Tangerine by Johnny Mercer
Piano chords, voicings & structure breakdown · 35 steps · 15 unique chords
Gm7
No source cited for this step
Harmonic Analysis & Structure
Overview
Key: F major · Chords used: 15 · Sections: 4
Form: A Section → B Section → A Section → C Section
Where these chords come from: a chord chart of this song written by a musician and shared on the iReal Pro forums, archived in the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). It's one musician's reading of the song, not a transcription checked against the recording. This page shows that chart as-is: the analysis below is generated directly from it by code, not written by AI. Consecutive repeats of a chord are shown once, and the piano voicings are our playable arrangement of each chord symbol, not a note-for-note transcription.
Section by section
A Section 1
- Gm7 – C7 – F – A♭dim
ii7 – V7 – I – biii° - Gm7 – C7 (×2)
ii7 – V7 - F – Daug
I – VI+
B Section
- Gm7 – C7 – F – E7 – A – F♯m – Bm7 – E7 – A7 – Daug
ii7 – V7 – I – VII7 – III – #i – #iv7 – VII7 – III7 – VI+
A Section 2
- Gm7 – C7 – F – A♭dim
ii7 – V7 – I – biii° - Gm7 – C7 (×2)
ii7 – V7 - E♭7 – D7
bVII7 – VI7
C Section
- Gm7 – A7 – Dm7 – F – G7 – B♭m – Gm7 – C7 – F
ii7 – III7 – vi7 – I – II7 – iv – ii7 – V7 – I
Chord vocabulary
| Chord | Roman numeral | Role | Heard in |
|---|---|---|---|
| Gm7 | ii7 | In the key | A Section, B Section, C Section |
| C7 | V7 | In the key | A Section, B Section, C Section |
| F | I | Home chord (tonic) | A Section, B Section, C Section |
| A♭dim | biii° | Outside the key (chromatic) | A Section |
| Daug | VI+ | Outside the key (chromatic) | A Section, B Section |
| E7 | VII7 | Outside the key (chromatic) | B Section |
| A | III | Outside the key (chromatic) | B Section |
| F♯m | #i | Outside the key (chromatic) | B Section |
| Bm7 | #iv7 | Outside the key (chromatic) | B Section |
| A7 | III7 | Secondary dominant (V/vi) | C Section |
| E♭7 | bVII7 | Borrowed from F minor | A Section |
| D7 | VI7 | Outside the key (chromatic) | A Section |
| Dm7 | vi7 | In the key | C Section |
| G7 | II7 | Outside the key (chromatic) | C Section |
| B♭m | iv | Borrowed from F minor | C Section |
Harmonic highlights
- E♭7 (bVII7) is borrowed from the parallel key, F minor.
- B♭m (iv) is borrowed from the parallel key, F minor.
- A7 acts as V/vi: it resolves to Dm7.
Sources & accuracy
- Chords: the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). Community chord chart “Tangerine (Dixieland Tunes)” (credited “Victor Schertzinger, Johnny Mercer (1942)”, style Medium Swing) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata.
- Section names: from the chart's own markings: section names written on the chart (Intro, Verse, Chorus…) are kept, and rehearsal letters are shown as “A Section”, “B Section” and so on (the B of an AABA song is called the Bridge).
- Chord charts are often written in a key that suits a particular singer or band, so this may not be the key of the original recording.
- About the song: Wikipedia.
- Not verified: other charts of this song differ in places from this one, so this page isn't marked verified.
- Rhythm and chord durations aren't shown; each step is one chord change.
Sources & Accuracy
Every chord on this page comes from the community chart listed first below. Piano voicings are our arrangement of the reported chord symbols, not a note-for-note transcription.
Chords from a chart a musician wrote and shared on the iReal Pro forums (archived in the ChoCo research dataset); may be in a different key from the recording, and not checked against it.
Community chord chart “Tangerine (Dixieland Tunes)” (credited “Victor Schertzinger, Johnny Mercer (1942)”, style Medium Swing) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata.
All Piano Voicings
| # | Section | Chord | Left hand | Right hand | Sources |
|---|---|---|---|---|---|
| 1 | A Section 1, part 1 | Gm7 | G2, D3 | B♭3, D4, F4 | — |
| 2 | A Section 1, part 1 | C7 | C2, G2 | B♭3, E4, G4 | — |
| 3 | A Section 1, part 1 | F | F2, C3 | C4, F4, A4 | — |
| 4 | A Section 1, part 1 | A♭dim | A♭2, A♭3 | C♭4, E♭♭4, A♭4 | — |
| 5 | A Section 1, part 2 (×2) | Gm7 | G2, D3 | B♭3, D4, F4 | — |
| 6 | A Section 1, part 2 (×2) | C7 | C2, G2 | B♭3, E4, G4 | — |
| 7 | A Section 1, part 3 | F | F2, C3 | C4, F4, A4 | — |
| 8 | A Section 1, part 3 | Daug | D2, D3 | D4, F♯4, A♯4 | — |
| 9 | B Section | Gm7 | G2, D3 | D4, F4, B♭4 | — |
| 10 | B Section | C7 | C2, G2 | E4, G4, B♭4 | — |
| 11 | B Section | F | F2, C3 | F4, A4, C5 | — |
| 12 | B Section | E7 | E2, B2 | D4, G♯4, B4 | — |
| 13 | B Section | A | A2, E3 | E4, A4, C♯5 | — |
| 14 | B Section | F♯m | F♯2, C♯3 | F♯4, A4, C♯5 | — |
| 15 | B Section | Bm7 | B1, F♯2 | F♯4, A4, D5 | — |
| 16 | B Section | E7 | E2, B2 | G♯4, B4, D5 | — |
| 17 | B Section | A7 | A2, E3 | G4, C♯5, E5 | — |
| 18 | B Section | Daug | D2, D3 | F♯4, A♯4, D5 | — |
| 19 | A Section 2, part 1 | Gm7 | G2, D3 | F4, B♭4, D5 | — |
| 20 | A Section 2, part 1 | C7 | C2, G2 | G4, B♭4, E5 | — |
| 21 | A Section 2, part 1 | F | F2, C3 | F4, A4, C5 | — |
| 22 | A Section 2, part 1 | A♭dim | A♭2, A♭3 | E♭♭4, A♭4, C♭5 | — |
| 23 | A Section 2, part 2 (×2) | Gm7 | G2, D3 | D4, F4, B♭4 | — |
| 24 | A Section 2, part 2 (×2) | C7 | C2, G2 | E4, G4, B♭4 | — |
| 25 | A Section 2, part 3 | E♭7 | E♭2, B♭2 | D♭4, G4, B♭4 | — |
| 26 | A Section 2, part 3 | D7 | D2, A2 | C4, F♯4, A4 | — |
| 27 | C Section | Gm7 | G2, D3 | D4, F4, B♭4 | — |
| 28 | C Section | A7 | A2, E3 | C♯4, E4, G4 | — |
| 29 | C Section | Dm7 | D2, A2 | C4, F4, A4 | — |
| 30 | C Section | F | F2, C3 | C4, F4, A4 | — |
| 31 | C Section | G7 | G2, D3 | D4, F4, B4 | — |
| 32 | C Section | B♭m | B♭2, F3 | D♭4, F4, B♭4 | — |
| 33 | C Section | Gm7 | G2, D3 | D4, F4, B♭4 | — |
| 34 | C Section | C7 | C2, G2 | E4, G4, B♭4 | — |
| 35 | C Section | F | F2, C3 | F4, A4, C5 | — |