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Na Boca do Beco by Djavan

Piano chords, voicings & structure breakdown · 74 steps · 10 unique chords

Community chart. These chords come from a chart a musician wrote and shared on the iReal Pro forums, not from a transcription checked against the recording. Charts are sometimes written in a different key or simplified, and no second chart of this song agreed closely enough to mark this page verified. Trust your ears.
A Section 1, part 1 (×2)Step 1 of 74

Dmaj7

LeftD2, A2RightC♯4, F♯4, A4
C4D2A2A4C♯4F♯4
Left hand Right hand Middle C (C4)

No source cited for this step

Harmonic Analysis & Structure

Overview

Key: D major · Chords used: 10 · Sections: 5

Form: A Section → A Section → B Section → B Section → C Section

Where these chords come from: a chord chart of this song written by a musician and shared on the iReal Pro forums, archived in the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). It's one musician's reading of the song, not a transcription checked against the recording. This page shows that chart as-is: the analysis below is generated directly from it by code, not written by AI. Consecutive repeats of a chord are shown once, and the piano voicings are our playable arrangement of each chord symbol, not a note-for-note transcription.

Section by section

A Section 1

  • Dmaj7 – Bm7 – Em7 – A7 – F♯m7 – Bm7 – Em7 – A7 (×2)
    Imaj7 – vi7 – ii7 – V7 – iii7 – vi7 – ii7 – V7
  • F♯m7 – Bm7 – Em7 – A7
    iii7 – vi7 – ii7 – V7

A Section 2

  • Dmaj7 – Bm7 – Em7 – A7 – F♯m7 – Bm7 – Em7 – A7 (×2)
    Imaj7 – vi7 – ii7 – V7 – iii7 – vi7 – ii7 – V7
  • F♯m7 – Bm7 – Am7 – D7
    iii7 – vi7 – v7 – I7

B Section 1

  • G – C7 – F♯m7 – B7 – Em7 – A7 – Am7 – D7
    IV – bVII7 – iii7 – VI7 – ii7 – V7 – v7 – I7

B Section 2

Same chords as B Section 1.

C Section

  • Em7 – A7 – Dmaj7 – G – F♯m7 – B7 – Em7
    ii7 – V7 – Imaj7 – IV – iii7 – VI7 – ii7
  • A7 – Am7 – D7 – Am7 – D7 – G – C7 – F♯m7 – B7 – Em7 – A7 – Dmaj7 (×2)
    V7 – v7 – I7 – v7 – I7 – IV – bVII7 – iii7 – VI7 – ii7 – V7 – Imaj7
  • Bm7 – Em7 – A7 – F♯m7 – Bm7 – Em7
    vi7 – ii7 – V7 – iii7 – vi7 – ii7
  • A7 – Dmaj7 (×2)
    V7 – Imaj7
  • Bm7 – Em7 – A7 – F♯m7 – Bm7 – Em7 – A7 – Dmaj7 – Bm7 – Em7 – A7 – F♯m7 – Bm7 – Em7 – A7
    vi7 – ii7 – V7 – iii7 – vi7 – ii7 – V7 – Imaj7 – vi7 – ii7 – V7 – iii7 – vi7 – ii7 – V7

Chord vocabulary

ChordRoman numeralRoleHeard in
Dmaj7Imaj7Home chord (tonic)A Section, C Section
Bm7vi7In the keyA Section, C Section
Em7ii7In the keyA Section, B Section, C Section
A7V7In the keyA Section, B Section, C Section
F♯m7iii7In the keyA Section, B Section, C Section
Am7v7Borrowed from D minorA Section, B Section, C Section
D7I7Secondary dominant (V/IV)C Section
GIVIn the keyB Section, C Section
C7bVII7Borrowed from D minorB Section, C Section
B7VI7Secondary dominant (V/ii)B Section, C Section

Harmonic highlights

  • Am7 (v7) is borrowed from the parallel key, D minor.
  • C7 (bVII7) is borrowed from the parallel key, D minor.
  • D7 acts as V/IV: it resolves to G.
  • B7 acts as V/ii: it resolves to Em7.

Sources & accuracy

  • Chords: the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). Community chord chart “Na Boca do Beco” (credited “Djavan”, style Samba) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata.
  • Section names: from the chart's own markings: section names written on the chart (Intro, Verse, Chorus…) are kept, and rehearsal letters are shown as “A Section”, “B Section” and so on (the B of an AABA song is called the Bridge).
  • Chord charts are often written in a key that suits a particular singer or band, so this may not be the key of the original recording.
  • Not verified: only one chart of this song is available, so it hasn't been cross-checked.
  • Rhythm and chord durations aren't shown; each step is one chord change.

Sources & Accuracy

Every chord on this page comes from the community chart listed first below. Piano voicings are our arrangement of the reported chord symbols, not a note-for-note transcription.

  • Chords from a chart a musician wrote and shared on the iReal Pro forums (archived in the ChoCo research dataset); may be in a different key from the recording, and not checked against it.

    Community chord chart “Na Boca do Beco” (credited “Djavan”, style Samba) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata.

All Piano Voicings

#SectionChordLeft handRight handSources
1A Section 1, part 1 (×2)Dmaj7D2, A2C♯4, F♯4, A4—
2A Section 1, part 1 (×2)Bm7B1, F♯2D4, F♯4, A4—
3A Section 1, part 1 (×2)Em7E2, B2D4, G4, B4—
4A Section 1, part 1 (×2)A7A2, E3E4, G4, C♯5—
5A Section 1, part 1 (×2)F♯m7F♯2, C♯3E4, A4, C♯5—
6A Section 1, part 1 (×2)Bm7B1, F♯2F♯4, A4, D5—
7A Section 1, part 1 (×2)Em7E2, B2G4, B4, D5—
8A Section 1, part 1 (×2)A7A2, E3G4, C♯5, E5—
9A Section 1, part 2F♯m7F♯2, C♯3A4, C♯5, E5—
10A Section 1, part 2Bm7B1, F♯2F♯4, A4, D5—
11A Section 1, part 2Em7E2, B2G4, B4, D5—
12A Section 1, part 2A7A2, E3G4, C♯5, E5—
13A Section 2, part 1 (×2)Dmaj7D2, A2F♯4, A4, C♯5—
14A Section 2, part 1 (×2)Bm7B1, F♯2F♯4, A4, D5—
15A Section 2, part 1 (×2)Em7E2, B2G4, B4, D5—
16A Section 2, part 1 (×2)A7A2, E3G4, C♯5, E5—
17A Section 2, part 1 (×2)F♯m7F♯2, C♯3A4, C♯5, E5—
18A Section 2, part 1 (×2)Bm7B1, F♯2F♯4, A4, D5—
19A Section 2, part 1 (×2)Em7E2, B2G4, B4, D5—
20A Section 2, part 1 (×2)A7A2, E3G4, C♯5, E5—
21A Section 2, part 2F♯m7F♯2, C♯3A4, C♯5, E5—
22A Section 2, part 2Bm7B1, F♯2F♯4, A4, D5—
23A Section 2, part 2Am7A2, E3E4, G4, C5—
24A Section 2, part 2D7D2, A2F♯4, A4, C5—
25B Section 1GG2, D3G4, B4, D5—
26B Section 1C7C2, G2G4, B♭4, E5—
27B Section 1F♯m7F♯2, C♯3A4, C♯5, E5—
28B Section 1B7B1, F♯2F♯4, A4, D♯5—
29B Section 1Em7E2, B2G4, B4, D5—
30B Section 1A7A2, E3G4, C♯5, E5—
31B Section 1Am7A2, E3G4, C5, E5—
32B Section 1D7D2, A2F♯4, A4, C5—
33C Section, part 1Em7E2, B2G4, B4, D5—
34C Section, part 1A7A2, E3G4, C♯5, E5—
35C Section, part 1Dmaj7D2, A2F♯4, A4, C♯5—
36C Section, part 1GG2, D3G4, B4, D5—
37C Section, part 1F♯m7F♯2, C♯3E4, A4, C♯5—
38C Section, part 1B7B1, F♯2F♯4, A4, D♯5—
39C Section, part 1Em7E2, B2G4, B4, D5—
40C Section, part 2 (×2)A7A2, E3G4, C♯5, E5—
41C Section, part 2 (×2)Am7A2, E3G4, C5, E5—
42C Section, part 2 (×2)D7D2, A2F♯4, A4, C5—
43C Section, part 2 (×2)Am7A2, E3E4, G4, C5—
44C Section, part 2 (×2)D7D2, A2F♯4, A4, C5—
45C Section, part 2 (×2)GG2, D3G4, B4, D5—
46C Section, part 2 (×2)C7C2, G2G4, B♭4, E5—
47C Section, part 2 (×2)F♯m7F♯2, C♯3A4, C♯5, E5—
48C Section, part 2 (×2)B7B1, F♯2F♯4, A4, D♯5—
49C Section, part 2 (×2)Em7E2, B2G4, B4, D5—
50C Section, part 2 (×2)A7A2, E3G4, C♯5, E5—
51C Section, part 2 (×2)Dmaj7D2, A2F♯4, A4, C♯5—
52C Section, part 3Bm7B1, F♯2F♯4, A4, D5—
53C Section, part 3Em7E2, B2G4, B4, D5—
54C Section, part 3A7A2, E3G4, C♯5, E5—
55C Section, part 3F♯m7F♯2, C♯3A4, C♯5, E5—
56C Section, part 3Bm7B1, F♯2F♯4, A4, D5—
57C Section, part 3Em7E2, B2G4, B4, D5—
58C Section, part 4 (×2)A7A2, E3G4, C♯5, E5—
59C Section, part 4 (×2)Dmaj7D2, A2F♯4, A4, C♯5—
60C Section, part 5Bm7B1, F♯2F♯4, A4, D5—
61C Section, part 5Em7E2, B2G4, B4, D5—
62C Section, part 5A7A2, E3G4, C♯5, E5—
63C Section, part 5F♯m7F♯2, C♯3A4, C♯5, E5—
64C Section, part 5Bm7B1, F♯2F♯4, A4, D5—
65C Section, part 5Em7E2, B2G4, B4, D5—
66C Section, part 5A7A2, E3G4, C♯5, E5—
67C Section, part 5Dmaj7D2, A2F♯4, A4, C♯5—
68C Section, part 5Bm7B1, F♯2F♯4, A4, D5—
69C Section, part 5Em7E2, B2G4, B4, D5—
70C Section, part 5A7A2, E3G4, C♯5, E5—
71C Section, part 5F♯m7F♯2, C♯3A4, C♯5, E5—
72C Section, part 5Bm7B1, F♯2F♯4, A4, D5—
73C Section, part 5Em7E2, B2G4, B4, D5—
74C Section, part 5A7A2, E3G4, C♯5, E5—