Please, Please, Please by James Brown
Piano chords, voicings & structure breakdown · 13 steps · 6 unique chords · 1950s
F
Whole song transcribed by
Harmonic Analysis & Structure
Overview
Key: F major · Chords used: 6 · Sections: 6
Form: Verse → Verse ×5
Where these chords come from: an expert transcription of the original recording made for the Rock Corpus RS 200 (de Clercq & Temperley, 2011), analysis by Trevor de Clercq. This page shows that transcription as-is: the analysis below is generated directly from it by code, not written by AI. Consecutive repeats of a chord are shown once, and the piano voicings are our playable arrangement of each chord symbol, not a note-for-note transcription.
Section by section
Verse 1
- F – B♭ – C – F – C7 (×2)
I – IV – V – I – V7 - F – Dm – G – C – F – B♭ – C – F
I – vi – II – V – I – IV – V – I
Verse 2
Same chords as Verse 1.
Verse 3
Same chords as Verse 1.
Verse 4
Same chords as Verse 1.
Verse 5
Same chords as Verse 1.
Verse 6
Same chords as Verse 1.
Chord vocabulary
| Chord | Roman numeral | Role | Heard in |
|---|---|---|---|
| F | I | Home chord (tonic) | Verse |
| B♭ | IV | In the key | Verse |
| C | V | In the key | Verse |
| C7 | V7 | In the key | Verse |
| Dm | vi | In the key | Verse |
| G | II | Secondary dominant (V/V) | Verse |
Harmonic highlights
- G acts as V/V: it resolves to C.
Sources & accuracy
- Chords and sections: the Rock Corpus RS 200 (de Clercq & Temperley, 2011), analysis by Trevor de Clercq. Expert by-ear harmonic analysis of the original recording, shown on this page.
- Cross-check: the Rock Corpus RS 200 (de Clercq & Temperley, 2011), analysis by David Temperley. Independent by-ear analysis of the same recording. The two analysts agree on the chord (root and major/minor) for 100% of the song.
- Verified: two independent expert transcriptions agree on this song's harmony.
- Rhythm and chord durations aren't shown; each step is one chord change.
Sources & Accuracy
Every chord on this page comes from the expert transcription listed first below. Piano voicings are our arrangement of the reported chord symbols, not a note-for-note transcription.
- the Rock Corpus RS 200 (de Clercq & Temperley, 2011), analysis by Trevor de ClercqExpert transcription
Annotated from the original recording by trained musicians for a published research dataset.
Expert by-ear harmonic analysis of the original recording, shown on this page.
- the Rock Corpus RS 200 (de Clercq & Temperley, 2011), analysis by David TemperleyExpert transcription
Annotated from the original recording by trained musicians for a published research dataset.
Independent by-ear analysis of the same recording. The two analysts agree on the chord (root and major/minor) for 100% of the song.
All Piano Voicings
| # | Section | Chord | Left hand | Right hand | Sources |
|---|---|---|---|---|---|
| 1 | Verse 1, part 1 (×2) | F | F2, C3 | C4, F4, A4 | — |
| 2 | Verse 1, part 1 (×2) | B♭ | B♭2, F3 | D4, F4, B♭4 | — |
| 3 | Verse 1, part 1 (×2) | C | C2, G2 | C4, E4, G4 | — |
| 4 | Verse 1, part 1 (×2) | F | F2, C3 | C4, F4, A4 | — |
| 5 | Verse 1, part 1 (×2) | C7 | C2, G2 | B♭3, E4, G4 | — |
| 6 | Verse 1, part 2 | F | F2, C3 | C4, F4, A4 | — |
| 7 | Verse 1, part 2 | Dm | D2, A2 | D4, F4, A4 | — |
| 8 | Verse 1, part 2 | G | G2, D3 | D4, G4, B4 | — |
| 9 | Verse 1, part 2 | C | C2, G2 | E4, G4, C5 | — |
| 10 | Verse 1, part 2 | F | F2, C3 | F4, A4, C5 | — |
| 11 | Verse 1, part 2 | B♭ | B♭2, F3 | F4, B♭4, D5 | — |
| 12 | Verse 1, part 2 | C | C2, G2 | E4, G4, C5 | — |
| 13 | Verse 1, part 2 | F | F2, C3 | F4, A4, C5 | — |