Still Got the Blues by Gary Moore

Overview

Key: A minor · Chords used: 16 · Sections: 14

Form: Intro → A Section → A Section → B Section → A Section → A Section → B Section → C Section → A Section → A Section → B Section → Interlude → D Section → D Section

Where these chords come from: a chord chart of this song written by a musician and shared on the iReal Pro forums, archived in the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). It's one musician's reading of the song, not a transcription checked against the recording. This page shows that chart as-is: the analysis below is generated directly from it by code, not written by AI. Consecutive repeats of a chord are shown once, and the piano voicings are our playable arrangement of each chord symbol, not a note-for-note transcription.

Section by section

Intro

• Dm7 – Dm7/G – Cmaj7 – Fmaj7 – Bm7♭5 – E7 – Am
  iv7 – iv7 (bass G) – bIIImaj7 – bVImaj7 – iiø7 – V7 – i

A Section 1

• Dm7 – Dm7/G – Cmaj7 – Fmaj7 – Bm7♭5 – E7 – Am – Am/B – Am/C
  iv7 – iv7 (bass G) – bIIImaj7 – bVImaj7 – iiø7 – V7 – i – i (bass B) – i⁶

A Section 2

• Dm7 – Dm7/G – Cmaj7 – Fmaj7 – Bm7♭5 – E7
  iv7 – iv7 (bass G) – bIIImaj7 – bVImaj7 – iiø7 – V7

B Section 1

• Am – Em – Am – D9 – F9 – E7♯9 – Am
  i – v – i – IV9 – bVI9 – V7#9 – i

A Section 3

Same chords as A Section 1.

A Section 4

Same chords as A Section 2.

B Section 2

Same chords as B Section 1.

C Section

• Bm7 – E7sus4 – Am – Am/B – Am/C – Bm7 – E7sus4 – Fmaj7 – Em7 – Dm7 – Am
  ii7 – V7sus4 – i – i (bass B) – i⁶ – ii7 – V7sus4 – bVImaj7 – v7 – iv7 – i

A Section 5

Same chords as A Section 1.

A Section 6

Same chords as A Section 2.

B Section 3

Same chords as B Section 1.

Interlude

• Am – Em – Am – D9 – F9 – E7♯9
  i – v – i – IV9 – bVI9 – V7#9

D Section 1

• Dm7 – Dm7/G – Cmaj7 – Fmaj7 – Bm7♭5 – E7 – Am – Am/B – Am/C
  iv7 – iv7 (bass G) – bIIImaj7 – bVImaj7 – iiø7 – V7 – i – i (bass B) – i⁶

D Section 2

• Dm7 – Dm7/G – Cmaj7 – Fmaj7 – Bm7♭5 – E7 – Am – Am/B – Am/C – Am
  iv7 – iv7 (bass G) – bIIImaj7 – bVImaj7 – iiø7 – V7 – i – i (bass B) – i⁶ – i

Chord vocabulary

Chord	Roman numeral	Role	Heard in
Dm7	iv7	In the key	Intro, A Section, C Section, D Section
Dm7/G	iv7 (bass G)	In the key	Intro, A Section, D Section
Cmaj7	bIIImaj7	In the key	Intro, A Section, D Section
Fmaj7	bVImaj7	In the key	Intro, A Section, C Section, D Section
Bm7♭5	iiø7	In the key	Intro, A Section, D Section
E7	V7	In the key	Intro, A Section, D Section
Am	i	Home chord (tonic)	Intro, A Section, B Section, C Section, Interlude, D Section
Am/B	i (bass B)	Home chord (tonic)	A Section, C Section, D Section
Am/C	i⁶	Home chord (tonic)	A Section, C Section, D Section
Em	v	In the key	B Section, Interlude
D9	IV9	Outside the key (chromatic)	B Section, Interlude
F9	bVI9	Outside the key (chromatic)	B Section, Interlude
E7♯9	V7#9	In the key	B Section, Interlude
Bm7	ii7	Borrowed from A major	C Section
E7sus4	V7sus4	In the key	C Section
Em7	v7	In the key	C Section

Harmonic highlights

• Bm7 (ii7) is borrowed from the parallel key, A major.

Sources & accuracy

• Chords: the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). Community chord chart “Still Got The Blues” (credited “Moore Gary”, style Blues) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata.
• Section names: from the chart's own markings: section names written on the chart (Intro, Verse, Chorus…) are kept, and rehearsal letters are shown as “A Section”, “B Section” and so on (the B of an AABA song is called the Bridge).
• Cross-check: the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). Community chord chart “Still Got The Blues” (credited “Moore Gary”, style Blues) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata. A separately posted chart of the same song; its chords match this page's closely when both are read in the same key (similarity 89%).
• Chord charts are often written in a key that suits a particular singer or band, so this may not be the key of the original recording.
• The chart's D.S./D.C./coda jumps have been written out in playing order.
• About the song: Wikipedia.
• Verified: two community charts of this song, posted in different forum threads, agree on its harmony. They're still charts, not transcriptions checked against the recording.
• Rhythm and chord durations aren't shown; each step is one chord change.