Natural Mystic by Bob Marley
Piano chords, voicings & structure breakdown · 36 steps · 3 unique chords
Am
Whole song transcribed by
Harmonic Analysis & Structure
Overview
Key: A minor · Chords used: 3 · Sections: 14
Where these chords come from: an expert transcription of the original recording made for the Uspop2002 chord annotations (Music and Audio Research Lab, New York University). This page shows that transcription as-is: the analysis below is generated directly from it by code, not written by AI. Consecutive repeats of a chord are shown once, and the piano voicings are our playable arrangement of each chord symbol, not a note-for-note transcription.
Section by section
Part 1 (0:04)
- Am
i
Part 2 (0:19)
- Dm – G – Am
iv – bVII – i
Part 3 (0:33)
- Dm – G
iv – bVII - Am – Dm (×2)
i – iv
Part 4 (0:48)
- Am – Dm (×2)
i – iv - G
bVII - Am – Dm (×2)
i – iv
Part 5 (1:03)
- G – Am – Dm – G – Am
bVII – i – iv – bVII – i
Part 6 (1:17)
- Dm – Am (×3)
iv – i - Dm – G
iv – bVII
Part 7 (1:32)
- Am – Dm (×2)
i – iv - G – Am – Dm – Am
bVII – i – iv – i
Part 8 (1:46)
Same chords as Part 2 (0:19).
Part 9 (2:01)
- Dm – Am – Dm
iv – i – iv
Part 10 (2:16)
Same chords as Part 4 (0:48).
Part 11 (2:30)
- G
bVII - Am – Dm (×2)
i – iv - G – Am
bVII – i
Part 12 (2:45)
Same chords as Part 2 (0:19).
Part 13 (2:59)
Same chords as Part 1 (0:04).
Part 14 (3:14)
Same chords as Part 1 (0:04).
Chord vocabulary
| Chord | Roman numeral | Role | Heard in |
|---|---|---|---|
| Am | i | Home chord (tonic) | Part 1, Part 2, Part 3, Part 4, Part 5, Part 6, Part 7, Part 8, Part 9, Part 10, Part 11, Part 12, Part 13, Part 14 |
| Dm | iv | In the key | Part 2, Part 3, Part 4, Part 5, Part 6, Part 7, Part 8, Part 9, Part 10, Part 11, Part 12 |
| G | bVII | In the key | Part 2, Part 3, Part 4, Part 5, Part 6, Part 7, Part 8, Part 10, Part 11, Part 12 |
Sources & accuracy
- Chords: the Uspop2002 chord annotations (Music and Audio Research Lab, New York University). Chord annotation of the original recording (Exodus), time-stamped by researchers; CC BY 4.0 via ChoCo.
- Section names: this annotation doesn't name verses or choruses, so they aren't guessed. Instead, code used the chord timings to find the bars and cut the song into 8-bar parts. Each part is labelled with the time it starts in the annotated recording (Exodus), and a part with exactly the same chords as an earlier one says so.
- The key was estimated by code from the chords; this annotation doesn't state it.
- Not verified: only one expert transcription of this song is available so far.
- Rhythm and chord durations aren't shown; each step is one chord change.
Sources & Accuracy
Every chord on this page comes from the expert transcription listed first below. Piano voicings are our arrangement of the reported chord symbols, not a note-for-note transcription.
- the Uspop2002 chord annotations (Music and Audio Research Lab, New York University)Expert transcription
Annotated from the original recording by trained musicians for a published research dataset.
Chord annotation of the original recording (Exodus), time-stamped by researchers; CC BY 4.0 via ChoCo.
All Piano Voicings
| # | Section | Chord | Left hand | Right hand | Sources |
|---|---|---|---|---|---|
| 1 | Part 1 (0:04) | Am | A2, E3 | C4, E4, A4 | — |
| 2 | Part 2 (0:19) | Dm | D2, A2 | D4, F4, A4 | — |
| 3 | Part 2 (0:19) | G | G2, D3 | D4, G4, B4 | — |
| 4 | Part 2 (0:19) | Am | A2, E3 | E4, A4, C5 | — |
| 5 | Part 3 (0:33), part 1 | Dm | D2, A2 | F4, A4, D5 | — |
| 6 | Part 3 (0:33), part 1 | G | G2, D3 | G4, B4, D5 | — |
| 7 | Part 3 (0:33), part 2 (×2) | Am | A2, E3 | A4, C5, E5 | — |
| 8 | Part 3 (0:33), part 2 (×2) | Dm | D2, A2 | F4, A4, D5 | — |
| 9 | Part 4 (0:48), part 1 (×2) | Am | A2, E3 | E4, A4, C5 | — |
| 10 | Part 4 (0:48), part 1 (×2) | Dm | D2, A2 | F4, A4, D5 | — |
| 11 | Part 4 (0:48), part 2 | G | G2, D3 | G4, B4, D5 | — |
| 12 | Part 4 (0:48), part 3 (×2) | Am | A2, E3 | A4, C5, E5 | — |
| 13 | Part 4 (0:48), part 3 (×2) | Dm | D2, A2 | F4, A4, D5 | — |
| 14 | Part 5 (1:03) | G | G2, D3 | G4, B4, D5 | — |
| 15 | Part 5 (1:03) | Am | A2, E3 | A4, C5, E5 | — |
| 16 | Part 5 (1:03) | Dm | D2, A2 | F4, A4, D5 | — |
| 17 | Part 5 (1:03) | G | G2, D3 | G4, B4, D5 | — |
| 18 | Part 5 (1:03) | Am | A2, E3 | A4, C5, E5 | — |
| 19 | Part 6 (1:17), part 1 (×3) | Dm | D2, A2 | F4, A4, D5 | — |
| 20 | Part 6 (1:17), part 1 (×3) | Am | A2, E3 | E4, A4, C5 | — |
| 21 | Part 6 (1:17), part 2 | Dm | D2, A2 | F4, A4, D5 | — |
| 22 | Part 6 (1:17), part 2 | G | G2, D3 | G4, B4, D5 | — |
| 23 | Part 7 (1:32), part 1 (×2) | Am | A2, E3 | A4, C5, E5 | — |
| 24 | Part 7 (1:32), part 1 (×2) | Dm | D2, A2 | F4, A4, D5 | — |
| 25 | Part 7 (1:32), part 2 | G | G2, D3 | G4, B4, D5 | — |
| 26 | Part 7 (1:32), part 2 | Am | A2, E3 | A4, C5, E5 | — |
| 27 | Part 7 (1:32), part 2 | Dm | D2, A2 | F4, A4, D5 | — |
| 28 | Part 7 (1:32), part 2 | Am | A2, E3 | E4, A4, C5 | — |
| 29 | Part 9 (2:01) | Dm | D2, A2 | F4, A4, D5 | — |
| 30 | Part 9 (2:01) | Am | A2, E3 | E4, A4, C5 | — |
| 31 | Part 9 (2:01) | Dm | D2, A2 | F4, A4, D5 | — |
| 32 | Part 11 (2:30), part 1 | G | G2, D3 | G4, B4, D5 | — |
| 33 | Part 11 (2:30), part 2 (×2) | Am | A2, E3 | A4, C5, E5 | — |
| 34 | Part 11 (2:30), part 2 (×2) | Dm | D2, A2 | F4, A4, D5 | — |
| 35 | Part 11 (2:30), part 3 | G | G2, D3 | G4, B4, D5 | — |
| 36 | Part 11 (2:30), part 3 | Am | A2, E3 | A4, C5, E5 | — |