PianoChords.studio

One Sweet Day by Mariah Carey & Boyz II Men

Piano chords, voicings & structure breakdown · 32 steps · 18 unique chords

Expert transcription. These chords come from a published research transcription of the original recording by trained musicians. A second independent transcription to cross-check against isn't available (or differs in places), so this page isn't marked verified.
Part 1 (0:01)Step 1 of 32

D♭/F

LeftF2RightD♭4, F4, A♭4
C4F2F4D♭4A♭4
Left hand Right hand Middle C (C4)

Harmonic Analysis & Structure

Overview

Key: D♭ major · Chords used: 18 · Sections: 10

Where these chords come from: an expert transcription of the original recording made for the Uspop2002 chord annotations (Music and Audio Research Lab, New York University). This page shows that transcription as-is: the analysis below is generated directly from it by code, not written by AI. Consecutive repeats of a chord are shown once, and the piano voicings are our playable arrangement of each chord symbol, not a note-for-note transcription.

Section by section

Part 1 (0:01)

  • D♭/F – A♭ – D♭maj9 – G♭add9
    I⁶ – V – Imaj9 – IVadd9

Part 2 (0:16)

  • B♭m11/E♭
    vi11 (bass E♭)
  • A♭ – D♭maj9 (×3)
    V – Imaj9
  • G♭add9
    IVadd9

Part 3 (0:46)

Same chords as Part 2 (0:16).

Part 4 (1:16)

Same chords as Part 2 (0:16).

Part 5 (1:46)

Same chords as Part 2 (0:16).

Part 6 (2:16)

Same chords as Part 2 (0:16).

Part 7 (2:46)

  • B♭m11/E♭ – C7sus4 – C7 – Fm – D♭maj7 – E♭9 – A♭maj7 – Gm7 – C7 – Fm – A♭/E♭ – D♭maj7 – B♭m7
    vi11 (bass E♭) – VII7sus4 – VII7 – iii – Imaj7 – II9 – Vmaj7 – #iv7 – VII7 – iii – V⁶₄ – Imaj7 – vi7

Part 8 (3:14)

  • B♭m11/E♭
    vi11 (bass E♭)
  • B – Emaj9 (×3)
    #VI – #IImaj9
  • Aadd9
    #Vadd9

Part 9 (3:44)

  • C♯m11/F♯
    #vii11 (bass F♯)
  • B – Emaj9 (×3)
    #VI – #IImaj9
  • Aadd9
    #Vadd9

Part 10 (4:14)

  • C♯m11/F♯
    #vii11 (bass F♯)
  • B – Emaj9 (×2)
    #VI – #IImaj9

Chord vocabulary

ChordRoman numeralRoleHeard in
D♭/FI⁶Home chord (tonic)Part 1
A♭VIn the keyPart 1, Part 2, Part 3, Part 4, Part 5, Part 6
D♭maj9Imaj9Home chord (tonic)Part 1, Part 2, Part 3, Part 4, Part 5, Part 6
G♭add9IVadd9In the keyPart 1, Part 2, Part 3, Part 4, Part 5, Part 6
B♭m11/E♭vi11 (bass E♭)In the keyPart 2, Part 3, Part 4, Part 5, Part 6, Part 7, Part 8
C7sus4VII7sus4Outside the key (chromatic)Part 7
C7VII7Secondary dominant (V/iii)Part 7
FmiiiIn the keyPart 7
D♭maj7Imaj7Home chord (tonic)Part 7
E♭9II9Outside the key (chromatic)Part 7
A♭maj7Vmaj7Outside the key (chromatic)Part 7
Gm7#iv7Outside the key (chromatic)Part 7
A♭/E♭V⁶₄In the keyPart 7
B♭m7vi7In the keyPart 7
B#VIBorrowed from D♭ minorPart 8, Part 9, Part 10
Emaj9#IImaj9Borrowed from D♭ minorPart 8, Part 9, Part 10
Aadd9#Vadd9Borrowed from D♭ minorPart 8, Part 9
C♯m11/F♯#vii11 (bass F♯)Borrowed from D♭ minorPart 9, Part 10

Harmonic highlights

  • B (#VI) is borrowed from the parallel key, D♭ minor.
  • Emaj9 (#IImaj9) is borrowed from the parallel key, D♭ minor.
  • Aadd9 (#Vadd9) is borrowed from the parallel key, D♭ minor.
  • C♯m11/F♯ (#vii11 (bass F♯)) is borrowed from the parallel key, D♭ minor.
  • C7 acts as V/iii: it resolves to Fm.

Sources & accuracy

  • Chords: the Uspop2002 chord annotations (Music and Audio Research Lab, New York University). Chord annotation of the original recording (Daydream), time-stamped by researchers; CC BY 4.0 via ChoCo.
  • Section names: this annotation doesn't name verses or choruses, so they aren't guessed. Instead, code used the chord timings to find the bars and cut the song into 8-bar parts. Each part is labelled with the time it starts in the annotated recording (Daydream), and a part with exactly the same chords as an earlier one says so.
  • The key was estimated by code from the chords; this annotation doesn't state it.
  • Not verified: only one expert transcription of this song is available so far.
  • Rhythm and chord durations aren't shown; each step is one chord change.

Sources & Accuracy

Every chord on this page comes from the expert transcription listed first below. Piano voicings are our arrangement of the reported chord symbols, not a note-for-note transcription.

All Piano Voicings

#SectionChordLeft handRight handSources
1Part 1 (0:01)D♭/FF2D♭4, F4, A♭4—
2Part 1 (0:01)A♭A♭2, E♭3C4, E♭4, A♭4—
3Part 1 (0:01)D♭maj9D♭2, A♭2C4, E♭4, F4, A♭4—
4Part 1 (0:01)G♭add9G♭2, D♭3B♭3, D♭4, A♭4—
5Part 2 (0:16), part 1B♭m11/E♭E♭2B♭3, D♭4, E♭4, A♭4—
6Part 2 (0:16), part 2 (×3)A♭A♭2, E♭3C4, E♭4, A♭4—
7Part 2 (0:16), part 2 (×3)D♭maj9D♭2, A♭2C4, E♭4, F4, A♭4—
8Part 2 (0:16), part 3G♭add9G♭2, D♭3B♭3, D♭4, A♭4—
9Part 7 (2:46)B♭m11/E♭E♭2B♭3, D♭4, E♭4, A♭4—
10Part 7 (2:46)C7sus4C2, G2B♭3, F4, G4—
11Part 7 (2:46)C7C2, G2B♭3, E4, G4—
12Part 7 (2:46)FmF2, C3C4, F4, A♭4—
13Part 7 (2:46)D♭maj7D♭2, A♭2C4, F4, A♭4—
14Part 7 (2:46)E♭9E♭2, B♭2B♭3, D♭4, F4, G4—
15Part 7 (2:46)A♭maj7A♭2, E♭3C4, E♭4, G4—
16Part 7 (2:46)Gm7G2, D3B♭3, D4, F4—
17Part 7 (2:46)C7C2, G2B♭3, E4, G4—
18Part 7 (2:46)FmF2, C3C4, F4, A♭4—
19Part 7 (2:46)A♭/E♭E♭2C4, E♭4, A♭4—
20Part 7 (2:46)D♭maj7D♭2, A♭2C4, F4, A♭4—
21Part 7 (2:46)B♭m7B♭2, F3D♭4, F4, A♭4—
22Part 8 (3:14), part 1B♭m11/E♭E♭2D♭4, E♭4, A♭4, B♭4—
23Part 8 (3:14), part 2 (×3)BB1, F♯2D♯4, F♯4, B4—
24Part 8 (3:14), part 2 (×3)Emaj9E2, B2D♯4, F♯4, G♯4, B4—
25Part 8 (3:14), part 3Aadd9A2, E3C♯4, E4, B4—
26Part 9 (3:44), part 1C♯m11/F♯F♯2C♯4, E4, F♯4, B4—
27Part 9 (3:44), part 2 (×3)BB1, F♯2D♯4, F♯4, B4—
28Part 9 (3:44), part 2 (×3)Emaj9E2, B2D♯4, F♯4, G♯4, B4—
29Part 9 (3:44), part 3Aadd9A2, E3C♯4, E4, B4—
30Part 10 (4:14), part 1C♯m11/F♯F♯2C♯4, E4, F♯4, B4—
31Part 10 (4:14), part 2 (×2)BB1, F♯2D♯4, F♯4, B4—
32Part 10 (4:14), part 2 (×2)Emaj9E2, B2D♯4, F♯4, G♯4, B4—