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It's a Most Unusual Day by Harold Adamson

Piano chords, voicings & structure breakdown · 52 steps · 20 unique chords

Community chart. These chords come from a chart a musician wrote and shared on the iReal Pro forums, not from a transcription checked against the recording. Charts are sometimes written in a different key or simplified, and no second chart of this song agreed closely enough to mark this page verified. Trust your ears.
A Section 1, part 1 (×2)Step 1 of 52

F♯/G

LeftG2RightA♯3, C♯4, F♯4
C4G2A♯3C♯4F♯4
Left hand Right hand Middle C (C4)

No source cited for this step

Harmonic Analysis & Structure

Overview

Key: G major · Chords used: 20 · Sections: 5

Form: A Section → A Section → B Section → A Section → B Section

Where these chords come from: a chord chart of this song written by a musician and shared on the iReal Pro forums, archived in the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). It's one musician's reading of the song, not a transcription checked against the recording. This page shows that chart as-is: the analysis below is generated directly from it by code, not written by AI. Consecutive repeats of a chord are shown once, and the piano voicings are our playable arrangement of each chord symbol, not a note-for-note transcription.

Section by section

A Section 1

  • F♯/G – G – Em7 – Am7 – D7 (×2)
    VII (bass G) – I – vi7 – ii7 – V7
  • G/B – Cmaj7 – C♯dim7 – G/D – Bm7 – Em7 – A7 – D7
    I⁶ – IVmaj7 – #iv°7 – I⁶₄ – iii7 – vi7 – II7 – V7

A Section 2

  • F♯/G – G – Em7 – Am7 – D7 (×2)
    VII (bass G) – I – vi7 – ii7 – V7
  • G/B – Cmaj7 – C♯dim7 – G/D – Am7 – D7 – G6 – Em7 – E♭m7
    I⁶ – IVmaj7 – #iv°7 – I⁶₄ – ii7 – V7 – I6 – vi7 – bvi7

B Section 1

  • Dm7 – G7 – Cmaj7 – C6 – F♯m7 – Fm7 – Em7 – A7 – Dmaj7 – D6 – Am7 – D7 – Am7
    v7 – I7 – IVmaj7 – IV6 – vii7 – bvii7 – vi7 – II7 – Vmaj7 – V6 – ii7 – V7 – ii7

A Section 3

Same chords as A Section 2.

B Section 2

  • Dm7 – G7 – Cmaj7 – C6 – F♯m7 – Fm7 – Em7 – A7 – Dmaj7 – D6
    v7 – I7 – IVmaj7 – IV6 – vii7 – bvii7 – vi7 – II7 – Vmaj7 – V6
  • Am7 – D7 (×2)
    ii7 – V7

Chord vocabulary

ChordRoman numeralRoleHeard in
F♯/GVII (bass G)Outside the key (chromatic)A Section
GIHome chord (tonic)A Section
Em7vi7In the keyA Section, B Section
Am7ii7In the keyA Section, B Section
D7V7In the keyA Section, B Section
G/BI⁶Home chord (tonic)A Section
Cmaj7IVmaj7In the keyA Section, B Section
C♯dim7#iv°7Outside the key (chromatic)A Section
G/DI⁶₄Home chord (tonic)A Section
Bm7iii7In the keyA Section
A7II7Secondary dominant (V/V)A Section, B Section
G6I6Home chord (tonic)A Section
E♭m7bvi7Outside the key (chromatic)A Section
Dm7v7Borrowed from G minorB Section
G7I7Secondary dominant (V/IV)B Section
C6IV6In the keyB Section
F♯m7vii7Outside the key (chromatic)B Section
Fm7bvii7Outside the key (chromatic)B Section
Dmaj7Vmaj7Outside the key (chromatic)B Section
D6V6In the keyB Section

Harmonic highlights

  • Dm7 (v7) is borrowed from the parallel key, G minor.
  • A7 acts as V/V: it resolves to D7.
  • G7 acts as V/IV: it resolves to Cmaj7.

Sources & accuracy

  • Chords: the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). Community chord chart “It's A Most Unusual Day” (credited “Jimmy McHugh-Harold Adamson”, style Up Swing) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata.
  • Section names: from the chart's own markings: section names written on the chart (Intro, Verse, Chorus…) are kept, and rehearsal letters are shown as “A Section”, “B Section” and so on (the B of an AABA song is called the Bridge).
  • Chord charts are often written in a key that suits a particular singer or band, so this may not be the key of the original recording.
  • The chart's D.S./D.C./coda jumps have been written out in playing order.
  • About the song: Wikipedia.
  • Not verified: only one chart of this song is available, so it hasn't been cross-checked.
  • Rhythm and chord durations aren't shown; each step is one chord change.

Sources & Accuracy

Every chord on this page comes from the community chart listed first below. Piano voicings are our arrangement of the reported chord symbols, not a note-for-note transcription.

  • Chords from a chart a musician wrote and shared on the iReal Pro forums (archived in the ChoCo research dataset); may be in a different key from the recording, and not checked against it.

    Community chord chart “It's A Most Unusual Day” (credited “Jimmy McHugh-Harold Adamson”, style Up Swing) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata.

All Piano Voicings

#SectionChordLeft handRight handSources
1A Section 1, part 1 (×2)F♯/GG2A♯3, C♯4, F♯4—
2A Section 1, part 1 (×2)GG2, D3B3, D4, G4—
3A Section 1, part 1 (×2)Em7E2, B2B3, D4, G4—
4A Section 1, part 1 (×2)Am7A2, E3C4, E4, G4—
5A Section 1, part 1 (×2)D7D2, A2C4, F♯4, A4—
6A Section 1, part 2G/BB1D4, G4, B4—
7A Section 1, part 2Cmaj7C2, G2E4, G4, B4—
8A Section 1, part 2C♯dim7C♯2, C♯3E4, G4, B♭4—
9A Section 1, part 2G/DD2D4, G4, B4—
10A Section 1, part 2Bm7B1, F♯2D4, F♯4, A4—
11A Section 1, part 2Em7E2, B2D4, G4, B4—
12A Section 1, part 2A7A2, E3E4, G4, C♯5—
13A Section 1, part 2D7D2, A2F♯4, A4, C5—
14A Section 2, part 1 (×2)F♯/GG2F♯4, A♯4, C♯5—
15A Section 2, part 1 (×2)GG2, D3G4, B4, D5—
16A Section 2, part 1 (×2)Em7E2, B2G4, B4, D5—
17A Section 2, part 1 (×2)Am7A2, E3G4, C5, E5—
18A Section 2, part 1 (×2)D7D2, A2F♯4, A4, C5—
19A Section 2, part 2G/BB1G4, B4, D5—
20A Section 2, part 2Cmaj7C2, G2G4, B4, E5—
21A Section 2, part 2C♯dim7C♯2, C♯3G4, B♭4, E5—
22A Section 2, part 2G/DD2G4, B4, D5—
23A Section 2, part 2Am7A2, E3G4, C5, E5—
24A Section 2, part 2D7D2, A2F♯4, A4, C5—
25A Section 2, part 2G6G2, D3E4, B4, D5—
26A Section 2, part 2Em7E2, B2G4, B4, D5—
27A Section 2, part 2E♭m7E♭2, B♭2G♭4, B♭4, D♭5—
28B Section 1Dm7D2, A2F4, A4, C5—
29B Section 1G7G2, D3F4, B4, D5—
30B Section 1Cmaj7C2, G2G4, B4, E5—
31B Section 1C6C2, G2G4, A4, E5—
32B Section 1F♯m7F♯2, C♯3E4, A4, C♯5—
33B Section 1Fm7F2, C3E♭4, A♭4, C5—
34B Section 1Em7E2, B2D4, G4, B4—
35B Section 1A7A2, E3E4, G4, C♯5—
36B Section 1Dmaj7D2, A2F♯4, A4, C♯5—
37B Section 1D6D2, A2F♯4, A4, B4—
38B Section 1Am7A2, E3E4, G4, C5—
39B Section 1D7D2, A2F♯4, A4, C5—
40B Section 1Am7A2, E3E4, G4, C5—
41B Section 2, part 1Dm7D2, A2F4, A4, C5—
42B Section 2, part 1G7G2, D3F4, B4, D5—
43B Section 2, part 1Cmaj7C2, G2G4, B4, E5—
44B Section 2, part 1C6C2, G2G4, A4, E5—
45B Section 2, part 1F♯m7F♯2, C♯3E4, A4, C♯5—
46B Section 2, part 1Fm7F2, C3E♭4, A♭4, C5—
47B Section 2, part 1Em7E2, B2D4, G4, B4—
48B Section 2, part 1A7A2, E3E4, G4, C♯5—
49B Section 2, part 1Dmaj7D2, A2F♯4, A4, C♯5—
50B Section 2, part 1D6D2, A2F♯4, A4, B4—
51B Section 2, part 2 (×2)Am7A2, E3E4, G4, C5—
52B Section 2, part 2 (×2)D7D2, A2F♯4, A4, C5—