Take a Bow by Madonna
Piano chords, voicings & structure breakdown · 81 steps · 15 unique chords
Fm
Whole song transcribed by
Harmonic Analysis & Structure
Overview
Key: A♭ major · Chords used: 15 · Sections: 14
Where these chords come from: an expert transcription of the original recording made for the Uspop2002 chord annotations (Music and Audio Research Lab, New York University). This page shows that transcription as-is: the analysis below is generated directly from it by code, not written by AI. Consecutive repeats of a chord are shown once, and the piano voicings are our playable arrangement of each chord symbol, not a note-for-note transcription.
Section by section
Part 1 (0:00)
- Fm – A♭ – B♭m7
vi – I – ii7
Part 2 (0:17)
- E♭7
V7 - A♭ – E – B♭m11/E♭ (×2)
I – #V – ii11 (bass E♭) - A♭ – A♭7/G♭ – Fm7
I – I⁴₂ – vi7
Part 3 (0:41)
- E – A♭/E♭ – B♭9/D – D♭m7 – E♭7sus4 – A♭ – A♭7/G♭ – Fm7
#V – I⁶₄ – II9 (bass D) – iv7 – V7sus4 – I – I⁴₂ – vi7
Part 4 (1:05)
- E – A♭/E♭ – B♭9/D – D♭m7 – A♭/C – B♭m7 – E♭7sus4 – A♭
#V – I⁶₄ – II9 (bass D) – iv7 – I⁶ – ii7 – V7sus4 – I
Part 5 (1:29)
- B♭m7 – E♭7 – A♭ – E – B♭m11/E♭ – A♭ – E
ii7 – V7 – I – #V – ii11 (bass E♭) – I – #V
Part 6 (1:52)
- B♭m11/E♭ – A♭ – A♭7/G♭ – Fm7 – E – A♭/E♭ – B♭9/D – B♭m7 – E♭7sus4
ii11 (bass E♭) – I – I⁴₂ – vi7 – #V – I⁶₄ – II9 (bass D) – ii7 – V7sus4
Part 7 (2:16)
- A♭ – A♭7/G♭ – Fm7 – E – A♭/E♭ – B♭9/D – D♭m7 – A♭/C – B♭m7
I – I⁴₂ – vi7 – #V – I⁶₄ – II9 (bass D) – iv7 – I⁶ – ii7
Part 8 (2:40)
- E♭7sus4 – A♭ – B♭m7 – E♭7 – A♭
V7sus4 – I – ii7 – V7 – I
Part 9 (3:04)
- B♭m7 – E♭7 – A♭
ii7 – V7 – I
Part 10 (3:28)
- E – B♭m11/E♭ – A♭ – E – B♭m11/E♭
#V – ii11 (bass E♭) – I – #V – ii11 (bass E♭) - D♭m7 – A♭ (×2)
iv7 – I
Part 11 (3:50)
- D♭m7 – A♭ – F7 – G♭m7 – E♭7 – A♭ – B♭m7
iv7 – I – VI7 – bvii7 – V7 – I – ii7
Part 12 (4:14)
- E♭7 – A♭ – B♭m7
V7 – I – ii7
Part 13 (4:38)
- E♭7
V7 - A♭ – E – B♭m11/E♭ (×2)
I – #V – ii11 (bass E♭)
Part 14 (5:03)
- A♭
I
Chord vocabulary
| Chord | Roman numeral | Role | Heard in |
|---|---|---|---|
| Fm | vi | In the key | Part 1 |
| A♭ | I | Home chord (tonic) | Part 1, Part 2, Part 3, Part 4, Part 5, Part 6, Part 7, Part 8, Part 9, Part 10, Part 11, Part 12, Part 13, Part 14 |
| B♭m7 | ii7 | In the key | Part 1, Part 4, Part 5, Part 6, Part 7, Part 8, Part 9, Part 11, Part 12 |
| E♭7 | V7 | In the key | Part 2, Part 5, Part 8, Part 9, Part 11, Part 12, Part 13 |
| E | #V | Borrowed from A♭ minor | Part 2, Part 3, Part 4, Part 5, Part 6, Part 7, Part 10, Part 13 |
| B♭m11/E♭ | ii11 (bass E♭) | In the key | Part 2, Part 5, Part 6, Part 10, Part 13 |
| A♭7/G♭ | I⁴₂ | Outside the key (chromatic) | Part 2, Part 3, Part 6, Part 7 |
| Fm7 | vi7 | In the key | Part 2, Part 3, Part 6, Part 7 |
| A♭/E♭ | I⁶₄ | Home chord (tonic) | Part 3, Part 4, Part 6, Part 7 |
| B♭9/D | II9 (bass D) | Outside the key (chromatic) | Part 3, Part 4, Part 6, Part 7 |
| D♭m7 | iv7 | Borrowed from A♭ minor | Part 3, Part 4, Part 7, Part 10, Part 11 |
| E♭7sus4 | V7sus4 | In the key | Part 3, Part 4, Part 6, Part 8 |
| A♭/C | I⁶ | Home chord (tonic) | Part 4, Part 7 |
| F7 | VI7 | Outside the key (chromatic) | Part 11 |
| G♭m7 | bvii7 | Outside the key (chromatic) | Part 11 |
Harmonic highlights
- E (#V) is borrowed from the parallel key, A♭ minor.
- D♭m7 (iv7) is borrowed from the parallel key, A♭ minor.
Sources & accuracy
- Chords: the Uspop2002 chord annotations (Music and Audio Research Lab, New York University). Chord annotation of the original recording (Bedtime Stories), time-stamped by researchers; CC BY 4.0 via ChoCo.
- Section names: this annotation doesn't name verses or choruses, so they aren't guessed. Instead, code used the chord timings to find the bars and cut the song into 8-bar parts. Each part is labelled with the time it starts in the annotated recording (Bedtime Stories), and a part with exactly the same chords as an earlier one says so.
- The key was estimated by code from the chords; this annotation doesn't state it.
- Not verified: only one expert transcription of this song is available so far.
- Rhythm and chord durations aren't shown; each step is one chord change.
Sources & Accuracy
Every chord on this page comes from the expert transcription listed first below. Piano voicings are our arrangement of the reported chord symbols, not a note-for-note transcription.
- the Uspop2002 chord annotations (Music and Audio Research Lab, New York University)Expert transcription
Annotated from the original recording by trained musicians for a published research dataset.
Chord annotation of the original recording (Bedtime Stories), time-stamped by researchers; CC BY 4.0 via ChoCo.
All Piano Voicings
| # | Section | Chord | Left hand | Right hand | Sources |
|---|---|---|---|---|---|
| 1 | Part 1 (0:00) | Fm | F2, C3 | C4, F4, A♭4 | — |
| 2 | Part 1 (0:00) | A♭ | A♭2, E♭3 | C4, E♭4, A♭4 | — |
| 3 | Part 1 (0:00) | B♭m7 | B♭2, F3 | D♭4, F4, A♭4 | — |
| 4 | Part 2 (0:17), part 1 | E♭7 | E♭2, B♭2 | D♭4, G4, B♭4 | — |
| 5 | Part 2 (0:17), part 2 (×2) | A♭ | A♭2, E♭3 | E♭4, A♭4, C5 | — |
| 6 | Part 2 (0:17), part 2 (×2) | E | E2, B2 | E4, G♯4, B4 | — |
| 7 | Part 2 (0:17), part 2 (×2) | B♭m11/E♭ | E♭2 | E♭4, A♭4, B♭4, D♭5 | — |
| 8 | Part 2 (0:17), part 3 | A♭ | A♭2, E♭3 | E♭4, A♭4, C5 | — |
| 9 | Part 2 (0:17), part 3 | A♭7/G♭ | G♭2 | E♭4, G♭4, A♭4, C5 | — |
| 10 | Part 2 (0:17), part 3 | Fm7 | F2, C3 | E♭4, A♭4, C5 | — |
| 11 | Part 3 (0:41) | E | E2, B2 | E4, G♯4, B4 | — |
| 12 | Part 3 (0:41) | A♭/E♭ | E♭2 | E♭4, A♭4, C5 | — |
| 13 | Part 3 (0:41) | B♭9/D | D2 | D4, A♭4, B♭4, C5 | — |
| 14 | Part 3 (0:41) | D♭m7 | D♭2, A♭2 | F♭4, A♭4, C♭5 | — |
| 15 | Part 3 (0:41) | E♭7sus4 | E♭2, B♭2 | D♭4, A♭4, B♭4 | — |
| 16 | Part 3 (0:41) | A♭ | A♭2, E♭3 | E♭4, A♭4, C5 | — |
| 17 | Part 3 (0:41) | A♭7/G♭ | G♭2 | E♭4, G♭4, A♭4, C5 | — |
| 18 | Part 3 (0:41) | Fm7 | F2, C3 | E♭4, A♭4, C5 | — |
| 19 | Part 4 (1:05) | E | E2, B2 | E4, G♯4, B4 | — |
| 20 | Part 4 (1:05) | A♭/E♭ | E♭2 | E♭4, A♭4, C5 | — |
| 21 | Part 4 (1:05) | B♭9/D | D2 | D4, A♭4, B♭4, C5 | — |
| 22 | Part 4 (1:05) | D♭m7 | D♭2, A♭2 | F♭4, A♭4, C♭5 | — |
| 23 | Part 4 (1:05) | A♭/C | C2 | E♭4, A♭4, C5 | — |
| 24 | Part 4 (1:05) | B♭m7 | B♭2, F3 | F4, A♭4, D♭5 | — |
| 25 | Part 4 (1:05) | E♭7sus4 | E♭2, B♭2 | A♭4, B♭4, D♭5 | — |
| 26 | Part 4 (1:05) | A♭ | A♭2, E♭3 | A♭4, C5, E♭5 | — |
| 27 | Part 5 (1:29) | B♭m7 | B♭2, F3 | F4, A♭4, D♭5 | — |
| 28 | Part 5 (1:29) | E♭7 | E♭2, B♭2 | G4, B♭4, D♭5 | — |
| 29 | Part 5 (1:29) | A♭ | A♭2, E♭3 | A♭4, C5, E♭5 | — |
| 30 | Part 5 (1:29) | E | E2, B2 | G♯4, B4, E5 | — |
| 31 | Part 5 (1:29) | B♭m11/E♭ | E♭2 | A♭4, B♭4, D♭5, E♭5 | — |
| 32 | Part 5 (1:29) | A♭ | A♭2, E♭3 | A♭4, C5, E♭5 | — |
| 33 | Part 5 (1:29) | E | E2, B2 | G♯4, B4, E5 | — |
| 34 | Part 6 (1:52) | B♭m11/E♭ | E♭2 | A♭4, B♭4, D♭5, E♭5 | — |
| 35 | Part 6 (1:52) | A♭ | A♭2, E♭3 | A♭4, C5, E♭5 | — |
| 36 | Part 6 (1:52) | A♭7/G♭ | G♭2 | G♭4, A♭4, C5, E♭5 | — |
| 37 | Part 6 (1:52) | Fm7 | F2, C3 | A♭4, C5, E♭5 | — |
| 38 | Part 6 (1:52) | E | E2, B2 | G♯4, B4, E5 | — |
| 39 | Part 6 (1:52) | A♭/E♭ | E♭2 | A♭4, C5, E♭5 | — |
| 40 | Part 6 (1:52) | B♭9/D | D2 | A♭4, B♭4, C5, D5 | — |
| 41 | Part 6 (1:52) | B♭m7 | B♭2, F3 | F4, A♭4, D♭5 | — |
| 42 | Part 6 (1:52) | E♭7sus4 | E♭2, B♭2 | A♭4, B♭4, D♭5 | — |
| 43 | Part 7 (2:16) | A♭ | A♭2, E♭3 | A♭4, C5, E♭5 | — |
| 44 | Part 7 (2:16) | A♭7/G♭ | G♭2 | G♭4, A♭4, C5, E♭5 | — |
| 45 | Part 7 (2:16) | Fm7 | F2, C3 | A♭4, C5, E♭5 | — |
| 46 | Part 7 (2:16) | E | E2, B2 | G♯4, B4, E5 | — |
| 47 | Part 7 (2:16) | A♭/E♭ | E♭2 | A♭4, C5, E♭5 | — |
| 48 | Part 7 (2:16) | B♭9/D | D2 | A♭4, B♭4, C5, D5 | — |
| 49 | Part 7 (2:16) | D♭m7 | D♭2, A♭2 | A♭4, C♭5, F♭5 | — |
| 50 | Part 7 (2:16) | A♭/C | C2 | A♭4, C5, E♭5 | — |
| 51 | Part 7 (2:16) | B♭m7 | B♭2, F3 | F4, A♭4, D♭5 | — |
| 52 | Part 8 (2:40) | E♭7sus4 | E♭2, B♭2 | A♭4, B♭4, D♭5 | — |
| 53 | Part 8 (2:40) | A♭ | A♭2, E♭3 | A♭4, C5, E♭5 | — |
| 54 | Part 8 (2:40) | B♭m7 | B♭2, F3 | F4, A♭4, D♭5 | — |
| 55 | Part 8 (2:40) | E♭7 | E♭2, B♭2 | G4, B♭4, D♭5 | — |
| 56 | Part 8 (2:40) | A♭ | A♭2, E♭3 | A♭4, C5, E♭5 | — |
| 57 | Part 9 (3:04) | B♭m7 | B♭2, F3 | F4, A♭4, D♭5 | — |
| 58 | Part 9 (3:04) | E♭7 | E♭2, B♭2 | G4, B♭4, D♭5 | — |
| 59 | Part 9 (3:04) | A♭ | A♭2, E♭3 | A♭4, C5, E♭5 | — |
| 60 | Part 10 (3:28), part 1 | E | E2, B2 | G♯4, B4, E5 | — |
| 61 | Part 10 (3:28), part 1 | B♭m11/E♭ | E♭2 | A♭4, B♭4, D♭5, E♭5 | — |
| 62 | Part 10 (3:28), part 1 | A♭ | A♭2, E♭3 | A♭4, C5, E♭5 | — |
| 63 | Part 10 (3:28), part 1 | E | E2, B2 | G♯4, B4, E5 | — |
| 64 | Part 10 (3:28), part 1 | B♭m11/E♭ | E♭2 | A♭4, B♭4, D♭5, E♭5 | — |
| 65 | Part 10 (3:28), part 2 (×2) | D♭m7 | D♭2, A♭2 | A♭4, C♭5, F♭5 | — |
| 66 | Part 10 (3:28), part 2 (×2) | A♭ | A♭2, E♭3 | A♭4, C5, E♭5 | — |
| 67 | Part 11 (3:50) | D♭m7 | D♭2, A♭2 | A♭4, C♭5, F♭5 | — |
| 68 | Part 11 (3:50) | A♭ | A♭2, E♭3 | A♭4, C5, E♭5 | — |
| 69 | Part 11 (3:50) | F7 | F2, C3 | A4, C5, E♭5 | — |
| 70 | Part 11 (3:50) | G♭m7 | G♭2, D♭3 | B♭♭4, D♭5, F♭5 | — |
| 71 | Part 11 (3:50) | E♭7 | E♭2, B♭2 | G4, B♭4, D♭5 | — |
| 72 | Part 11 (3:50) | A♭ | A♭2, E♭3 | A♭4, C5, E♭5 | — |
| 73 | Part 11 (3:50) | B♭m7 | B♭2, F3 | F4, A♭4, D♭5 | — |
| 74 | Part 12 (4:14) | E♭7 | E♭2, B♭2 | G4, B♭4, D♭5 | — |
| 75 | Part 12 (4:14) | A♭ | A♭2, E♭3 | A♭4, C5, E♭5 | — |
| 76 | Part 12 (4:14) | B♭m7 | B♭2, F3 | F4, A♭4, D♭5 | — |
| 77 | Part 13 (4:38), part 1 | E♭7 | E♭2, B♭2 | G4, B♭4, D♭5 | — |
| 78 | Part 13 (4:38), part 2 (×2) | A♭ | A♭2, E♭3 | A♭4, C5, E♭5 | — |
| 79 | Part 13 (4:38), part 2 (×2) | E | E2, B2 | G♯4, B4, E5 | — |
| 80 | Part 13 (4:38), part 2 (×2) | B♭m11/E♭ | E♭2 | A♭4, B♭4, D♭5, E♭5 | — |
| 81 | Part 14 (5:03) | A♭ | A♭2, E♭3 | A♭4, C5, E♭5 | — |