The End of a Love Affair by Edward Redding

Overview

Key: F major · Chords used: 22 · Sections: 6

Form: Intro → A Section → A Section → B Section → A Section → C Section

Where these chords come from: a chord chart of this song written by a musician and shared on the iReal Pro forums, archived in the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). It's one musician's reading of the song, not a transcription checked against the recording. This page shows that chart as-is: the analysis below is generated directly from it by code, not written by AI. Consecutive repeats of a chord are shown once, and the piano voicings are our playable arrangement of each chord symbol, not a note-for-note transcription.

Section by section

Intro

• Gm7 – F♯dim7 – Gm7 – C7 – F6 – Fmaj7
  ii7 – #i°7 – ii7 – V7 – I6 – Imaj7

A Section 1

• Gm7 – C7 – Fmaj7 – Fm7 – B♭7 – E♭maj7
  ii7 – V7 – Imaj7 – i7 – IV7 – bVIImaj7
• E♭m7 – A♭7 (×2)
  bvii7 – bIII7
• D♭maj7 – Gm7 – C7 – Fmaj7
  bVImaj7 – ii7 – V7 – Imaj7

A Section 2

Same chords as A Section 1.

B Section

• Dm7 – G7 (×4)
  vi7 – II7
• Cmaj7 – Am7 – D7 – Dm7 – G7 – Gm7 – C7
  Vmaj7 – iii7 – VI7 – vi7 – II7 – ii7 – V7

A Section 3

• Gm7 – C7 – Fmaj7 – Fm7 – B♭7 – E♭maj7
  ii7 – V7 – Imaj7 – i7 – IV7 – bVIImaj7
• E♭m7 – A♭7 (×2)
  bvii7 – bIII7
• D♭maj7 – Gm7 – C7 – Cm7 – F7
  bVImaj7 – ii7 – V7 – v7 – I7

C Section

• B♭maj7 – B♭m6 – E♭7 – Fmaj7 – A♭dim7 – Gm7 – F♯dim7 – Gm7 – C7 – F6
  IVmaj7 – iv6 – bVII7 – Imaj7 – biii°7 – ii7 – #i°7 – ii7 – V7 – I6

Chord vocabulary

Chord	Roman numeral	Role	Heard in
Gm7	ii7	In the key	Intro, A Section, B Section, C Section
F♯dim7	#i°7	Outside the key (chromatic)	Intro, C Section
C7	V7	In the key	Intro, A Section, B Section, C Section
F6	I6	Home chord (tonic)	Intro, C Section
Fmaj7	Imaj7	Home chord (tonic)	Intro, A Section, C Section
Fm7	i7	Borrowed from F minor	A Section
B♭7	IV7	Outside the key (chromatic)	A Section
E♭maj7	bVIImaj7	Outside the key (chromatic)	A Section
E♭m7	bvii7	Outside the key (chromatic)	A Section
A♭7	bIII7	Outside the key (chromatic)	A Section
D♭maj7	bVImaj7	Borrowed from F minor	A Section
Dm7	vi7	In the key	B Section
G7	II7	Outside the key (chromatic)	B Section
Cmaj7	Vmaj7	Outside the key (chromatic)	B Section
Am7	iii7	In the key	B Section
D7	VI7	Outside the key (chromatic)	B Section
Cm7	v7	Borrowed from F minor	A Section
F7	I7	Outside the key (chromatic)	A Section
B♭maj7	IVmaj7	In the key	C Section
B♭m6	iv6	Borrowed from F minor	C Section
E♭7	bVII7	Borrowed from F minor	C Section
A♭dim7	biii°7	Outside the key (chromatic)	C Section

Harmonic highlights

• Fm7 (i7) is borrowed from the parallel key, F minor.
• D♭maj7 (bVImaj7) is borrowed from the parallel key, F minor.
• Cm7 (v7) is borrowed from the parallel key, F minor.
• B♭m6 (iv6) is borrowed from the parallel key, F minor.
• E♭7 (bVII7) is borrowed from the parallel key, F minor.

Sources & accuracy

• Chords: the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). Community chord chart “End Of A Love Affair, The” (credited “Redding Edward”, style Ballad) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata.
• Section names: from the chart's own markings: section names written on the chart (Intro, Verse, Chorus…) are kept, and rehearsal letters are shown as “A Section”, “B Section” and so on (the B of an AABA song is called the Bridge).
• Cross-check: the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). Community chord chart “End Of A Love Affair, The” (credited “Redding Edward”, style Ballad) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata. A separately posted chart of the same song; its chords match this page's closely when both are read in the same key (similarity 100%).
• Chord charts are often written in a key that suits a particular singer or band, so this may not be the key of the original recording.
• Verified: two community charts of this song, posted in different forum threads, agree on its harmony. They're still charts, not transcriptions checked against the recording.
• Rhythm and chord durations aren't shown; each step is one chord change.