PianoChords.studio

Things Are Looking Up by George Gershwin

Piano chords, voicings & structure breakdown · 69 steps · 20 unique chords

Community chart. These chords come from a chart a musician wrote and shared on the iReal Pro forums, not from a transcription checked against the recording. Charts are sometimes written in a different key or simplified, and no second chart of this song agreed closely enough to mark this page verified. Trust your ears.
A Section 1, part 1Step 1 of 69

Fmaj7

LeftF2, C3RightC4, E4, A4
F2C3C4E4A4
Left hand Right hand Middle C (C4)

No source cited for this step

Harmonic Analysis & Structure

Overview

Key: F major · Chords used: 20 · Sections: 4

Form: A Section → A Section → Bridge → A Section

Where these chords come from: a chord chart of this song written by a musician and shared on the iReal Pro forums, archived in the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). It's one musician's reading of the song, not a transcription checked against the recording. This page shows that chart as-is: the analysis below is generated directly from it by code, not written by AI. Consecutive repeats of a chord are shown once, and the piano voicings are our playable arrangement of each chord symbol, not a note-for-note transcription.

Section by section

A Section 1

  • Fmaj7 – Am7
    Imaj7 – iii7
  • Gm7 – C7 – C7/B♭ – Am7 – D7 (×2)
    ii7 – V7 – V⁴₂ – iii7 – VI7
  • Gm7 – C7 – C7/B♭ – Fmaj7/A – A♭dim – Gm7 – C7 – Fmaj7 – Fmaj7/E – Dm7 – Gm7 – C7
    ii7 – V7 – V⁴₂ – Imaj⁶₅ – biii° – ii7 – V7 – Imaj7 – Imaj⁴₂ – vi7 – ii7 – V7

A Section 2

  • Fmaj7 – Am7
    Imaj7 – iii7
  • Gm7 – C7 – C7/B♭ – Am7 – D7 (×2)
    ii7 – V7 – V⁴₂ – iii7 – VI7
  • Gm7 – C7 – Fmaj7 – F♯dim – Gm7 – C7 – Fmaj7 – B♭m6 – Fmaj7 – Bm7♭5 – E7
    ii7 – V7 – Imaj7 – #i° – ii7 – V7 – Imaj7 – iv6 – Imaj7 – #ivø7 – VII7

Bridge

  • Am6 – Bm7♭5 – E7♭9 – Am7 – D7 – Gm6 – Am7♭5 – D7 – Gm7 – C7
    iii6 – #ivø7 – VII7b9 – iii7 – VI7 – ii6 – iiiø7 – VI7 – ii7 – V7

A Section 3

  • Fmaj7 – Am7 – Gm7 – C7 – C7/B♭ – Am7 – D7 – Gm7 – C7 – C7/B♭ – Am7 – D7♭9 – Gm7 – C7 – Fmaj7 – Fmaj7/E – Dm7 – Gm7 – C7 – Fmaj7 – E♭13 – Fmaj7
    Imaj7 – iii7 – ii7 – V7 – V⁴₂ – iii7 – VI7 – ii7 – V7 – V⁴₂ – iii7 – VI7b9 – ii7 – V7 – Imaj7 – Imaj⁴₂ – vi7 – ii7 – V7 – Imaj7 – bVII13 – Imaj7

Chord vocabulary

ChordRoman numeralRoleHeard in
Fmaj7Imaj7Home chord (tonic)A Section
Am7iii7In the keyA Section, Bridge
Gm7ii7In the keyA Section, Bridge
C7V7In the keyA Section, Bridge
C7/B♭V⁴₂In the keyA Section
D7VI7Secondary dominant (V/ii)A Section, Bridge
Fmaj7/AImaj⁶₅Home chord (tonic)A Section
A♭dimbiii°Outside the key (chromatic)A Section
Fmaj7/EImaj⁴₂Home chord (tonic)A Section
Dm7vi7In the keyA Section
F♯dim#i°Outside the key (chromatic)A Section
B♭m6iv6Borrowed from F minorA Section
Bm7♭5#ivø7Outside the key (chromatic)A Section, Bridge
E7VII7Outside the key (chromatic)A Section
Am6iii6Outside the key (chromatic)Bridge
E7♭9VII7b9Secondary dominant (V/iii)Bridge
Gm6ii6In the keyBridge
Am7♭5iiiø7Outside the key (chromatic)Bridge
D7♭9VI7b9Secondary dominant (V/ii)A Section
E♭13bVII13Borrowed from F minorA Section

Harmonic highlights

  • B♭m6 (iv6) is borrowed from the parallel key, F minor.
  • E♭13 (bVII13) is borrowed from the parallel key, F minor.
  • D7 acts as V/ii: it resolves to Gm7.
  • E7♭9 acts as V/iii: it resolves to Am7.
  • D7♭9 acts as V/ii: it resolves to Gm7.

Sources & accuracy

  • Chords: the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). Community chord chart “Things Are Looking Up 1” (credited “Gershwin George”, style Medium Up Swing) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata.
  • Section names: from the chart's own markings: section names written on the chart (Intro, Verse, Chorus…) are kept, and rehearsal letters are shown as “A Section”, “B Section” and so on (the B of an AABA song is called the Bridge).
  • Chord charts are often written in a key that suits a particular singer or band, so this may not be the key of the original recording.
  • About the song: Wikipedia.
  • Not verified: only one chart of this song is available, so it hasn't been cross-checked.
  • Rhythm and chord durations aren't shown; each step is one chord change.

Sources & Accuracy

Every chord on this page comes from the community chart listed first below. Piano voicings are our arrangement of the reported chord symbols, not a note-for-note transcription.

  • Chords from a chart a musician wrote and shared on the iReal Pro forums (archived in the ChoCo research dataset); may be in a different key from the recording, and not checked against it.

    Community chord chart “Things Are Looking Up 1” (credited “Gershwin George”, style Medium Up Swing) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata.

All Piano Voicings

#SectionChordLeft handRight handSources
1A Section 1, part 1Fmaj7F2, C3C4, E4, A4—
2A Section 1, part 1Am7A2, E3C4, E4, G4—
3A Section 1, part 2 (×2)Gm7G2, D3B♭3, D4, F4—
4A Section 1, part 2 (×2)C7C2, G2B♭3, E4, G4—
5A Section 1, part 2 (×2)C7/B♭B♭2B♭3, C4, E4, G4—
6A Section 1, part 2 (×2)Am7A2, E3C4, E4, G4—
7A Section 1, part 2 (×2)D7D2, A2C4, F♯4, A4—
8A Section 1, part 3Gm7G2, D3D4, F4, B♭4—
9A Section 1, part 3C7C2, G2E4, G4, B♭4—
10A Section 1, part 3C7/B♭B♭2E4, G4, B♭4, C5—
11A Section 1, part 3Fmaj7/AA2E4, F4, A4, C5—
12A Section 1, part 3A♭dimA♭2, A♭3E♭♭4, A♭4, C♭5—
13A Section 1, part 3Gm7G2, D3D4, F4, B♭4—
14A Section 1, part 3C7C2, G2E4, G4, B♭4—
15A Section 1, part 3Fmaj7F2, C3E4, A4, C5—
16A Section 1, part 3Fmaj7/EE2E4, F4, A4, C5—
17A Section 1, part 3Dm7D2, A2F4, A4, C5—
18A Section 1, part 3Gm7G2, D3F4, B♭4, D5—
19A Section 1, part 3C7C2, G2G4, B♭4, E5—
20A Section 2, part 1Fmaj7F2, C3A4, C5, E5—
21A Section 2, part 1Am7A2, E3G4, C5, E5—
22A Section 2, part 2 (×2)Gm7G2, D3F4, B♭4, D5—
23A Section 2, part 2 (×2)C7C2, G2G4, B♭4, E5—
24A Section 2, part 2 (×2)C7/B♭B♭2G4, B♭4, C5, E5—
25A Section 2, part 2 (×2)Am7A2, E3G4, C5, E5—
26A Section 2, part 2 (×2)D7D2, A2F♯4, A4, C5—
27A Section 2, part 3Gm7G2, D3F4, B♭4, D5—
28A Section 2, part 3C7C2, G2G4, B♭4, E5—
29A Section 2, part 3Fmaj7F2, C3A4, C5, E5—
30A Section 2, part 3F♯dimF♯2, F♯3F♯4, A4, C5—
31A Section 2, part 3Gm7G2, D3F4, B♭4, D5—
32A Section 2, part 3C7C2, G2G4, B♭4, E5—
33A Section 2, part 3Fmaj7F2, C3A4, C5, E5—
34A Section 2, part 3B♭m6B♭2, F3F4, G4, D♭5—
35A Section 2, part 3Fmaj7F2, C3E4, A4, C5—
36A Section 2, part 3Bm7♭5B1, B2F4, A4, D5—
37A Section 2, part 3E7E2, B2G♯4, B4, D5—
38BridgeAm6A2, E3F♯4, C5, E5—
39BridgeBm7♭5B1, B2F4, A4, D5—
40BridgeE7♭9E2, B2F4, G♯4, B4, D5—
41BridgeAm7A2, E3E4, G4, C5—
42BridgeD7D2, A2F♯4, A4, C5—
43BridgeGm6G2, D3E4, B♭4, D5—
44BridgeAm7♭5A2, A3E♭4, G4, C5—
45BridgeD7D2, A2F♯4, A4, C5—
46BridgeGm7G2, D3F4, B♭4, D5—
47BridgeC7C2, G2G4, B♭4, E5—
48A Section 3Fmaj7F2, C3A4, C5, E5—
49A Section 3Am7A2, E3G4, C5, E5—
50A Section 3Gm7G2, D3F4, B♭4, D5—
51A Section 3C7C2, G2G4, B♭4, E5—
52A Section 3C7/B♭B♭2G4, B♭4, C5, E5—
53A Section 3Am7A2, E3G4, C5, E5—
54A Section 3D7D2, A2F♯4, A4, C5—
55A Section 3Gm7G2, D3F4, B♭4, D5—
56A Section 3C7C2, G2G4, B♭4, E5—
57A Section 3C7/B♭B♭2G4, B♭4, C5, E5—
58A Section 3Am7A2, E3G4, C5, E5—
59A Section 3D7♭9D2, A2F♯4, A4, C5, E♭5—
60A Section 3Gm7G2, D3F4, B♭4, D5—
61A Section 3C7C2, G2G4, B♭4, E5—
62A Section 3Fmaj7F2, C3A4, C5, E5—
63A Section 3Fmaj7/EE2F4, A4, C5, E5—
64A Section 3Dm7D2, A2F4, A4, C5—
65A Section 3Gm7G2, D3F4, B♭4, D5—
66A Section 3C7C2, G2G4, B♭4, E5—
67A Section 3Fmaj7F2, C3A4, C5, E5—
68A Section 3E♭13E♭2, B♭2F4, G4, C5, D♭5—
69A Section 3Fmaj7F2, C3E4, A4, C5—