PianoChords.studio

Let's Call the Whole Thing Off by Louis Armstrong

Piano chords, voicings & structure breakdown · 44 steps · 13 unique chords

A Section 1, part 1 (×2)Step 1 of 44

G

LeftG2, D3RightB3, D4, G4
C4G2D3B3D4G4
Left hand Right hand Middle C (C4)

No source cited for this step

Harmonic Analysis & Structure

Overview

Key: G major · Chords used: 13 · Sections: 4

Form: A Section → A Section → Bridge → A Section

Where these chords come from: a chord chart of this song written by a musician and shared on the iReal Pro forums, archived in the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). It's one musician's reading of the song, not a transcription checked against the recording. This page shows that chart as-is: the analysis below is generated directly from it by code, not written by AI. Consecutive repeats of a chord are shown once, and the piano voicings are our playable arrangement of each chord symbol, not a note-for-note transcription.

Section by section

A Section 1

  • G – Em7 – Am7 – D7 (×2)
    I – vi7 – ii7 – V7
  • G – G/F – C7/E – Cm7/E♭ – G/D – Em7 – Am7 – D7
    I – I (bass F) – IV⁶₅ – iv⁶₅ – I⁶₄ – vi7 – ii7 – V7

A Section 2

  • G – Em7 – Am7 – D7 (×2)
    I – vi7 – ii7 – V7
  • G – G/F – C7/E – Cm7/E♭ – G/D – D7 – G
    I – I (bass F) – IV⁶₅ – iv⁶₅ – I⁶₄ – V7 – I

Bridge

  • C♯m7♭5 – F♯7 – Bm7 – E7 – Am7 – D7 (×2)
    #ivø7 – VII7 – iii7 – VI7 – ii7 – V7

A Section 3

  • G – Em7 – Am7 – D7 (×2)
    I – vi7 – ii7 – V7
  • G – G/F – C7/E – Cm7/E♭ – G/D – D7 – B7 – E7 – Am7 – D7 – G
    I – I (bass F) – IV⁶₅ – iv⁶₅ – I⁶₄ – V7 – III7 – VI7 – ii7 – V7 – I

Chord vocabulary

ChordRoman numeralRoleHeard in
GIHome chord (tonic)A Section
Em7vi7In the keyA Section
Am7ii7In the keyA Section, Bridge
D7V7In the keyA Section, Bridge
G/FI (bass F)Outside the key (chromatic)A Section
C7/EIV⁶₅Outside the key (chromatic)A Section
Cm7/E♭iv⁶₅Borrowed from G minorA Section
G/DI⁶₄Home chord (tonic)A Section
C♯m7♭5#ivø7Outside the key (chromatic)Bridge
F♯7VII7Secondary dominant (V/iii)Bridge
Bm7iii7In the keyBridge
E7VI7Secondary dominant (V/ii)Bridge, A Section
B7III7Outside the key (chromatic)A Section

Harmonic highlights

  • Cm7/E♭ (iv⁶₅) is borrowed from the parallel key, G minor.
  • F♯7 acts as V/iii: it resolves to Bm7.
  • E7 acts as V/ii: it resolves to Am7.

Sources & accuracy

  • Chords: the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). Community chord chart “Let's Call The Whole Thing Off - Flinner” (credited “George And Ira Gershwin”, style Medium Swing) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata.
  • Section names: from the chart's own markings: section names written on the chart (Intro, Verse, Chorus…) are kept, and rehearsal letters are shown as “A Section”, “B Section” and so on (the B of an AABA song is called the Bridge).
  • Cross-check: the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). Community chord chart “Let's Call The Whole Thing Off” (credited “Gershwin George”, style Medium Swing) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata. A separately posted chart of the same song; its chords match this page's closely when both are read in the same key (similarity 76%).
  • Chord charts are often written in a key that suits a particular singer or band, so this may not be the key of the original recording.
  • About the song: Wikipedia.
  • Verified: two community charts of this song, posted in different forum threads, agree on its harmony. They're still charts, not transcriptions checked against the recording.
  • Rhythm and chord durations aren't shown; each step is one chord change.

Sources & Accuracy

Every chord on this page comes from the community chart listed first below. Piano voicings are our arrangement of the reported chord symbols, not a note-for-note transcription.

  • Chords from a chart a musician wrote and shared on the iReal Pro forums (archived in the ChoCo research dataset); may be in a different key from the recording, and not checked against it.

    Community chord chart “Let's Call The Whole Thing Off - Flinner” (credited “George And Ira Gershwin”, style Medium Swing) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata.

  • Chords from a chart a musician wrote and shared on the iReal Pro forums (archived in the ChoCo research dataset); may be in a different key from the recording, and not checked against it.

    Community chord chart “Let's Call The Whole Thing Off” (credited “Gershwin George”, style Medium Swing) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata. A separately posted chart of the same song; its chords match this page's closely when both are read in the same key (similarity 76%).

All Piano Voicings

#SectionChordLeft handRight handSources
1A Section 1, part 1 (×2)GG2, D3B3, D4, G4—
2A Section 1, part 1 (×2)Em7E2, B2B3, D4, G4—
3A Section 1, part 1 (×2)Am7A2, E3C4, E4, G4—
4A Section 1, part 1 (×2)D7D2, A2C4, F♯4, A4—
5A Section 1, part 2GG2, D3D4, G4, B4—
6A Section 1, part 2G/FF2D4, G4, B4—
7A Section 1, part 2C7/EE2C4, E4, G4, B♭4—
8A Section 1, part 2Cm7/E♭E♭2C4, E♭4, G4, B♭4—
9A Section 1, part 2G/DD2D4, G4, B4—
10A Section 1, part 2Em7E2, B2D4, G4, B4—
11A Section 1, part 2Am7A2, E3E4, G4, C5—
12A Section 1, part 2D7D2, A2F♯4, A4, C5—
13A Section 2, part 1 (×2)GG2, D3G4, B4, D5—
14A Section 2, part 1 (×2)Em7E2, B2G4, B4, D5—
15A Section 2, part 1 (×2)Am7A2, E3G4, C5, E5—
16A Section 2, part 1 (×2)D7D2, A2F♯4, A4, C5—
17A Section 2, part 2GG2, D3G4, B4, D5—
18A Section 2, part 2G/FF2G4, B4, D5—
19A Section 2, part 2C7/EE2G4, B♭4, C5, E5—
20A Section 2, part 2Cm7/E♭E♭2G4, B♭4, C5, E♭5—
21A Section 2, part 2G/DD2G4, B4, D5—
22A Section 2, part 2D7D2, A2F♯4, A4, C5—
23A Section 2, part 2GG2, D3G4, B4, D5—
24Bridge (×2)C♯m7♭5C♯2, C♯3G4, B4, E5—
25Bridge (×2)F♯7F♯2, C♯3A♯4, C♯5, E5—
26Bridge (×2)Bm7B1, F♯2F♯4, A4, D5—
27Bridge (×2)E7E2, B2G♯4, B4, D5—
28Bridge (×2)Am7A2, E3G4, C5, E5—
29Bridge (×2)D7D2, A2F♯4, A4, C5—
30A Section 3, part 1 (×2)GG2, D3G4, B4, D5—
31A Section 3, part 1 (×2)Em7E2, B2G4, B4, D5—
32A Section 3, part 1 (×2)Am7A2, E3G4, C5, E5—
33A Section 3, part 1 (×2)D7D2, A2F♯4, A4, C5—
34A Section 3, part 2GG2, D3G4, B4, D5—
35A Section 3, part 2G/FF2G4, B4, D5—
36A Section 3, part 2C7/EE2G4, B♭4, C5, E5—
37A Section 3, part 2Cm7/E♭E♭2G4, B♭4, C5, E♭5—
38A Section 3, part 2G/DD2G4, B4, D5—
39A Section 3, part 2D7D2, A2F♯4, A4, C5—
40A Section 3, part 2B7B1, F♯2F♯4, A4, D♯5—
41A Section 3, part 2E7E2, B2G♯4, B4, D5—
42A Section 3, part 2Am7A2, E3G4, C5, E5—
43A Section 3, part 2D7D2, A2F♯4, A4, C5—
44A Section 3, part 2GG2, D3G4, B4, D5—