | Part 14 (2:53) | G | G2, D3 | B3, D4, G4 | — |
| 47 | Part 14 (2:53) | Gadd9/A | A2 | A3, B3, D4, G4 | — |
| 48 | Part 14 (2:53) | G/D | D2 | B3, D4, G4 | — |