PianoChords.studio

Pensativa by Clare Fischer

Piano chords, voicings & structure breakdown · 66 steps · 25 unique chords

A Section 1, part 1 (×2)Step 1 of 66

G♭maj7

LeftG♭2, D♭3RightD♭4, F4, B♭4
C4F4G♭2D♭3D♭4B♭4
Left hand Right hand Middle C (C4)

No source cited for this step

Harmonic Analysis & Structure

Overview

Key: G♭ major · Chords used: 25 · Sections: 5

Form: A Section → A Section → B Section → A Section → B Section

Where these chords come from: a chord chart of this song written by a musician and shared on the iReal Pro forums, archived in the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). It's one musician's reading of the song, not a transcription checked against the recording. This page shows that chart as-is: the analysis below is generated directly from it by code, not written by AI. Consecutive repeats of a chord are shown once, and the piano voicings are our playable arrangement of each chord symbol, not a note-for-note transcription.

Section by section

A Section 1

  • G♭maj7 – G7♯11 (×2)
    Imaj7 – #I7#11
  • G♭maj7 – E♭7♯9 – Dmaj7 – A♭7 – Gmaj7♯11 – F♯m7 – B7 – Em7 – A7 – Dmaj7 – A♭m7 – G7 – G♭maj7 – F7
    Imaj7 – VI7#9 – #Vmaj7 – II7 – #Imaj7#11 – #vii7 – #III7 – #vi7 – #II7 – #Vmaj7 – ii7 – #I7 – Imaj7 – VII7

A Section 2

  • G♭maj7 – G7♯11 (×2)
    Imaj7 – #I7#11
  • G♭maj7 – E♭7♯9 – Dmaj7 – A♭7 – Gmaj7♯11 – F♯m7 – B7 – Em7 – A7 – Dmaj7 – A♭m7 – G7 – G♭maj7 – D♭m7 – G♭7
    Imaj7 – VI7#9 – #Vmaj7 – II7 – #Imaj7#11 – #vii7 – #III7 – #vi7 – #II7 – #Vmaj7 – ii7 – #I7 – Imaj7 – v7 – I7

B Section 1

  • Cmaj7 – Am7 – Fmaj7 – E7♯9 – Dm7 – G7 – Cmaj7 – Bm7 – B♭7 – Amaj7 – Amaj7/G♯ – F♯m7 – Bm7 – E7♭9 – Amaj7 – Dm7
    #IVmaj7 – #ii7 – VIImaj7 – #VI7#9 – #v7 – #I7 – #IVmaj7 – #iii7 – III7 – #IImaj7 – #IImaj⁴₂ – #vii7 – #iii7 – #VI7b9 – #IImaj7 – #v7

A Section 3

Same chords as A Section 2.

B Section 2

  • Cmaj7 – Am7 – Fmaj7 – E7♯9 – Dm7 – G7 – Cmaj7 – Bm7 – B♭7 – Amaj7 – Amaj7/G♯ – F♯m7 – Bm7 – E7♭9 – Amaj7 – Dm7 – G7
    #IVmaj7 – #ii7 – VIImaj7 – #VI7#9 – #v7 – #I7 – #IVmaj7 – #iii7 – III7 – #IImaj7 – #IImaj⁴₂ – #vii7 – #iii7 – #VI7b9 – #IImaj7 – #v7 – #I7

Chord vocabulary

ChordRoman numeralRoleHeard in
G♭maj7Imaj7Home chord (tonic)A Section
G7♯11#I7#11Outside the key (chromatic)A Section
E♭7♯9VI7#9Outside the key (chromatic)A Section
Dmaj7#Vmaj7Borrowed from G♭ minorA Section
A♭7II7Outside the key (chromatic)A Section
Gmaj7♯11#Imaj7#11Outside the key (chromatic)A Section
F♯m7#vii7Borrowed from G♭ minorA Section, B Section
B7#III7Outside the key (chromatic)A Section
Em7#vi7Outside the key (chromatic)A Section
A7#II7Outside the key (chromatic)A Section
A♭m7ii7In the keyA Section
G7#I7Outside the key (chromatic)A Section, B Section
F7VII7Outside the key (chromatic)A Section
D♭m7v7Borrowed from G♭ minorA Section
G♭7I7Outside the key (chromatic)A Section
Cmaj7#IVmaj7Outside the key (chromatic)B Section
Am7#ii7Outside the key (chromatic)B Section
Fmaj7VIImaj7Outside the key (chromatic)B Section
E7♯9#VI7#9Outside the key (chromatic)B Section
Dm7#v7Outside the key (chromatic)B Section
Bm7#iii7Borrowed from G♭ minorB Section
B♭7III7Outside the key (chromatic)B Section
Amaj7#IImaj7Borrowed from G♭ minorB Section
Amaj7/G♯#IImaj⁴₂Borrowed from G♭ minorB Section
E7♭9#VI7b9Outside the key (chromatic)B Section

Harmonic highlights

  • Dmaj7 (#Vmaj7) is borrowed from the parallel key, G♭ minor.
  • F♯m7 (#vii7) is borrowed from the parallel key, G♭ minor.
  • D♭m7 (v7) is borrowed from the parallel key, G♭ minor.
  • Bm7 (#iii7) is borrowed from the parallel key, G♭ minor.
  • Amaj7 (#IImaj7) is borrowed from the parallel key, G♭ minor.
  • Amaj7/G♯ (#IImaj⁴₂) is borrowed from the parallel key, G♭ minor.

Sources & accuracy

  • Chords: the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). Community chord chart “Pensativa” (credited “Fischer Clare”, style Bossa Nova) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata.
  • Section names: from the chart's own markings: section names written on the chart (Intro, Verse, Chorus…) are kept, and rehearsal letters are shown as “A Section”, “B Section” and so on (the B of an AABA song is called the Bridge).
  • Cross-check: the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). Community chord chart “Pensativa” (credited “Fischer Clare”, style Bossa Nova) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata. A separately posted chart of the same song; its chords match this page's closely when both are read in the same key (similarity 94%).
  • Chord charts are often written in a key that suits a particular singer or band, so this may not be the key of the original recording.
  • The chart's D.S./D.C./coda jumps have been written out in playing order.
  • About the song: Wikipedia.
  • Verified: two community charts of this song, posted in different forum threads, agree on its harmony. They're still charts, not transcriptions checked against the recording.
  • Rhythm and chord durations aren't shown; each step is one chord change.

Sources & Accuracy

Every chord on this page comes from the community chart listed first below. Piano voicings are our arrangement of the reported chord symbols, not a note-for-note transcription.

  • Chords from a chart a musician wrote and shared on the iReal Pro forums (archived in the ChoCo research dataset); may be in a different key from the recording, and not checked against it.

    Community chord chart “Pensativa” (credited “Fischer Clare”, style Bossa Nova) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata.

  • Chords from a chart a musician wrote and shared on the iReal Pro forums (archived in the ChoCo research dataset); may be in a different key from the recording, and not checked against it.

    Community chord chart “Pensativa” (credited “Fischer Clare”, style Bossa Nova) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata. A separately posted chart of the same song; its chords match this page's closely when both are read in the same key (similarity 94%).

All Piano Voicings

#SectionChordLeft handRight handSources
1A Section 1, part 1 (×2)G♭maj7G♭2, D♭3D♭4, F4, B♭4—
2A Section 1, part 1 (×2)G7♯11G2, D3C♯4, D4, F4, B4—
3A Section 1, part 2G♭maj7G♭2, D♭3D♭4, F4, B♭4—
4A Section 1, part 2E♭7♯9E♭2, B♭2D♭4, F♯4, G4, B♭4—
5A Section 1, part 2Dmaj7D2, A2C♯4, F♯4, A4—
6A Section 1, part 2A♭7A♭2, E♭3E♭4, G♭4, C5—
7A Section 1, part 2Gmaj7♯11G2, D3D4, F♯4, B4, C♯5—
8A Section 1, part 2F♯m7F♯2, C♯3E4, A4, C♯5—
9A Section 1, part 2B7B1, F♯2F♯4, A4, D♯5—
10A Section 1, part 2Em7E2, B2G4, B4, D5—
11A Section 1, part 2A7A2, E3G4, C♯5, E5—
12A Section 1, part 2Dmaj7D2, A2F♯4, A4, C♯5—
13A Section 1, part 2A♭m7A♭2, E♭3G♭4, C♭5, E♭5—
14A Section 1, part 2G7G2, D3F4, B4, D5—
15A Section 1, part 2G♭maj7G♭2, D♭3F4, B♭4, D♭5—
16A Section 1, part 2F7F2, C3E♭4, A4, C5—
17A Section 2, part 1 (×2)G♭maj7G♭2, D♭3F4, B♭4, D♭5—
18A Section 2, part 1 (×2)G7♯11G2, D3D4, F4, B4, C♯5—
19A Section 2, part 2G♭maj7G♭2, D♭3F4, B♭4, D♭5—
20A Section 2, part 2E♭7♯9E♭2, B♭2F♯4, G4, B♭4, D♭5—
21A Section 2, part 2Dmaj7D2, A2F♯4, A4, C♯5—
22A Section 2, part 2A♭7A♭2, E♭3G♭4, C5, E♭5—
23A Section 2, part 2Gmaj7♯11G2, D3F♯4, B4, C♯5, D5—
24A Section 2, part 2F♯m7F♯2, C♯3A4, C♯5, E5—
25A Section 2, part 2B7B1, F♯2F♯4, A4, D♯5—
26A Section 2, part 2Em7E2, B2G4, B4, D5—
27A Section 2, part 2A7A2, E3G4, C♯5, E5—
28A Section 2, part 2Dmaj7D2, A2F♯4, A4, C♯5—
29A Section 2, part 2A♭m7A♭2, E♭3G♭4, C♭5, E♭5—
30A Section 2, part 2G7G2, D3F4, B4, D5—
31A Section 2, part 2G♭maj7G♭2, D♭3F4, B♭4, D♭5—
32A Section 2, part 2D♭m7D♭2, A♭2F♭4, A♭4, C♭5—
33A Section 2, part 2G♭7G♭2, D♭3F♭4, B♭4, D♭5—
34B Section 1Cmaj7C2, G2E4, G4, B4—
35B Section 1Am7A2, E3E4, G4, C5—
36B Section 1Fmaj7F2, C3E4, A4, C5—
37B Section 1E7♯9E2, B2D4, F♯♯4, G♯4, B4—
38B Section 1Dm7D2, A2F4, A4, C5—
39B Section 1G7G2, D3F4, B4, D5—
40B Section 1Cmaj7C2, G2G4, B4, E5—
41B Section 1Bm7B1, F♯2F♯4, A4, D5—
42B Section 1B♭7B♭2, F3F4, A♭4, D5—
43B Section 1Amaj7A2, E3E4, G♯4, C♯5—
44B Section 1Amaj7/G♯G♯2E4, G♯4, A4, C♯5—
45B Section 1F♯m7F♯2, C♯3E4, A4, C♯5—
46B Section 1Bm7B1, F♯2F♯4, A4, D5—
47B Section 1E7♭9E2, B2F4, G♯4, B4, D5—
48B Section 1Amaj7A2, E3E4, G♯4, C♯5—
49B Section 1Dm7D2, A2F4, A4, C5—
50B Section 2Cmaj7C2, G2E4, G4, B4—
51B Section 2Am7A2, E3E4, G4, C5—
52B Section 2Fmaj7F2, C3E4, A4, C5—
53B Section 2E7♯9E2, B2D4, F♯♯4, G♯4, B4—
54B Section 2Dm7D2, A2F4, A4, C5—
55B Section 2G7G2, D3F4, B4, D5—
56B Section 2Cmaj7C2, G2G4, B4, E5—
57B Section 2Bm7B1, F♯2F♯4, A4, D5—
58B Section 2B♭7B♭2, F3F4, A♭4, D5—
59B Section 2Amaj7A2, E3E4, G♯4, C♯5—
60B Section 2Amaj7/G♯G♯2E4, G♯4, A4, C♯5—
61B Section 2F♯m7F♯2, C♯3E4, A4, C♯5—
62B Section 2Bm7B1, F♯2F♯4, A4, D5—
63B Section 2E7♭9E2, B2F4, G♯4, B4, D5—
64B Section 2Amaj7A2, E3E4, G♯4, C♯5—
65B Section 2Dm7D2, A2F4, A4, C5—
66B Section 2G7G2, D3F4, B4, D5—