Naima's Love Song by John Hicks
Piano chords, voicings & structure breakdown · 25 steps · 17 unique chords
A♭maj7
No source cited for this step
Harmonic Analysis & Structure
Overview
Key: A♭ major · Chords used: 17 · Sections: 2
Form: A Section → B Section
Where these chords come from: a chord chart of this song written by a musician and shared on the iReal Pro forums, archived in the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). It's one musician's reading of the song, not a transcription checked against the recording. This page shows that chart as-is: the analysis below is generated directly from it by code, not written by AI. Consecutive repeats of a chord are shown once, and the piano voicings are our playable arrangement of each chord symbol, not a note-for-note transcription.
Section by section
A Section
- A♭maj7 – G7 – G♭maj7
Imaj7 – VII7 – bVIImaj7 - E7 – E♭maj7 (×2)
#V7 – Vmaj7 - A7♭5 – A♭maj7 – G7 – Cm7 – F7
#I7♭5 – Imaj7 – VII7 – iii7 – VI7
B Section
- D♭maj7/E♭ – Gm7/E♭ (×2)
IVmaj7 (bass E♭) – vii7 (bass E♭) - D♭maj7/E♭ – A♭maj7 – G7 – Cm7 – F7 – Am7♭5 – A♭m7 – Gm7 – C7 – Fm7 – B♭7 – Emaj7♯11 – A7♭5
IVmaj7 (bass E♭) – Imaj7 – VII7 – iii7 – VI7 – #iø7 – i7 – vii7 – III7 – vi7 – II7 – #Vmaj7#11 – #I7♭5
Chord vocabulary
| Chord | Roman numeral | Role | Heard in |
|---|---|---|---|
| A♭maj7 | Imaj7 | Home chord (tonic) | A Section, B Section |
| G7 | VII7 | Secondary dominant (V/iii) | A Section, B Section |
| G♭maj7 | bVIImaj7 | Outside the key (chromatic) | A Section |
| E7 | #V7 | Outside the key (chromatic) | A Section |
| E♭maj7 | Vmaj7 | Outside the key (chromatic) | A Section |
| A7♭5 | #I7♭5 | Outside the key (chromatic) | A Section, B Section |
| Cm7 | iii7 | In the key | A Section, B Section |
| F7 | VI7 | Outside the key (chromatic) | A Section, B Section |
| D♭maj7/E♭ | IVmaj7 (bass E♭) | In the key | B Section |
| Gm7/E♭ | vii7 (bass E♭) | Outside the key (chromatic) | B Section |
| Am7♭5 | #iø7 | Outside the key (chromatic) | B Section |
| A♭m7 | i7 | Borrowed from A♭ minor | B Section |
| Gm7 | vii7 | Outside the key (chromatic) | B Section |
| C7 | III7 | Secondary dominant (V/vi) | B Section |
| Fm7 | vi7 | In the key | B Section |
| B♭7 | II7 | Outside the key (chromatic) | B Section |
| Emaj7♯11 | #Vmaj7#11 | Borrowed from A♭ minor | B Section |
Harmonic highlights
- A♭m7 (i7) is borrowed from the parallel key, A♭ minor.
- Emaj7♯11 (#Vmaj7#11) is borrowed from the parallel key, A♭ minor.
- G7 acts as V/iii: it resolves to Cm7.
- C7 acts as V/vi: it resolves to Fm7.
Sources & accuracy
- Chords: the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). Community chord chart “Naima's Love Song” (credited “Hicks John”, style Even 8ths) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata.
- Section names: from the chart's own markings: section names written on the chart (Intro, Verse, Chorus…) are kept, and rehearsal letters are shown as “A Section”, “B Section” and so on (the B of an AABA song is called the Bridge).
- Chord charts are often written in a key that suits a particular singer or band, so this may not be the key of the original recording.
- About the song: Wikipedia.
- Not verified: only one chart of this song is available, so it hasn't been cross-checked.
- Rhythm and chord durations aren't shown; each step is one chord change.
Sources & Accuracy
Every chord on this page comes from the community chart listed first below. Piano voicings are our arrangement of the reported chord symbols, not a note-for-note transcription.
Chords from a chart a musician wrote and shared on the iReal Pro forums (archived in the ChoCo research dataset); may be in a different key from the recording, and not checked against it.
Community chord chart “Naima's Love Song” (credited “Hicks John”, style Even 8ths) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata.
All Piano Voicings
| # | Section | Chord | Left hand | Right hand | Sources |
|---|---|---|---|---|---|
| 1 | A Section, part 1 | A♭maj7 | A♭2, E♭3 | C4, E♭4, G4 | — |
| 2 | A Section, part 1 | G7 | G2, D3 | B3, D4, F4 | — |
| 3 | A Section, part 1 | G♭maj7 | G♭2, D♭3 | B♭3, D♭4, F4 | — |
| 4 | A Section, part 2 (×2) | E7 | E2, B2 | B3, D4, G♯4 | — |
| 5 | A Section, part 2 (×2) | E♭maj7 | E♭2, B♭2 | B♭3, D4, G4 | — |
| 6 | A Section, part 3 | A7♭5 | A2, A3 | C♯4, E♭4, G4 | — |
| 7 | A Section, part 3 | A♭maj7 | A♭2, E♭3 | C4, E♭4, G4 | — |
| 8 | A Section, part 3 | G7 | G2, D3 | B3, D4, F4 | — |
| 9 | A Section, part 3 | Cm7 | C2, G2 | B♭3, E♭4, G4 | — |
| 10 | A Section, part 3 | F7 | F2, C3 | C4, E♭4, A4 | — |
| 11 | B Section, part 1 (×2) | D♭maj7/E♭ | E♭2 | C4, D♭4, F4, A♭4 | — |
| 12 | B Section, part 1 (×2) | Gm7/E♭ | E♭2 | B♭3, D4, F4, G4 | — |
| 13 | B Section, part 2 | D♭maj7/E♭ | E♭2 | C4, D♭4, F4, A♭4 | — |
| 14 | B Section, part 2 | A♭maj7 | A♭2, E♭3 | C4, E♭4, G4 | — |
| 15 | B Section, part 2 | G7 | G2, D3 | B3, D4, F4 | — |
| 16 | B Section, part 2 | Cm7 | C2, G2 | B♭3, E♭4, G4 | — |
| 17 | B Section, part 2 | F7 | F2, C3 | C4, E♭4, A4 | — |
| 18 | B Section, part 2 | Am7♭5 | A2, A3 | C4, E♭4, G4 | — |
| 19 | B Section, part 2 | A♭m7 | A♭2, E♭3 | C♭4, E♭4, G♭4 | — |
| 20 | B Section, part 2 | Gm7 | G2, D3 | B♭3, D4, F4 | — |
| 21 | B Section, part 2 | C7 | C2, G2 | B♭3, E4, G4 | — |
| 22 | B Section, part 2 | Fm7 | F2, C3 | C4, E♭4, A♭4 | — |
| 23 | B Section, part 2 | B♭7 | B♭2, F3 | D4, F4, A♭4 | — |
| 24 | B Section, part 2 | Emaj7♯11 | E2, B2 | B3, D♯4, G♯4, A♯4 | — |
| 25 | B Section, part 2 | A7♭5 | A2, A3 | C♯4, E♭4, G4 | — |