PianoChords.studio

Overjoyed by Stevie Wonder

Piano chords, voicings & structure breakdown · 63 steps · 24 unique chords

Intro 1Step 1 of 63

D♭6

LeftD♭2, A♭2RightB♭3, F4, A♭4
C4F4D♭2A♭2B♭3A♭4
Left hand Right hand Middle C (C4)

No source cited for this step

Harmonic Analysis & Structure

Overview

Key: E♭ major · Chords used: 24 · Sections: 9

Form: Intro → A Section → A Section → B Section → Intro → A Section → Interlude → C Section → D Section

Where these chords come from: a chord chart of this song written by a musician and shared on the iReal Pro forums, archived in the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). It's one musician's reading of the song, not a transcription checked against the recording. This page shows that chart as-is: the analysis below is generated directly from it by code, not written by AI. Consecutive repeats of a chord are shown once, and the piano voicings are our playable arrangement of each chord symbol, not a note-for-note transcription.

Section by section

Intro 1

  • D♭6 – C7 – Bmaj7 – C7 – D♭6 – C7 – Bmaj7 – B♭7
    bVII6 – VI7 – #Vmaj7 – VI7 – bVII6 – VI7 – #Vmaj7 – V7

A Section 1

  • E♭maj7 – Cm7 – Fm7 – B♭7 – E♭maj7 – Cm7 – F/A – G/B – Cmaj7 – G/B – Cm7 – F7 – B♭7
    Imaj7 – vi7 – ii7 – V7 – Imaj7 – vi7 – II⁶ – III⁶ – VImaj7 – III⁶ – vi7 – II7 – V7

A Section 2

Same chords as A Section 1.

B Section

  • A♭maj7 – E♭/G – Fm7 – B♭7 – D♭maj7 – C7 – B♭maj7 – F/A – B♭/A♭ – Fm7
    IVmaj7 – I⁶ – ii7 – V7 – bVIImaj7 – VI7 – Vmaj7 – II⁶ – V (bass A♭) – ii7

Intro 2

Same chords as Intro 1.

A Section 3

Same chords as A Section 1.

Interlude

  • A♭maj7 – E♭/G – Fm7 – B♭7 – D♭maj7 – C7 – B♭maj7 – F/A – B♭/A♭ – Fm7 – B♭sus4 – B♭7 – Csus4 – C7
    IVmaj7 – I⁶ – ii7 – V7 – bVIImaj7 – VI7 – Vmaj7 – II⁶ – V (bass A♭) – ii7 – Vsus4 – V7 – VIsus4 – VI7

C Section

  • B♭maj7 – F/A – Gm7 – C7 – E♭maj7 – D7 – Cmaj7 – G/B – C/B♭ – Gm7 – Csus4 – C7
    Vmaj7 – II⁶ – iii7 – VI7 – Imaj7 – VII7 – VImaj7 – III⁶ – VI (bass B♭) – iii7 – VIsus4 – VI7

D Section

  • Fmaj7 – G♭maj7 – Emaj7 – Fm7 – B♭7 – E♭maj7
    IImaj7 – bIIImaj7 – #Imaj7 – ii7 – V7 – Imaj7

Chord vocabulary

ChordRoman numeralRoleHeard in
D♭6bVII6Borrowed from E♭ minorIntro
C7VI7Outside the key (chromatic)Intro, B Section, Interlude, C Section
Bmaj7#Vmaj7Borrowed from E♭ minorIntro
B♭7V7In the keyIntro, A Section, B Section, Interlude, D Section
E♭maj7Imaj7Home chord (tonic)A Section, C Section, D Section
Cm7vi7In the keyA Section
Fm7ii7In the keyA Section, B Section, Interlude, D Section
F/AII⁶Secondary dominant (V/V)B Section, A Section, Interlude, C Section
G/BIII⁶Secondary dominant (V/vi)A Section, C Section
Cmaj7VImaj7Outside the key (chromatic)A Section, C Section
F7II7Secondary dominant (V/V)A Section
A♭maj7IVmaj7In the keyB Section, Interlude
E♭/GI⁶Home chord (tonic)B Section, Interlude
D♭maj7bVIImaj7Outside the key (chromatic)B Section, Interlude
B♭maj7Vmaj7Outside the key (chromatic)B Section, Interlude, C Section
B♭/A♭V (bass A♭)In the keyB Section, Interlude
B♭sus4Vsus4In the keyInterlude
Csus4VIsus4In the keyInterlude, C Section
Gm7iii7In the keyC Section
D7VII7Outside the key (chromatic)C Section
C/B♭VI (bass B♭)Outside the key (chromatic)C Section
Fmaj7IImaj7Outside the key (chromatic)D Section
G♭maj7bIIImaj7Borrowed from E♭ minorD Section
Emaj7#Imaj7Outside the key (chromatic)D Section

Harmonic highlights

  • D♭6 (bVII6) is borrowed from the parallel key, E♭ minor.
  • Bmaj7 (#Vmaj7) is borrowed from the parallel key, E♭ minor.
  • G♭maj7 (bIIImaj7) is borrowed from the parallel key, E♭ minor.
  • F/A acts as V/V: it resolves to B♭/A♭.
  • G/B acts as V/vi: it resolves to Cm7.
  • F7 acts as V/V: it resolves to B♭7.

Sources & accuracy

  • Chords: the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). Community chord chart “Overjoyed” (credited “Wonder Stevie”, style Rock Pop) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata.
  • Section names: from the chart's own markings: section names written on the chart (Intro, Verse, Chorus…) are kept, and rehearsal letters are shown as “A Section”, “B Section” and so on (the B of an AABA song is called the Bridge).
  • Cross-check: the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). Community chord chart “Overjoyed” (credited “Wonder Stevie”, style Pop) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata. A separately posted chart of the same song; its chords match this page's closely when both are read in the same key (similarity 97%).
  • Chord charts are often written in a key that suits a particular singer or band, so this may not be the key of the original recording.
  • The chart's D.S./D.C./coda jumps have been written out in playing order.
  • About the song: Wikipedia.
  • Verified: two community charts of this song, posted in different forum threads, agree on its harmony. They're still charts, not transcriptions checked against the recording.
  • Rhythm and chord durations aren't shown; each step is one chord change.

Sources & Accuracy

Every chord on this page comes from the community chart listed first below. Piano voicings are our arrangement of the reported chord symbols, not a note-for-note transcription.

  • Chords from a chart a musician wrote and shared on the iReal Pro forums (archived in the ChoCo research dataset); may be in a different key from the recording, and not checked against it.

    Community chord chart “Overjoyed” (credited “Wonder Stevie”, style Rock Pop) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata.

  • Chords from a chart a musician wrote and shared on the iReal Pro forums (archived in the ChoCo research dataset); may be in a different key from the recording, and not checked against it.

    Community chord chart “Overjoyed” (credited “Wonder Stevie”, style Pop) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata. A separately posted chart of the same song; its chords match this page's closely when both are read in the same key (similarity 97%).

All Piano Voicings

#SectionChordLeft handRight handSources
1Intro 1D♭6D♭2, A♭2B♭3, F4, A♭4—
2Intro 1C7C2, G2B♭3, E4, G4—
3Intro 1Bmaj7B1, F♯2A♯3, D♯4, F♯4—
4Intro 1C7C2, G2B♭3, E4, G4—
5Intro 1D♭6D♭2, A♭2B♭3, F4, A♭4—
6Intro 1C7C2, G2B♭3, E4, G4—
7Intro 1Bmaj7B1, F♯2A♯3, D♯4, F♯4—
8Intro 1B♭7B♭2, F3A♭3, D4, F4—
9A Section 1E♭maj7E♭2, B♭2B♭3, D4, G4—
10A Section 1Cm7C2, G2B♭3, E♭4, G4—
11A Section 1Fm7F2, C3C4, E♭4, A♭4—
12A Section 1B♭7B♭2, F3D4, F4, A♭4—
13A Section 1E♭maj7E♭2, B♭2D4, G4, B♭4—
14A Section 1Cm7C2, G2E♭4, G4, B♭4—
15A Section 1F/AA2C4, F4, A4—
16A Section 1G/BB1B3, D4, G4—
17A Section 1Cmaj7C2, G2B3, E4, G4—
18A Section 1G/BB1B3, D4, G4—
19A Section 1Cm7C2, G2B♭3, E♭4, G4—
20A Section 1F7F2, C3C4, E♭4, A4—
21A Section 1B♭7B♭2, F3D4, F4, A♭4—
22B SectionA♭maj7A♭2, E♭3C4, E♭4, G4—
23B SectionE♭/GG2B♭3, E♭4, G4—
24B SectionFm7F2, C3C4, E♭4, A♭4—
25B SectionB♭7B♭2, F3D4, F4, A♭4—
26B SectionD♭maj7D♭2, A♭2C4, F4, A♭4—
27B SectionC7C2, G2B♭3, E4, G4—
28B SectionB♭maj7B♭2, F3A3, D4, F4—
29B SectionF/AA2A3, C4, F4—
30B SectionB♭/A♭A♭2B♭3, D4, F4—
31B SectionFm7F2, C3C4, E♭4, A♭4—
32InterludeA♭maj7A♭2, E♭3C4, E♭4, G4—
33InterludeE♭/GG2B♭3, E♭4, G4—
34InterludeFm7F2, C3C4, E♭4, A♭4—
35InterludeB♭7B♭2, F3D4, F4, A♭4—
36InterludeD♭maj7D♭2, A♭2C4, F4, A♭4—
37InterludeC7C2, G2B♭3, E4, G4—
38InterludeB♭maj7B♭2, F3A3, D4, F4—
39InterludeF/AA2A3, C4, F4—
40InterludeB♭/A♭A♭2B♭3, D4, F4—
41InterludeFm7F2, C3C4, E♭4, A♭4—
42InterludeB♭sus4B♭2, F3B♭3, E♭4, F4—
43InterludeB♭7B♭2, F3A♭3, D4, F4—
44InterludeCsus4C2, G2G3, C4, F4—
45InterludeC7C2, G2G3, B♭3, E4—
46C SectionB♭maj7B♭2, F3A3, D4, F4—
47C SectionF/AA2A3, C4, F4—
48C SectionGm7G2, D3B♭3, D4, F4—
49C SectionC7C2, G2B♭3, E4, G4—
50C SectionE♭maj7E♭2, B♭2B♭3, D4, G4—
51C SectionD7D2, A2A3, C4, F♯4—
52C SectionCmaj7C2, G2G3, B3, E4—
53C SectionG/BB1G3, B3, D4—
54C SectionC/B♭B♭2G3, C4, E4—
55C SectionGm7G2, D3B♭3, D4, F4—
56C SectionCsus4C2, G2G3, C4, F4—
57C SectionC7C2, G2G3, B♭3, E4—
58D SectionFmaj7F2, C3A3, C4, E4—
59D SectionG♭maj7G♭2, D♭3B♭3, D♭4, F4—
60D SectionEmaj7E2, B2B3, D♯4, G♯4—
61D SectionFm7F2, C3C4, E♭4, A♭4—
62D SectionB♭7B♭2, F3D4, F4, A♭4—
63D SectionE♭maj7E♭2, B♭2D4, G4, B♭4—