PianoChords.studio

Too Darn Hot by Cole Porter

Piano chords, voicings & structure breakdown · 63 steps · 22 unique chords

Community chart. These chords come from a chart a musician wrote and shared on the iReal Pro forums, not from a transcription checked against the recording. Charts are sometimes written in a different key or simplified, and no second chart of this song agreed closely enough to mark this page verified. Trust your ears.
A Section 1, part 1 (×2)Step 1 of 63

Cm

LeftC2, G2RightC4, E♭4, G4
C2G2C4G4E♭4
Left hand Right hand Middle C (C4)

No source cited for this step

Harmonic Analysis & Structure

Overview

Key: C major · Chords used: 22 · Sections: 3

Form: A Section → A Section → B Section

Where these chords come from: a chord chart of this song written by a musician and shared on the iReal Pro forums, archived in the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). It's one musician's reading of the song, not a transcription checked against the recording. This page shows that chart as-is: the analysis below is generated directly from it by code, not written by AI. Consecutive repeats of a chord are shown once, and the piano voicings are our playable arrangement of each chord symbol, not a note-for-note transcription.

Section by section

A Section 1

  • Cm – Gm7 – Cm – G7 (×2)
    i – v7 – i – V7
  • Cm – Cm/B♭ – Cm/A – A♭7 – G7sus4 – A♭7♭5 – G7 (×2)
    i – i (bass B♭) – i (bass A) – bVI7 – V7sus4 – bVI7♭5 – V7
  • C6 – Am7 – Dm7 – G7 (×2)
    I6 – vi7 – ii7 – V7
  • C – D♭dim7 – Dm7 – G9 – Cm – G7 – C7 – G7
    I – bii°7 – ii7 – V9 – i – V7 – I7 – V7

A Section 2

  • Cm – Gm7 – Cm – G7 (×2)
    i – v7 – i – V7
  • Cm – Cm/B♭ – Cm/A – A♭7 – G7sus4 – A♭7♭5 – G7 (×2)
    i – i (bass B♭) – i (bass A) – bVI7 – V7sus4 – bVI7♭5 – V7
  • C6 – Am7 – Dm7 – G7 (×2)
    I6 – vi7 – ii7 – V7
  • C – D♭dim7 – Dm7 – G9 – Cm – G7 – C7
    I – bii°7 – ii7 – V9 – i – V7 – I7

B Section

  • C6 – Fmaj7 – Dm7 – G7 – C6 – Fmaj7 – Dm7 – C – C/E – F – F♯dim7 – C/G – C/A – Dm7 – C7 – F7 – G7 – C7
    I6 – IVmaj7 – ii7 – V7 – I6 – IVmaj7 – ii7 – I – I⁶ – IV – #iv°7 – I⁶₄ – I (bass A) – ii7 – I7 – IV7 – V7 – I7

Chord vocabulary

ChordRoman numeralRoleHeard in
CmiBorrowed from C minorA Section
Gm7v7Borrowed from C minorA Section
G7V7In the keyA Section, B Section
Cm/B♭i (bass B♭)Borrowed from C minorA Section
Cm/Ai (bass A)Outside the key (chromatic)A Section
A♭7bVI7Outside the key (chromatic)A Section
G7sus4V7sus4In the keyA Section
A♭7♭5bVI7♭5Outside the key (chromatic)A Section
C6I6Home chord (tonic)A Section, B Section
Am7vi7In the keyA Section
Dm7ii7In the keyA Section, B Section
CIHome chord (tonic)A Section, B Section
D♭dim7bii°7Outside the key (chromatic)A Section
G9V9In the keyA Section
C7I7Outside the key (chromatic)A Section, B Section
Fmaj7IVmaj7In the keyB Section
C/EI⁶Home chord (tonic)B Section
FIVIn the keyB Section
F♯dim7#iv°7Outside the key (chromatic)B Section
C/GI⁶₄Home chord (tonic)B Section
C/AI (bass A)Home chord (tonic)B Section
F7IV7Outside the key (chromatic)B Section

Harmonic highlights

  • Cm (i) is borrowed from the parallel key, C minor.
  • Gm7 (v7) is borrowed from the parallel key, C minor.
  • Cm/B♭ (i (bass B♭)) is borrowed from the parallel key, C minor.

Sources & accuracy

  • Chords: the iReal Pro forum charts archived in ChoCo (de Berardinis et al., 2023). Community chord chart “Too Darn Hot” (credited “Porter Cole”, style Medium Swing) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata.
  • Section names: from the chart's own markings: section names written on the chart (Intro, Verse, Chorus…) are kept, and rehearsal letters are shown as “A Section”, “B Section” and so on (the B of an AABA song is called the Bridge).
  • Chord charts are often written in a key that suits a particular singer or band, so this may not be the key of the original recording.
  • About the song: Wikipedia.
  • Not verified: other charts of this song differ in places from this one, so this page isn't marked verified.
  • Rhythm and chord durations aren't shown; each step is one chord change.

Sources & Accuracy

Every chord on this page comes from the community chart listed first below. Piano voicings are our arrangement of the reported chord symbols, not a note-for-note transcription.

  • Chords from a chart a musician wrote and shared on the iReal Pro forums (archived in the ChoCo research dataset); may be in a different key from the recording, and not checked against it.

    Community chord chart “Too Darn Hot” (credited “Porter Cole”, style Medium Swing) from the forum file linked here, CC BY 4.0 via ChoCo. Performer/songwriter confirmed from Wikidata.

All Piano Voicings

#SectionChordLeft handRight handSources
1A Section 1, part 1 (×2)CmC2, G2C4, E♭4, G4—
2A Section 1, part 1 (×2)Gm7G2, D3B♭3, D4, F4—
3A Section 1, part 1 (×2)CmC2, G2C4, E♭4, G4—
4A Section 1, part 1 (×2)G7G2, D3B3, D4, F4—
5A Section 1, part 2 (×2)CmC2, G2C4, E♭4, G4—
6A Section 1, part 2 (×2)Cm/B♭B♭2C4, E♭4, G4—
7A Section 1, part 2 (×2)Cm/AA2C4, E♭4, G4—
8A Section 1, part 2 (×2)A♭7A♭2, E♭3C4, E♭4, G♭4—
9A Section 1, part 2 (×2)G7sus4G2, D3C4, D4, F4—
10A Section 1, part 2 (×2)A♭7♭5A♭2, A♭3C4, E♭♭4, G♭4—
11A Section 1, part 2 (×2)G7G2, D3B3, D4, F4—
12A Section 1, part 3 (×2)C6C2, G2A3, E4, G4—
13A Section 1, part 3 (×2)Am7A2, E3C4, E4, G4—
14A Section 1, part 3 (×2)Dm7D2, A2C4, F4, A4—
15A Section 1, part 3 (×2)G7G2, D3D4, F4, B4—
16A Section 1, part 4CC2, G2E4, G4, C5—
17A Section 1, part 4D♭dim7D♭2, D♭3F♭4, A♭♭4, C♭♭5—
18A Section 1, part 4Dm7D2, A2F4, A4, C5—
19A Section 1, part 4G9G2, D3F4, A4, B4, D5—
20A Section 1, part 4CmC2, G2G4, C5, E♭5—
21A Section 1, part 4G7G2, D3F4, B4, D5—
22A Section 1, part 4C7C2, G2G4, B♭4, E5—
23A Section 1, part 4G7G2, D3F4, B4, D5—
24A Section 2, part 1 (×2)CmC2, G2G4, C5, E♭5—
25A Section 2, part 1 (×2)Gm7G2, D3F4, B♭4, D5—
26A Section 2, part 1 (×2)CmC2, G2G4, C5, E♭5—
27A Section 2, part 1 (×2)G7G2, D3F4, B4, D5—
28A Section 2, part 2 (×2)CmC2, G2G4, C5, E♭5—
29A Section 2, part 2 (×2)Cm/B♭B♭2G4, C5, E♭5—
30A Section 2, part 2 (×2)Cm/AA2G4, C5, E♭5—
31A Section 2, part 2 (×2)A♭7A♭2, E♭3G♭4, C5, E♭5—
32A Section 2, part 2 (×2)G7sus4G2, D3F4, C5, D5—
33A Section 2, part 2 (×2)A♭7♭5A♭2, A♭3G♭4, C5, E♭♭5—
34A Section 2, part 2 (×2)G7G2, D3F4, B4, D5—
35A Section 2, part 3 (×2)C6C2, G2G4, A4, E5—
36A Section 2, part 3 (×2)Am7A2, E3G4, C5, E5—
37A Section 2, part 3 (×2)Dm7D2, A2F4, A4, C5—
38A Section 2, part 3 (×2)G7G2, D3F4, B4, D5—
39A Section 2, part 4CC2, G2G4, C5, E5—
40A Section 2, part 4D♭dim7D♭2, D♭3A♭♭4, C♭♭5, F♭5—
41A Section 2, part 4Dm7D2, A2F4, A4, C5—
42A Section 2, part 4G9G2, D3F4, A4, B4, D5—
43A Section 2, part 4CmC2, G2G4, C5, E♭5—
44A Section 2, part 4G7G2, D3F4, B4, D5—
45A Section 2, part 4C7C2, G2G4, B♭4, E5—
46B SectionC6C2, G2G4, A4, E5—
47B SectionFmaj7F2, C3A4, C5, E5—
48B SectionDm7D2, A2F4, A4, C5—
49B SectionG7G2, D3F4, B4, D5—
50B SectionC6C2, G2G4, A4, E5—
51B SectionFmaj7F2, C3A4, C5, E5—
52B SectionDm7D2, A2F4, A4, C5—
53B SectionCC2, G2E4, G4, C5—
54B SectionC/EE2E4, G4, C5—
55B SectionFF2, C3F4, A4, C5—
56B SectionF♯dim7F♯2, F♯3E♭4, A4, C5—
57B SectionC/GG2E4, G4, C5—
58B SectionC/AA2E4, G4, C5—
59B SectionDm7D2, A2F4, A4, C5—
60B SectionC7C2, G2E4, G4, B♭4—
61B SectionF7F2, C3E♭4, A4, C5—
62B SectionG7G2, D3D4, F4, B4—
63B SectionC7C2, G2E4, G4, B♭4—