PianoChords.studio

Three to Get Ready by The Dave Brubeck Quartet

Piano chords, voicings & structure breakdown · 48 steps · 16 unique chords

Community chart. These chords come from a chart a musician wrote and shared on the iReal Pro forums, not from a transcription checked against the recording. Charts are sometimes written in a different key or simplified, and no second chart of this song agreed closely enough to mark this page verified. Trust your ears.
IntroStep 1 of 48

C

LeftC2, G2RightC4, E4, G4
C2G2C4E4G4
Left hand Right hand Middle C (C4)

No source cited for this step

Harmonic Analysis & Structure

Overview

Key: C major · Chords used: 16 · Sections: 5

Form: Intro → A Section → A Section → B Section → B Section

Where these chords come from: a chord chart of this song written by a musician and shared on the iReal Pro forums, archived in the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). It's one musician's reading of the song, not a transcription checked against the recording. This page shows that chart as-is: the analysis below is generated directly from it by code, not written by AI. Consecutive repeats of a chord are shown once, and the piano voicings are our playable arrangement of each chord symbol, not a note-for-note transcription.

Section by section

Intro

  • C – C7 – F – G7 – C – F – Dm7 – G – F – F7 – Em7 – A7 – Dm7 – G7 – C – C7 – F – G7♭9 – C
    I – I7 – IV – V7 – I – IV – ii7 – V – IV – IV7 – iii7 – VI7 – ii7 – V7 – I – I7 – IV – V7b9 – I

A Section 1

  • C – C7 – F – G7 – C – F – G7 – F – F7 – Em7 – A7 – Fm6 – B♭7 – C – G – C
    I – I7 – IV – V7 – I – IV – V7 – IV – IV7 – iii7 – VI7 – iv6 – bVII7 – I – V – I

A Section 2

Same chords as A Section 1.

B Section 1

  • Cm7 – F7 – Cm7 – Cm – Fm – G7 – Fm7 – Em7 – Fm6 – B♭7 – Cm – G7 – Cm7
    i7 – IV7 – i7 – i – iv – V7 – iv7 – iii7 – iv6 – bVII7 – i – V7 – i7

B Section 2

Same chords as B Section 1.

Chord vocabulary

ChordRoman numeralRoleHeard in
CIHome chord (tonic)Intro, A Section
C7I7Secondary dominant (V/IV)Intro, A Section
FIVIn the keyIntro, A Section
G7V7In the keyIntro, A Section, B Section
Dm7ii7In the keyIntro
GVIn the keyIntro, A Section
F7IV7Outside the key (chromatic)Intro, A Section, B Section
Em7iii7In the keyIntro, A Section, B Section
A7VI7Secondary dominant (V/ii)Intro, A Section
G7♭9V7b9Borrowed from C minorIntro
Fm6iv6Borrowed from C minorA Section, B Section
B♭7bVII7Borrowed from C minorA Section, B Section
Cm7i7Borrowed from C minorB Section
CmiBorrowed from C minorB Section
FmivBorrowed from C minorB Section
Fm7iv7Borrowed from C minorB Section

Harmonic highlights

  • G7♭9 (V7b9) is borrowed from the parallel key, C minor.
  • Fm6 (iv6) is borrowed from the parallel key, C minor.
  • B♭7 (bVII7) is borrowed from the parallel key, C minor.
  • Cm7 (i7) is borrowed from the parallel key, C minor.
  • Cm (i) is borrowed from the parallel key, C minor.
  • Fm (iv) is borrowed from the parallel key, C minor.
  • Fm7 (iv7) is borrowed from the parallel key, C minor.
  • C7 acts as V/IV: it resolves to F.
  • A7 acts as V/ii: it resolves to Dm7.

Sources & accuracy

  • Chords: the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). Community chord chart “Three To Get Ready” (credited “Brubeck Dave”, style Medium Swing) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata.
  • Section names: from the chart's own markings: section names written on the chart (Intro, Verse, Chorus…) are kept, and rehearsal letters are shown as “A Section”, “B Section” and so on (the B of an AABA song is called the Bridge).
  • Chord charts are often written in a key that suits a particular singer or band, so this may not be the key of the original recording.
  • Not verified: other charts of this song differ in places from this one, so this page isn't marked verified.
  • Rhythm and chord durations aren't shown; each step is one chord change.

Sources & Accuracy

Every chord on this page comes from the community chart listed first below. Piano voicings are our arrangement of the reported chord symbols, not a note-for-note transcription.

  • Chords from a chart a musician wrote and shared on the iReal Pro forums (archived in the ChoCo research dataset); may be in a different key from the recording, and not checked against it.

    Community chord chart “Three To Get Ready” (credited “Brubeck Dave”, style Medium Swing) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata.

All Piano Voicings

#SectionChordLeft handRight handSources
1IntroCC2, G2C4, E4, G4—
2IntroC7C2, G2B♭3, E4, G4—
3IntroFF2, C3C4, F4, A4—
4IntroG7G2, D3D4, F4, B4—
5IntroCC2, G2E4, G4, C5—
6IntroFF2, C3F4, A4, C5—
7IntroDm7D2, A2F4, A4, C5—
8IntroGG2, D3D4, G4, B4—
9IntroFF2, C3C4, F4, A4—
10IntroF7F2, C3C4, E♭4, A4—
11IntroEm7E2, B2B3, D4, G4—
12IntroA7A2, E3C♯4, E4, G4—
13IntroDm7D2, A2C4, F4, A4—
14IntroG7G2, D3D4, F4, B4—
15IntroCC2, G2E4, G4, C5—
16IntroC7C2, G2E4, G4, B♭4—
17IntroFF2, C3F4, A4, C5—
18IntroG7♭9G2, D3F4, A♭4, B4, D5—
19IntroCC2, G2E4, G4, C5—
20A Section 1CC2, G2E4, G4, C5—
21A Section 1C7C2, G2E4, G4, B♭4—
22A Section 1FF2, C3F4, A4, C5—
23A Section 1G7G2, D3F4, B4, D5—
24A Section 1CC2, G2G4, C5, E5—
25A Section 1FF2, C3F4, A4, C5—
26A Section 1G7G2, D3F4, B4, D5—
27A Section 1FF2, C3F4, A4, C5—
28A Section 1F7F2, C3E♭4, A4, C5—
29A Section 1Em7E2, B2D4, G4, B4—
30A Section 1A7A2, E3E4, G4, C♯5—
31A Section 1Fm6F2, C3D4, A♭4, C5—
32A Section 1B♭7B♭2, F3F4, A♭4, D5—
33A Section 1CC2, G2E4, G4, C5—
34A Section 1GG2, D3D4, G4, B4—
35A Section 1CC2, G2E4, G4, C5—
36B Section 1Cm7C2, G2E♭4, G4, B♭4—
37B Section 1F7F2, C3E♭4, A4, C5—
38B Section 1Cm7C2, G2E♭4, G4, B♭4—
39B Section 1CmC2, G2E♭4, G4, C5—
40B Section 1FmF2, C3F4, A♭4, C5—
41B Section 1G7G2, D3F4, B4, D5—
42B Section 1Fm7F2, C3A♭4, C5, E♭5—
43B Section 1Em7E2, B2G4, B4, D5—
44B Section 1Fm6F2, C3A♭4, C5, D5—
45B Section 1B♭7B♭2, F3F4, A♭4, D5—
46B Section 1CmC2, G2E♭4, G4, C5—
47B Section 1G7G2, D3D4, F4, B4—
48B Section 1Cm7C2, G2E♭4, G4, B♭4—