Love Calling Earth by Robbie Williams
Piano chords, voicings & structure breakdown · 56 steps · 23 unique chords · 2000s
B♭
Whole song transcribed by
Harmonic Analysis & Structure
Overview
Key: E♭ minor · Chords used: 23 · Sections: 10
Where these chords come from: an expert transcription of the original recording made for the Robbie Williams chord annotations (Di Giorgi et al., Politecnico di Milano, 2013). This page shows that transcription as-is: the analysis below is generated directly from it by code, not written by AI. Consecutive repeats of a chord are shown once, and the piano voicings are our playable arrangement of each chord symbol, not a note-for-note transcription.
Section by section
Part 1 (0:00)
- B♭ – C/B♭ – B♭
V – VI (bass B♭) – V
Part 2 (0:09)
- C/B♭ – B♭maj7 (×4)
VI (bass B♭) – Vmaj7
Part 3 (0:34)
- C/B♭ – A♭maj7 – B♭m7/D♭ – A♭maj7 – B♭ – E♭ – F – E♭/G
VI (bass B♭) – IVmaj7 – v⁶₅ – IVmaj7 – V – I – II – I⁶
Part 4 (0:59)
- F/A
II⁶ - B♭ – C (×3)
V – VI - B♭
V
Part 5 (1:24)
- C – A♭ – B♭m/D♭ – A♭ – B♭ – F – Gm
VI – IV – v⁶ – IV – V – II – iii
Part 6 (1:49)
- F – B♭ – F – Gm – F – Bmaj7 – C♯/B – Bmaj7
II – V – II – iii – II – #Vmaj7 – #VI (bass B) – #Vmaj7
Part 7 (2:14)
- C♯/B – B (×2)
#VI (bass B) – #V - C♯/B – A – Bm/D – A
#VI (bass B) – #IV – #v⁶ – #IV
Part 8 (2:39)
- B/A – E – F♯ – E/G♯ – F♯/A♯ – E – F♯ – E/G♯
#V (bass A) – #I – #II – #I⁶ – #II⁶ – #I – #II – #I⁶
Part 9 (3:04)
- F♯/A♯ – E – F♯ – E/G♯ (×2)
#II⁶ – #I – #II – #I⁶
Part 10 (3:29)
- F♯/A♯ – E – F♯ – E/G♯ – F♯/A♯ – E
#II⁶ – #I – #II – #I⁶ – #II⁶ – #I
Chord vocabulary
| Chord | Roman numeral | Role | Heard in |
|---|---|---|---|
| B♭ | V | In the key | Part 1, Part 3, Part 4, Part 5, Part 6 |
| C/B♭ | VI (bass B♭) | Outside the key (chromatic) | Part 1, Part 2, Part 3 |
| B♭maj7 | Vmaj7 | Outside the key (chromatic) | Part 2 |
| A♭maj7 | IVmaj7 | Borrowed from E♭ major | Part 3 |
| B♭m7/D♭ | v⁶₅ | In the key | Part 3 |
| E♭ | I | Borrowed from E♭ major | Part 3 |
| F | II | Secondary dominant (V/V) | Part 6 |
| E♭/G | I⁶ | Borrowed from E♭ major | Part 3 |
| F/A | II⁶ | Secondary dominant (V/V) | Part 4 |
| C | VI | Outside the key (chromatic) | Part 4, Part 5 |
| A♭ | IV | Borrowed from E♭ major | Part 5 |
| B♭m/D♭ | v⁶ | In the key | Part 5 |
| Gm | iii | Borrowed from E♭ major | Part 5, Part 6 |
| Bmaj7 | #Vmaj7 | In the key | Part 6 |
| C♯/B | #VI (bass B) | In the key | Part 6, Part 7 |
| B | #V | In the key | Part 7 |
| A | #IV | Outside the key (chromatic) | Part 7 |
| Bm/D | #v⁶ | Outside the key (chromatic) | Part 7 |
| B/A | #V (bass A) | Outside the key (chromatic) | Part 8 |
| E | #I | Outside the key (chromatic) | Part 8, Part 9, Part 10 |
| F♯ | #II | In the key | Part 8, Part 9, Part 10 |
| E/G♯ | #I⁶ | Outside the key (chromatic) | Part 8, Part 9, Part 10 |
| F♯/A♯ | #II⁶ | In the key | Part 8, Part 9, Part 10 |
Harmonic highlights
- A♭maj7 (IVmaj7) is borrowed from the parallel key, E♭ major.
- E♭ (I) is borrowed from the parallel key, E♭ major.
- E♭/G (I⁶) is borrowed from the parallel key, E♭ major.
- A♭ (IV) is borrowed from the parallel key, E♭ major.
- Gm (iii) is borrowed from the parallel key, E♭ major.
- F acts as V/V: it resolves to B♭.
- F/A acts as V/V: it resolves to B♭.
Sources & accuracy
- Chords: the Robbie Williams chord annotations (Di Giorgi et al., Politecnico di Milano, 2013). Chord annotation of the original recording (Sing When You're Winning, 2000), time-stamped by researchers; CC BY 4.0 via ChoCo.
- Section names: this annotation doesn't name verses or choruses, so they aren't guessed. Instead, code used the chord timings to find the bars and cut the song into 8-bar parts. Each part is labelled with the time it starts in the annotated recording (Sing When You're Winning, 2000), and a part with exactly the same chords as an earlier one says so.
- The key was estimated by code from the chords; this annotation doesn't state it.
- Not verified: only one expert transcription of this song is available so far.
- Rhythm and chord durations aren't shown; each step is one chord change.
Sources & Accuracy
Every chord on this page comes from the expert transcription listed first below. Piano voicings are our arrangement of the reported chord symbols, not a note-for-note transcription.
- the Robbie Williams chord annotations (Di Giorgi et al., Politecnico di Milano, 2013)Expert transcription
Annotated from the original recording by trained musicians for a published research dataset.
Chord annotation of the original recording (Sing When You're Winning, 2000), time-stamped by researchers; CC BY 4.0 via ChoCo.
All Piano Voicings
| # | Section | Chord | Left hand | Right hand | Sources |
|---|---|---|---|---|---|
| 1 | Part 1 (0:00) | B♭ | B♭2, F3 | B♭3, D4, F4 | — |
| 2 | Part 1 (0:00) | C/B♭ | B♭2 | C4, E4, G4 | — |
| 3 | Part 1 (0:00) | B♭ | B♭2, F3 | B♭3, D4, F4 | — |
| 4 | Part 2 (0:09) (×4) | C/B♭ | B♭2 | C4, E4, G4 | — |
| 5 | Part 2 (0:09) (×4) | B♭maj7 | B♭2, F3 | D4, F4, A4 | — |
| 6 | Part 3 (0:34) | C/B♭ | B♭2 | C4, E4, G4 | — |
| 7 | Part 3 (0:34) | A♭maj7 | A♭2, E♭3 | C4, E♭4, G4 | — |
| 8 | Part 3 (0:34) | B♭m7/D♭ | D♭2 | B♭3, D♭4, F4, A♭4 | — |
| 9 | Part 3 (0:34) | A♭maj7 | A♭2, E♭3 | C4, E♭4, G4 | — |
| 10 | Part 3 (0:34) | B♭ | B♭2, F3 | B♭3, D4, F4 | — |
| 11 | Part 3 (0:34) | E♭ | E♭2, B♭2 | B♭3, E♭4, G4 | — |
| 12 | Part 3 (0:34) | F | F2, C3 | C4, F4, A4 | — |
| 13 | Part 3 (0:34) | E♭/G | G2 | B♭3, E♭4, G4 | — |
| 14 | Part 4 (0:59), part 1 | F/A | A2 | C4, F4, A4 | — |
| 15 | Part 4 (0:59), part 2 (×3) | B♭ | B♭2, F3 | D4, F4, B♭4 | — |
| 16 | Part 4 (0:59), part 2 (×3) | C | C2, G2 | C4, E4, G4 | — |
| 17 | Part 4 (0:59), part 3 | B♭ | B♭2, F3 | B♭3, D4, F4 | — |
| 18 | Part 5 (1:24) | C | C2, G2 | C4, E4, G4 | — |
| 19 | Part 5 (1:24) | A♭ | A♭2, E♭3 | C4, E♭4, A♭4 | — |
| 20 | Part 5 (1:24) | B♭m/D♭ | D♭2 | D♭4, F4, B♭4 | — |
| 21 | Part 5 (1:24) | A♭ | A♭2, E♭3 | C4, E♭4, A♭4 | — |
| 22 | Part 5 (1:24) | B♭ | B♭2, F3 | B♭3, D4, F4 | — |
| 23 | Part 5 (1:24) | F | F2, C3 | A3, C4, F4 | — |
| 24 | Part 5 (1:24) | Gm | G2, D3 | B♭3, D4, G4 | — |
| 25 | Part 6 (1:49) | F | F2, C3 | A3, C4, F4 | — |
| 26 | Part 6 (1:49) | B♭ | B♭2, F3 | B♭3, D4, F4 | — |
| 27 | Part 6 (1:49) | F | F2, C3 | A3, C4, F4 | — |
| 28 | Part 6 (1:49) | Gm | G2, D3 | B♭3, D4, G4 | — |
| 29 | Part 6 (1:49) | F | F2, C3 | A3, C4, F4 | — |
| 30 | Part 6 (1:49) | Bmaj7 | B1, F♯2 | A♯3, D♯4, F♯4 | — |
| 31 | Part 6 (1:49) | C♯/B | B1 | G♯3, C♯4, E♯4 | — |
| 32 | Part 6 (1:49) | Bmaj7 | B1, F♯2 | A♯3, D♯4, F♯4 | — |
| 33 | Part 7 (2:14), part 1 (×2) | C♯/B | B1 | G♯3, C♯4, E♯4 | — |
| 34 | Part 7 (2:14), part 1 (×2) | B | B1, F♯2 | B3, D♯4, F♯4 | — |
| 35 | Part 7 (2:14), part 2 | C♯/B | B1 | C♯4, E♯4, G♯4 | — |
| 36 | Part 7 (2:14), part 2 | A | A2, E3 | C♯4, E4, A4 | — |
| 37 | Part 7 (2:14), part 2 | Bm/D | D2 | D4, F♯4, B4 | — |
| 38 | Part 7 (2:14), part 2 | A | A2, E3 | C♯4, E4, A4 | — |
| 39 | Part 8 (2:39) | B/A | A2 | B3, D♯4, F♯4 | — |
| 40 | Part 8 (2:39) | E | E2, B2 | B3, E4, G♯4 | — |
| 41 | Part 8 (2:39) | F♯ | F♯2, C♯3 | A♯3, C♯4, F♯4 | — |
| 42 | Part 8 (2:39) | E/G♯ | G♯2 | B3, E4, G♯4 | — |
| 43 | Part 8 (2:39) | F♯/A♯ | A♯2 | A♯3, C♯4, F♯4 | — |
| 44 | Part 8 (2:39) | E | E2, B2 | B3, E4, G♯4 | — |
| 45 | Part 8 (2:39) | F♯ | F♯2, C♯3 | A♯3, C♯4, F♯4 | — |
| 46 | Part 8 (2:39) | E/G♯ | G♯2 | B3, E4, G♯4 | — |
| 47 | Part 9 (3:04) (×2) | F♯/A♯ | A♯2 | A♯3, C♯4, F♯4 | — |
| 48 | Part 9 (3:04) (×2) | E | E2, B2 | B3, E4, G♯4 | — |
| 49 | Part 9 (3:04) (×2) | F♯ | F♯2, C♯3 | A♯3, C♯4, F♯4 | — |
| 50 | Part 9 (3:04) (×2) | E/G♯ | G♯2 | B3, E4, G♯4 | — |
| 51 | Part 10 (3:29) | F♯/A♯ | A♯2 | A♯3, C♯4, F♯4 | — |
| 52 | Part 10 (3:29) | E | E2, B2 | B3, E4, G♯4 | — |
| 53 | Part 10 (3:29) | F♯ | F♯2, C♯3 | A♯3, C♯4, F♯4 | — |
| 54 | Part 10 (3:29) | E/G♯ | G♯2 | B3, E4, G♯4 | — |
| 55 | Part 10 (3:29) | F♯/A♯ | A♯2 | A♯3, C♯4, F♯4 | — |
| 56 | Part 10 (3:29) | E | E2, B2 | B3, E4, G♯4 | — |