Killing Me by Robbie Williams
Piano chords, voicings & structure breakdown · 67 steps · 18 unique chords · 1990s
F♯m/A
Whole song transcribed by
Harmonic Analysis & Structure
Overview
Key: A Mixolydian · Chords used: 18 · Sections: 10
Where these chords come from: an expert transcription of the original recording made for the Robbie Williams chord annotations (Di Giorgi et al., Politecnico di Milano, 2013). This page shows that transcription as-is: the analysis below is generated directly from it by code, not written by AI. Consecutive repeats of a chord are shown once, and the piano voicings are our playable arrangement of each chord symbol, not a note-for-note transcription.
Section by section
Part 1 (0:01)
- F♯m/A – Em/A – Dm/A – A – F♯m/A – Em/A
vi⁶ – v (bass A) – iv⁶₄ – I – vi⁶ – v (bass A)
Part 2 (0:10)
- Dm/A – A – F♯m/A – Em/A (×2)
iv⁶₄ – I – vi⁶ – v (bass A) - Dm/A – A – Em – G – F♯m/A – Em/A
iv⁶₄ – I – v – bVII – vi⁶ – v (bass A)
Part 3 (0:34)
Same chords as Part 2 (0:10).
Part 4 (0:57)
- Dm/A – A – Dm – G – C – Am – Dm – G – Esus4
iv⁶₄ – I – iv – bVII – bIII – i – iv – bVII – Vsus4
Part 5 (1:21)
- E
V - F♯m/A – Em/A – Dm/A – A (×2)
vi⁶ – v (bass A) – iv⁶₄ – I - Em – G – F♯m/A – Em/A
v – bVII – vi⁶ – v (bass A)
Part 6 (1:45)
- Dm/A – A – Am – G♯aug/B♯ – Am7 – Am6 – F – G – F/A
iv⁶₄ – I – i – VII+⁶ – i7 – i6 – bVI – bVII – bVI⁶
Part 7 (2:09)
- G/B – E
bVII⁶ – V - F♯m/A – Em/A – Dm/A – A (×2)
vi⁶ – v (bass A) – iv⁶₄ – I - Em – G – F♯m/A – Em/A
v – bVII – vi⁶ – v (bass A)
Part 8 (2:33)
Same chords as Part 6 (1:45).
Part 9 (2:57)
- G/B – E – Am – Am7 – D/A – A – Am – Am7 – D/A
bVII⁶ – V – i – i7 – IV⁶₄ – I – i – i7 – IV⁶₄
Part 10 (3:21)
- A – Am – Am7 – D/A (×2)
I – i – i7 – IV⁶₄ - A
I
Chord vocabulary
| Chord | Roman numeral | Role | Heard in |
|---|---|---|---|
| F♯m/A | vi⁶ | In the key | Part 1, Part 2, Part 3, Part 5, Part 7 |
| Em/A | v (bass A) | In the key | Part 1, Part 2, Part 3, Part 5, Part 7 |
| Dm/A | iv⁶₄ | Outside the key (chromatic) | Part 1, Part 2, Part 3, Part 4, Part 5, Part 6, Part 7, Part 8 |
| A | I | Home chord (tonic) | Part 1, Part 2, Part 3, Part 4, Part 5, Part 6, Part 7, Part 8, Part 9, Part 10 |
| Em | v | In the key | Part 2, Part 3, Part 5, Part 7 |
| G | bVII | In the key | Part 2, Part 3, Part 4, Part 5, Part 6, Part 7, Part 8 |
| Dm | iv | Outside the key (chromatic) | Part 4 |
| C | bIII | Outside the key (chromatic) | Part 4 |
| Am | i | Outside the key (chromatic) | Part 4, Part 6, Part 8, Part 9, Part 10 |
| Esus4 | Vsus4 | In the key | Part 4 |
| E | V | Outside the key (chromatic) | Part 5, Part 7, Part 9 |
| G♯aug/B♯ | VII+⁶ | Outside the key (chromatic) | Part 6, Part 8 |
| Am7 | i7 | Outside the key (chromatic) | Part 6, Part 8, Part 9, Part 10 |
| Am6 | i6 | Outside the key (chromatic) | Part 6, Part 8 |
| F | bVI | Outside the key (chromatic) | Part 6, Part 8 |
| F/A | bVI⁶ | Outside the key (chromatic) | Part 6, Part 8 |
| G/B | bVII⁶ | In the key | Part 7, Part 9 |
| D/A | IV⁶₄ | In the key | Part 9, Part 10 |
Sources & accuracy
- Chords: the Robbie Williams chord annotations (Di Giorgi et al., Politecnico di Milano, 2013). Chord annotation of the original recording (Life Thru a Lens, 1997), time-stamped by researchers; CC BY 4.0 via ChoCo.
- Section names: this annotation doesn't name verses or choruses, so they aren't guessed. Instead, code used the chord timings to find the bars and cut the song into 8-bar parts. Each part is labelled with the time it starts in the annotated recording (Life Thru a Lens, 1997), and a part with exactly the same chords as an earlier one says so.
- Not verified: only one expert transcription of this song is available so far.
- Rhythm and chord durations aren't shown; each step is one chord change.
Sources & Accuracy
Every chord on this page comes from the expert transcription listed first below. Piano voicings are our arrangement of the reported chord symbols, not a note-for-note transcription.
- the Robbie Williams chord annotations (Di Giorgi et al., Politecnico di Milano, 2013)Expert transcription
Annotated from the original recording by trained musicians for a published research dataset.
Chord annotation of the original recording (Life Thru a Lens, 1997), time-stamped by researchers; CC BY 4.0 via ChoCo.
All Piano Voicings
| # | Section | Chord | Left hand | Right hand | Sources |
|---|---|---|---|---|---|
| 1 | Part 1 (0:01) | F♯m/A | A2 | C♯4, F♯4, A4 | — |
| 2 | Part 1 (0:01) | Em/A | A2 | B3, E4, G4 | — |
| 3 | Part 1 (0:01) | Dm/A | A2 | A3, D4, F4 | — |
| 4 | Part 1 (0:01) | A | A2, E3 | A3, C♯4, E4 | — |
| 5 | Part 1 (0:01) | F♯m/A | A2 | A3, C♯4, F♯4 | — |
| 6 | Part 1 (0:01) | Em/A | A2 | B3, E4, G4 | — |
| 7 | Part 2 (0:10), part 1 (×2) | Dm/A | A2 | A3, D4, F4 | — |
| 8 | Part 2 (0:10), part 1 (×2) | A | A2, E3 | A3, C♯4, E4 | — |
| 9 | Part 2 (0:10), part 1 (×2) | F♯m/A | A2 | A3, C♯4, F♯4 | — |
| 10 | Part 2 (0:10), part 1 (×2) | Em/A | A2 | B3, E4, G4 | — |
| 11 | Part 2 (0:10), part 2 | Dm/A | A2 | A3, D4, F4 | — |
| 12 | Part 2 (0:10), part 2 | A | A2, E3 | A3, C♯4, E4 | — |
| 13 | Part 2 (0:10), part 2 | Em | E2, B2 | G3, B3, E4 | — |
| 14 | Part 2 (0:10), part 2 | G | G2, D3 | G3, B3, D4 | — |
| 15 | Part 2 (0:10), part 2 | F♯m/A | A2 | F♯3, A3, C♯4 | — |
| 16 | Part 2 (0:10), part 2 | Em/A | A2 | G3, B3, E4 | — |
| 17 | Part 4 (0:57) | Dm/A | A2 | A3, D4, F4 | — |
| 18 | Part 4 (0:57) | A | A2, E3 | A3, C♯4, E4 | — |
| 19 | Part 4 (0:57) | Dm | D2, A2 | A3, D4, F4 | — |
| 20 | Part 4 (0:57) | G | G2, D3 | B3, D4, G4 | — |
| 21 | Part 4 (0:57) | C | C2, G2 | C4, E4, G4 | — |
| 22 | Part 4 (0:57) | Am | A2, E3 | C4, E4, A4 | — |
| 23 | Part 4 (0:57) | Dm | D2, A2 | D4, F4, A4 | — |
| 24 | Part 4 (0:57) | G | G2, D3 | D4, G4, B4 | — |
| 25 | Part 4 (0:57) | Esus4 | E2, B2 | E4, A4, B4 | — |
| 26 | Part 5 (1:21), part 1 | E | E2, B2 | E4, G♯4, B4 | — |
| 27 | Part 5 (1:21), part 2 (×2) | F♯m/A | A2 | F♯4, A4, C♯5 | — |
| 28 | Part 5 (1:21), part 2 (×2) | Em/A | A2 | E4, G4, B4 | — |
| 29 | Part 5 (1:21), part 2 (×2) | Dm/A | A2 | D4, F4, A4 | — |
| 30 | Part 5 (1:21), part 2 (×2) | A | A2, E3 | C♯4, E4, A4 | — |
| 31 | Part 5 (1:21), part 3 | Em | E2, B2 | B3, E4, G4 | — |
| 32 | Part 5 (1:21), part 3 | G | G2, D3 | B3, D4, G4 | — |
| 33 | Part 5 (1:21), part 3 | F♯m/A | A2 | A3, C♯4, F♯4 | — |
| 34 | Part 5 (1:21), part 3 | Em/A | A2 | B3, E4, G4 | — |
| 35 | Part 6 (1:45) | Dm/A | A2 | A3, D4, F4 | — |
| 36 | Part 6 (1:45) | A | A2, E3 | A3, C♯4, E4 | — |
| 37 | Part 6 (1:45) | Am | A2, E3 | A3, C4, E4 | — |
| 38 | Part 6 (1:45) | G♯aug/B♯ | B♯1 | G♯3, B♯3, D♯♯4 | — |
| 39 | Part 6 (1:45) | Am7 | A2, E3 | G3, C4, E4 | — |
| 40 | Part 6 (1:45) | Am6 | A2, E3 | F♯3, C4, E4 | — |
| 41 | Part 6 (1:45) | F | F2, C3 | A3, C4, F4 | — |
| 42 | Part 6 (1:45) | G | G2, D3 | B3, D4, G4 | — |
| 43 | Part 6 (1:45) | F/A | A2 | C4, F4, A4 | — |
| 44 | Part 7 (2:09), part 1 | G/B | B1 | B3, D4, G4 | — |
| 45 | Part 7 (2:09), part 1 | E | E2, B2 | B3, E4, G♯4 | — |
| 46 | Part 7 (2:09), part 2 (×2) | F♯m/A | A2 | C♯4, F♯4, A4 | — |
| 47 | Part 7 (2:09), part 2 (×2) | Em/A | A2 | B3, E4, G4 | — |
| 48 | Part 7 (2:09), part 2 (×2) | Dm/A | A2 | A3, D4, F4 | — |
| 49 | Part 7 (2:09), part 2 (×2) | A | A2, E3 | A3, C♯4, E4 | — |
| 50 | Part 7 (2:09), part 3 | Em | E2, B2 | G3, B3, E4 | — |
| 51 | Part 7 (2:09), part 3 | G | G2, D3 | G3, B3, D4 | — |
| 52 | Part 7 (2:09), part 3 | F♯m/A | A2 | F♯3, A3, C♯4 | — |
| 53 | Part 7 (2:09), part 3 | Em/A | A2 | G3, B3, E4 | — |
| 54 | Part 9 (2:57) | G/B | B1 | G3, B3, D4 | — |
| 55 | Part 9 (2:57) | E | E2, B2 | G♯3, B3, E4 | — |
| 56 | Part 9 (2:57) | Am | A2, E3 | A3, C4, E4 | — |
| 57 | Part 9 (2:57) | Am7 | A2, E3 | G3, C4, E4 | — |
| 58 | Part 9 (2:57) | D/A | A2 | A3, D4, F♯4 | — |
| 59 | Part 9 (2:57) | A | A2, E3 | A3, C♯4, E4 | — |
| 60 | Part 9 (2:57) | Am | A2, E3 | A3, C4, E4 | — |
| 61 | Part 9 (2:57) | Am7 | A2, E3 | G3, C4, E4 | — |
| 62 | Part 9 (2:57) | D/A | A2 | A3, D4, F♯4 | — |
| 63 | Part 10 (3:21), part 1 (×2) | A | A2, E3 | A3, C♯4, E4 | — |
| 64 | Part 10 (3:21), part 1 (×2) | Am | A2, E3 | A3, C4, E4 | — |
| 65 | Part 10 (3:21), part 1 (×2) | Am7 | A2, E3 | G3, C4, E4 | — |
| 66 | Part 10 (3:21), part 1 (×2) | D/A | A2 | A3, D4, F♯4 | — |
| 67 | Part 10 (3:21), part 2 | A | A2, E3 | A3, C♯4, E4 | — |