PianoChords.studio

Soul Inspiration by Anita Baker

Piano chords, voicings & structure breakdown · 71 steps · 33 unique chords

Community chart. These chords come from a chart a musician wrote and shared on the iReal Pro forums, not from a transcription checked against the recording. Charts are sometimes written in a different key or simplified, and no second chart of this song agreed closely enough to mark this page verified. Trust your ears.
A Section 1Step 1 of 71

Cmaj7

LeftC2, G2RightB3, E4, G4
C4C2G2B3E4G4
Left hand Right hand Middle C (C4)

No source cited for this step

Harmonic Analysis & Structure

Overview

Key: E♭ minor · Chords used: 33 · Sections: 16

Form: A Section → A Section → A Section → A Section → B Section → C Section → C Section → A Section → A Section → B Section → C Section → C Section ×3 → B Section → Vamp

Where these chords come from: a chord chart of this song written by a musician and shared on the iReal Pro forums, archived in the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). It's one musician's reading of the song, not a transcription checked against the recording. This page shows that chart as-is: the analysis below is generated directly from it by code, not written by AI. Consecutive repeats of a chord are shown once, and the piano voicings are our playable arrangement of each chord symbol, not a note-for-note transcription.

Section by section

A Section 1

  • Cmaj7 – Fm9 – B♭9 – Am9 – B♭13
    VImaj7 – ii9 – V9 – #iv9 – V13

A Section 2

Same chords as A Section 1.

A Section 3

  • Cmaj7 – C7 – C6 – Fm6/C
    VImaj7 – VI7 – VI6 – ii6 (bass C)

A Section 4

  • Cmaj7 – C7 – C6 – Fm6/C – B♭maj7 – B♭7 – Dm7/G – Cmaj7 – C7 – Fmaj7/G – B♭maj7 – B♭7 – Dm7/G – Cmaj7 – C7 – C6 – Fm6/C
    VImaj7 – VI7 – VI6 – ii6 (bass C) – Vmaj7 – V7 – vii7 (bass G) – VImaj7 – VI7 – IImaj7 (bass G) – Vmaj7 – V7 – vii7 (bass G) – VImaj7 – VI7 – VI6 – ii6 (bass C)

B Section 1

  • Am7 – Fm9 – B♭maj9 – Fmaj7/G
    #iv7 – ii9 – Vmaj9 – IImaj7 (bass G)

C Section 1

  • Cmaj9 – E♭maj7/F – B♭maj9 – Dm7/G
    VImaj9 – Imaj7 (bass F) – Vmaj9 – vii7 (bass G)

C Section 2

  • Cmaj9 – E♭maj7/F – B♭maj9 – Dm7/G – Cmaj9 – Fm9 – B♭9 – Am9 – B♭9
    VImaj9 – Imaj7 (bass F) – Vmaj9 – vii7 (bass G) – VImaj9 – ii9 – V9 – #iv9 – V9

A Section 5

  • D♭maj7 – D♭7 – D♭6 – G♭m6/D♭
    bVIImaj7 – bVII7 – bVII6 – biii6 (bass D♭)

A Section 6

  • D♭maj7 – D♭7 – D♭6 – G♭m6/D♭ – C♭maj7 – C♭7 – E♭m7/A♭ – D♭maj7 – D♭7 – G♭maj7/A♭
    bVIImaj7 – bVII7 – bVII6 – biii6 (bass D♭) – bVImaj7 – bVI7 – i7 (bass A♭) – bVIImaj7 – bVII7 – bIIImaj7 (bass A♭)

B Section 2

  • B♭m7 – G♭m9 – C♭maj9 – G♭maj7/A♭
    v7 – biii9 – bVImaj9 – bIIImaj7 (bass A♭)

C Section 3

  • D♭maj7 – Emaj7/G♭ – C♭maj9 – E♭m7/A♭
    bVIImaj7 – #Imaj7 (bass G♭) – bVImaj9 – i7 (bass A♭)

C Section 4

Same chords as C Section 3.

C Section 5

Same chords as C Section 3.

C Section 6

Same chords as C Section 3.

B Section 3

  • Amaj9 – D7♯11 – C♯m7 – Dmaj9 – Bm7
    #IVmaj9 – VII7#11 – #vi7 – VIImaj9 – #v7

Vamp

  • E♭m7/A♭
    i7 (bass A♭)

Chord vocabulary

ChordRoman numeralRoleHeard in
Cmaj7VImaj7Outside the key (chromatic)A Section
Fm9ii9Borrowed from E♭ majorA Section, B Section, C Section
B♭9V9Borrowed from E♭ majorA Section, C Section
Am9#iv9Outside the key (chromatic)A Section, C Section
B♭13V13Borrowed from E♭ majorA Section
C7VI7Outside the key (chromatic)A Section
C6VI6Outside the key (chromatic)A Section
Fm6/Cii6 (bass C)Borrowed from E♭ majorA Section
B♭maj7Vmaj7Outside the key (chromatic)A Section
B♭7V7In the keyA Section
Dm7/Gvii7 (bass G)Outside the key (chromatic)A Section, C Section
Fmaj7/GIImaj7 (bass G)Outside the key (chromatic)A Section, B Section
Am7#iv7Outside the key (chromatic)B Section
B♭maj9Vmaj9Outside the key (chromatic)B Section, C Section
Cmaj9VImaj9Outside the key (chromatic)C Section
E♭maj7/FImaj7 (bass F)Borrowed from E♭ majorC Section
D♭maj7bVIImaj7Outside the key (chromatic)A Section, C Section
D♭7bVII7In the keyA Section
D♭6bVII6In the keyA Section
G♭m6/D♭biii6 (bass D♭)Outside the key (chromatic)A Section
C♭maj7bVImaj7In the keyA Section
C♭7bVI7Outside the key (chromatic)A Section
E♭m7/A♭i7 (bass A♭)Home chord (tonic)A Section, C Section, Vamp
G♭maj7/A♭bIIImaj7 (bass A♭)In the keyA Section, B Section
B♭m7v7In the keyB Section
G♭m9biii9Outside the key (chromatic)B Section
C♭maj9bVImaj9In the keyB Section, C Section
Emaj7/G♭#Imaj7 (bass G♭)Outside the key (chromatic)C Section
Amaj9#IVmaj9Outside the key (chromatic)B Section
D7♯11VII7#11Outside the key (chromatic)B Section
C♯m7#vi7Outside the key (chromatic)B Section
Dmaj9VIImaj9Outside the key (chromatic)B Section
Bm7#v7Outside the key (chromatic)B Section

Harmonic highlights

  • Fm9 (ii9) is borrowed from the parallel key, E♭ major.
  • B♭9 (V9) is borrowed from the parallel key, E♭ major.
  • B♭13 (V13) is borrowed from the parallel key, E♭ major.
  • Fm6/C (ii6 (bass C)) is borrowed from the parallel key, E♭ major.
  • E♭maj7/F (Imaj7 (bass F)) is borrowed from the parallel key, E♭ major.

Sources & accuracy

  • Chords: the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). Community chord chart “Soul Inspiration” (credited “Walkupmusic.com Arr. of Anita Baker”, style Pop) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata.
  • Section names: from the chart's own markings: section names written on the chart (Intro, Verse, Chorus…) are kept, and rehearsal letters are shown as “A Section”, “B Section” and so on (the B of an AABA song is called the Bridge).
  • Chord charts are often written in a key that suits a particular singer or band, so this may not be the key of the original recording.
  • The chart's key setting didn't fit its chords (it was probably left at a default), so the key shown here was worked out from the chords.
  • About the song: Wikipedia.
  • Not verified: only one chart of this song is available, so it hasn't been cross-checked.
  • Rhythm and chord durations aren't shown; each step is one chord change.

Sources & Accuracy

Every chord on this page comes from the community chart listed first below. Piano voicings are our arrangement of the reported chord symbols, not a note-for-note transcription.

  • Chords from a chart a musician wrote and shared on the iReal Pro forums (archived in the ChoCo research dataset); may be in a different key from the recording, and not checked against it.

    Community chord chart “Soul Inspiration” (credited “Walkupmusic.com Arr. of Anita Baker”, style Pop) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata.

All Piano Voicings

#SectionChordLeft handRight handSources
1A Section 1Cmaj7C2, G2B3, E4, G4—
2A Section 1Fm9F2, C3C4, E♭4, G4, A♭4—
3A Section 1B♭9B♭2, F3C4, D4, F4, A♭4—
4A Section 1Am9A2, E3B3, C4, E4, G4—
5A Section 1B♭13B♭2, F3A♭3, C4, D4, G4—
6A Section 3Cmaj7C2, G2B3, E4, G4—
7A Section 3C7C2, G2B♭3, E4, G4—
8A Section 3C6C2, G2A3, E4, G4—
9A Section 3Fm6/CC2C4, D4, F4, A♭4—
10A Section 4Cmaj7C2, G2B3, E4, G4—
11A Section 4C7C2, G2B♭3, E4, G4—
12A Section 4C6C2, G2A3, E4, G4—
13A Section 4Fm6/CC2C4, D4, F4, A♭4—
14A Section 4B♭maj7B♭2, F3D4, F4, A4—
15A Section 4B♭7B♭2, F3D4, F4, A♭4—
16A Section 4Dm7/GG2C4, D4, F4, A4—
17A Section 4Cmaj7C2, G2B3, E4, G4—
18A Section 4C7C2, G2B♭3, E4, G4—
19A Section 4Fmaj7/GG2C4, E4, F4, A4—
20A Section 4B♭maj7B♭2, F3D4, F4, A4—
21A Section 4B♭7B♭2, F3D4, F4, A♭4—
22A Section 4Dm7/GG2C4, D4, F4, A4—
23A Section 4Cmaj7C2, G2B3, E4, G4—
24A Section 4C7C2, G2B♭3, E4, G4—
25A Section 4C6C2, G2A3, E4, G4—
26A Section 4Fm6/CC2C4, D4, F4, A♭4—
27B Section 1Am7A2, E3C4, E4, G4—
28B Section 1Fm9F2, C3C4, E♭4, G4, A♭4—
29B Section 1B♭maj9B♭2, F3C4, D4, F4, A4—
30B Section 1Fmaj7/GG2C4, E4, F4, A4—
31C Section 1Cmaj9C2, G2B3, D4, E4, G4—
32C Section 1E♭maj7/FF2B♭3, D4, E♭4, G4—
33C Section 1B♭maj9B♭2, F3C4, D4, F4, A4—
34C Section 1Dm7/GG2C4, D4, F4, A4—
35C Section 2Cmaj9C2, G2B3, D4, E4, G4—
36C Section 2E♭maj7/FF2B♭3, D4, E♭4, G4—
37C Section 2B♭maj9B♭2, F3C4, D4, F4, A4—
38C Section 2Dm7/GG2C4, D4, F4, A4—
39C Section 2Cmaj9C2, G2B3, D4, E4, G4—
40C Section 2Fm9F2, C3C4, E♭4, G4, A♭4—
41C Section 2B♭9B♭2, F3C4, D4, F4, A♭4—
42C Section 2Am9A2, E3B3, C4, E4, G4—
43C Section 2B♭9B♭2, F3C4, D4, F4, A♭4—
44A Section 5D♭maj7D♭2, A♭2C4, F4, A♭4—
45A Section 5D♭7D♭2, A♭2C♭4, F4, A♭4—
46A Section 5D♭6D♭2, A♭2B♭3, F4, A♭4—
47A Section 5G♭m6/D♭D♭2D♭4, E♭4, G♭4, B♭♭4—
48A Section 6D♭maj7D♭2, A♭2C4, F4, A♭4—
49A Section 6D♭7D♭2, A♭2C♭4, F4, A♭4—
50A Section 6D♭6D♭2, A♭2B♭3, F4, A♭4—
51A Section 6G♭m6/D♭D♭2D♭4, E♭4, G♭4, B♭♭4—
52A Section 6C♭maj7C♭2, G♭2E♭4, G♭4, B♭4—
53A Section 6C♭7C♭2, G♭2E♭4, G♭4, B♭♭4—
54A Section 6E♭m7/A♭A♭2D♭4, E♭4, G♭4, B♭4—
55A Section 6D♭maj7D♭2, A♭2C4, F4, A♭4—
56A Section 6D♭7D♭2, A♭2C♭4, F4, A♭4—
57A Section 6G♭maj7/A♭A♭2B♭3, D♭4, F4, G♭4—
58B Section 2B♭m7B♭2, F3A♭3, D♭4, F4—
59B Section 2G♭m9G♭2, D♭3A♭3, B♭♭3, D♭4, F♭4—
60B Section 2C♭maj9C♭2, G♭2G♭3, B♭3, D♭4, E♭4—
61B Section 2G♭maj7/A♭A♭2G♭3, B♭3, D♭4, F4—
62C Section 3D♭maj7D♭2, A♭2A♭3, C4, F4—
63C Section 3Emaj7/G♭G♭2G♯3, B3, D♯4, E4—
64C Section 3C♭maj9C♭2, G♭2B♭3, D♭4, E♭4, G♭4—
65C Section 3E♭m7/A♭A♭2B♭3, D♭4, E♭4, G♭4—
66B Section 3Amaj9A2, E3B3, C♯4, E4, G♯4—
67B Section 3D7♯11D2, A2A3, C4, F♯4, G♯4—
68B Section 3C♯m7C♯2, G♯2B3, E4, G♯4—
69B Section 3Dmaj9D2, A2C♯4, E4, F♯4, A4—
70B Section 3Bm7B1, F♯2D4, F♯4, A4—
71VampE♭m7/A♭A♭2D♭4, E♭4, G♭4, B♭4—