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Muito Obrigado by Djavan

Piano chords, voicings & structure breakdown · 56 steps · 13 unique chords

Intro 1Step 1 of 56

Dmaj7

LeftD2, A2RightC♯4, F♯4, A4
C4D2A2A4C♯4F♯4
Left hand Right hand Middle C (C4)

No source cited for this step

Harmonic Analysis & Structure

Overview

Key: D major · Chords used: 13 · Sections: 10

Form: Intro → Intro → A Section → A Section → B Section → B Section → B Section → C Section → C Section → C Section

Where these chords come from: a chord chart of this song written by a musician and shared on the iReal Pro forums, archived in the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). It's one musician's reading of the song, not a transcription checked against the recording. This page shows that chart as-is: the analysis below is generated directly from it by code, not written by AI. Consecutive repeats of a chord are shown once, and the piano voicings are our playable arrangement of each chord symbol, not a note-for-note transcription.

Section by section

Intro 1

  • Dmaj7 – B7 – Em7 – A7 – F♯m7 – B7 – Em7 – A7
    Imaj7 – VI7 – ii7 – V7 – iii7 – VI7 – ii7 – V7

Intro 2

Same chords as Intro 1.

A Section 1

  • Dmaj7
    Imaj7
  • B7 – Em7 – A7 – F♯m7 (×2)
    VI7 – ii7 – V7 – iii7
  • B7 – Em7 – A7 – Dmaj7 – B7 – Em7 – A7
    VI7 – ii7 – V7 – Imaj7 – VI7 – ii7 – V7

A Section 2

  • Dmaj7
    Imaj7
  • B7 – Em7 – A7 – F♯m7 (×3)
    VI7 – ii7 – V7 – iii7
  • B7
    VI7

B Section 1

  • Em7 – A7 – F♯m7 – B7
    ii7 – V7 – iii7 – VI7

B Section 2

Same chords as B Section 1.

B Section 3

  • Em7 – A7 – F♯m7 – B7 – Em7 – Em7/D – D♭m7 – G♭7 – Bm7 – E7 – Am7 – D7 – Gmaj7 – A7 – Dmaj7 – B7
    ii7 – V7 – iii7 – VI7 – ii7 – ii⁴₂ – bi7 – bIV7 – vi7 – II7 – v7 – I7 – IVmaj7 – V7 – Imaj7 – VI7

C Section 1

  • Em7 – A7 – F♯m7 – B7
    ii7 – V7 – iii7 – VI7

C Section 2

Same chords as C Section 1.

C Section 3

  • Em7 – A7 – F♯m7 – B7 (×2)
    ii7 – V7 – iii7 – VI7
  • Em7 – A7
    ii7 – V7

Chord vocabulary

ChordRoman numeralRoleHeard in
Dmaj7Imaj7Home chord (tonic)Intro, A Section, B Section
B7VI7Secondary dominant (V/ii)Intro, A Section, B Section, C Section
Em7ii7In the keyIntro, A Section, B Section, C Section
A7V7In the keyIntro, A Section, B Section, C Section
F♯m7iii7In the keyIntro, A Section, B Section, C Section
Em7/Dii⁴₂In the keyB Section
D♭m7bi7Outside the key (chromatic)B Section
G♭7bIV7Secondary dominant (V/vi)B Section
Bm7vi7In the keyB Section
E7II7Outside the key (chromatic)B Section
Am7v7Borrowed from D minorB Section
D7I7Secondary dominant (V/IV)B Section
Gmaj7IVmaj7In the keyB Section

Harmonic highlights

  • Am7 (v7) is borrowed from the parallel key, D minor.
  • B7 acts as V/ii: it resolves to Em7.
  • G♭7 acts as V/vi: it resolves to Bm7.
  • D7 acts as V/IV: it resolves to Gmaj7.

Sources & accuracy

  • Chords: the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). Community chord chart “Muito Obrigado” (credited “Djavan”, style Bossa Nova) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata.
  • Section names: from the chart's own markings: section names written on the chart (Intro, Verse, Chorus…) are kept, and rehearsal letters are shown as “A Section”, “B Section” and so on (the B of an AABA song is called the Bridge).
  • Cross-check: the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). Community chord chart “Muito Obrigado” (credited “Djavan”, style Samba) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata. A separately posted chart of the same song; its chords match this page's closely when both are read in the same key (similarity 89%).
  • Chord charts are often written in a key that suits a particular singer or band, so this may not be the key of the original recording.
  • Verified: two community charts of this song, posted in different forum threads, agree on its harmony. They're still charts, not transcriptions checked against the recording.
  • Rhythm and chord durations aren't shown; each step is one chord change.

Sources & Accuracy

Every chord on this page comes from the community chart listed first below. Piano voicings are our arrangement of the reported chord symbols, not a note-for-note transcription.

  • Chords from a chart a musician wrote and shared on the iReal Pro forums (archived in the ChoCo research dataset); may be in a different key from the recording, and not checked against it.

    Community chord chart “Muito Obrigado” (credited “Djavan”, style Bossa Nova) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata.

  • Chords from a chart a musician wrote and shared on the iReal Pro forums (archived in the ChoCo research dataset); may be in a different key from the recording, and not checked against it.

    Community chord chart “Muito Obrigado” (credited “Djavan”, style Samba) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata. A separately posted chart of the same song; its chords match this page's closely when both are read in the same key (similarity 89%).

All Piano Voicings

#SectionChordLeft handRight handSources
1Intro 1Dmaj7D2, A2C♯4, F♯4, A4—
2Intro 1B7B1, F♯2D♯4, F♯4, A4—
3Intro 1Em7E2, B2D4, G4, B4—
4Intro 1A7A2, E3E4, G4, C♯5—
5Intro 1F♯m7F♯2, C♯3E4, A4, C♯5—
6Intro 1B7B1, F♯2F♯4, A4, D♯5—
7Intro 1Em7E2, B2G4, B4, D5—
8Intro 1A7A2, E3G4, C♯5, E5—
9A Section 1, part 1Dmaj7D2, A2F♯4, A4, C♯5—
10A Section 1, part 2 (×2)B7B1, F♯2F♯4, A4, D♯5—
11A Section 1, part 2 (×2)Em7E2, B2G4, B4, D5—
12A Section 1, part 2 (×2)A7A2, E3G4, C♯5, E5—
13A Section 1, part 2 (×2)F♯m7F♯2, C♯3A4, C♯5, E5—
14A Section 1, part 3B7B1, F♯2F♯4, A4, D♯5—
15A Section 1, part 3Em7E2, B2G4, B4, D5—
16A Section 1, part 3A7A2, E3G4, C♯5, E5—
17A Section 1, part 3Dmaj7D2, A2F♯4, A4, C♯5—
18A Section 1, part 3B7B1, F♯2F♯4, A4, D♯5—
19A Section 1, part 3Em7E2, B2G4, B4, D5—
20A Section 1, part 3A7A2, E3G4, C♯5, E5—
21A Section 2, part 1Dmaj7D2, A2F♯4, A4, C♯5—
22A Section 2, part 2 (×3)B7B1, F♯2F♯4, A4, D♯5—
23A Section 2, part 2 (×3)Em7E2, B2G4, B4, D5—
24A Section 2, part 2 (×3)A7A2, E3G4, C♯5, E5—
25A Section 2, part 2 (×3)F♯m7F♯2, C♯3A4, C♯5, E5—
26A Section 2, part 3B7B1, F♯2F♯4, A4, D♯5—
27B Section 1Em7E2, B2G4, B4, D5—
28B Section 1A7A2, E3G4, C♯5, E5—
29B Section 1F♯m7F♯2, C♯3A4, C♯5, E5—
30B Section 1B7B1, F♯2F♯4, A4, D♯5—
31B Section 3Em7E2, B2G4, B4, D5—
32B Section 3A7A2, E3G4, C♯5, E5—
33B Section 3F♯m7F♯2, C♯3A4, C♯5, E5—
34B Section 3B7B1, F♯2F♯4, A4, D♯5—
35B Section 3Em7E2, B2G4, B4, D5—
36B Section 3Em7/DD2E4, G4, B4, D5—
37B Section 3D♭m7D♭2, A♭2F♭4, A♭4, C♭5—
38B Section 3G♭7G♭2, D♭3F♭4, B♭4, D♭5—
39B Section 3Bm7B1, F♯2F♯4, A4, D5—
40B Section 3E7E2, B2G♯4, B4, D5—
41B Section 3Am7A2, E3G4, C5, E5—
42B Section 3D7D2, A2F♯4, A4, C5—
43B Section 3Gmaj7G2, D3F♯4, B4, D5—
44B Section 3A7A2, E3G4, C♯5, E5—
45B Section 3Dmaj7D2, A2F♯4, A4, C♯5—
46B Section 3B7B1, F♯2F♯4, A4, D♯5—
47C Section 1Em7E2, B2G4, B4, D5—
48C Section 1A7A2, E3G4, C♯5, E5—
49C Section 1F♯m7F♯2, C♯3A4, C♯5, E5—
50C Section 1B7B1, F♯2F♯4, A4, D♯5—
51C Section 3, part 1 (×2)Em7E2, B2G4, B4, D5—
52C Section 3, part 1 (×2)A7A2, E3G4, C♯5, E5—
53C Section 3, part 1 (×2)F♯m7F♯2, C♯3A4, C♯5, E5—
54C Section 3, part 1 (×2)B7B1, F♯2F♯4, A4, D♯5—
55C Section 3, part 2Em7E2, B2G4, B4, D5—
56C Section 3, part 2A7A2, E3G4, C♯5, E5—