Lover, come back to me by Sigmund Romberg

Overview

Key: E♭ major · Chords used: 14 · Sections: 5

Form: A Section → A Section → B Section → A Section → B Section

Where these chords come from: a chord chart of this song written by a musician and shared on the iReal Pro forums, archived in the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). It's one musician's reading of the song, not a transcription checked against the recording. This page shows that chart as-is: the analysis below is generated directly from it by code, not written by AI. Consecutive repeats of a chord are shown once, and the piano voicings are our playable arrangement of each chord symbol, not a note-for-note transcription.

Section by section

A Section 1

• E♭6 – Dm7♭5 – G7♭9 – Cm7 – F7 – F♯dim7 – E♭6/G – Cm7 – F7 – B♭7 – E♭6 – E♭6/G – A♭6 – Adim7 – E♭6/B♭ – Cm7 – Fm7 – B♭7
  I6 – viiø7 – III7b9 – vi7 – II7 – #ii°7 – I6 (bass G) – vi7 – II7 – V7 – I6 – I6 (bass G) – IV6 – #iv°7 – I6 (bass B♭) – vi7 – ii7 – V7

A Section 2

• E♭6 – Dm7♭5 – G7♭9 – Cm7 – F7 – F♯dim7 – E♭6/G – Cm7 – F7 – B♭7 – E♭6 – E♭6/G – A♭6 – Adim7 – E♭6/G – Dm7♭5 – G♭9
  I6 – viiø7 – III7b9 – vi7 – II7 – #ii°7 – I6 (bass G) – vi7 – II7 – V7 – I6 – I6 (bass G) – IV6 – #iv°7 – I6 (bass G) – viiø7 – bIII9

B Section 1

• Cm7 – Dm7♭5 – G7♭9 (×2)
  vi7 – viiø7 – III7b9
• A♭7 – G7♭9 – Cm7 – Dm7♭5 – G7♭9 – Cm7 – F7 – Fm7
  IV7 – III7b9 – vi7 – viiø7 – III7b9 – vi7 – II7 – ii7

A Section 3

Same chords as A Section 2.

B Section 2

• Cm7 – Dm7♭5 – G7♭9 (×2)
  vi7 – viiø7 – III7b9
• A♭7 – G7♭9 – Cm7 – Dm7♭5 – G7♭9 – Cm7 – F7 – Fm7 – B♭7
  IV7 – III7b9 – vi7 – viiø7 – III7b9 – vi7 – II7 – ii7 – V7

Chord vocabulary

Chord	Roman numeral	Role	Heard in
E♭6	I6	Home chord (tonic)	A Section
Dm7♭5	viiø7	In the key	A Section, B Section
G7♭9	III7b9	Secondary dominant (V/vi)	A Section, B Section
Cm7	vi7	In the key	A Section, B Section
F7	II7	Secondary dominant (V/V)	A Section, B Section
F♯dim7	#ii°7	Outside the key (chromatic)	A Section
E♭6/G	I6 (bass G)	Home chord (tonic)	A Section
B♭7	V7	In the key	A Section, B Section
A♭6	IV6	In the key	A Section
Adim7	#iv°7	Outside the key (chromatic)	A Section
E♭6/B♭	I6 (bass B♭)	Home chord (tonic)	A Section
Fm7	ii7	In the key	A Section, B Section
G♭9	bIII9	Outside the key (chromatic)	A Section
A♭7	IV7	Outside the key (chromatic)	B Section

Harmonic highlights

• G7♭9 acts as V/vi: it resolves to Cm7.
• F7 acts as V/V: it resolves to B♭7.

Sources & accuracy

• Chords: the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). Community chord chart “Lover, Come Back To Me” (credited “Romberg Sigmund”, style Medium Up Swing) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata.
• Section names: from the chart's own markings: section names written on the chart (Intro, Verse, Chorus…) are kept, and rehearsal letters are shown as “A Section”, “B Section” and so on (the B of an AABA song is called the Bridge).
• Cross-check: the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). Community chord chart “Lover, Come Back To Me” (credited “Romberg Sigmund”, style Medium Up Swing) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata. A separately posted chart of the same song; its chords match this page's closely when both are read in the same key (similarity 93%).
• Chord charts are often written in a key that suits a particular singer or band, so this may not be the key of the original recording.
• The chart's D.S./D.C./coda jumps have been written out in playing order.
• About the song: Wikipedia.
• Verified: two community charts of this song, posted in different forum threads, agree on its harmony. They're still charts, not transcriptions checked against the recording.
• Rhythm and chord durations aren't shown; each step is one chord change.